Louis Spohr nació en Brunswick el 5 de abril de 1784. Fue un compositor, violinista y director de orquesta alemán.Por muchos contemporáneos fue colocado en un meritorio puesto detrás de Haydn, Mozart y Beethoven en el panteón de los grandes compositores. Junto con Gluck y Cherubini, se le ha asignado un estatus menor por la posteridad.

Louis Spohr – Clarinet Concerto No.1 – [Karl Leister]

BIOGRAFIA

OBRA:
Vocal secular:

Stage:
Die Prüfung (Operette, 1, E. Henke), woo48, private concert perf., Gotha, 1806, D-Ksp*, ov. as op.15, pts (Bonn, 1809)
Alruna, die Eulenkönigin (grosse romantische Oper, 3), woo49, 1808, unperf., US-Bp*, ov. as op.21, pts (Offenbach, 1812)
Der Zweikampf mit der Geliebten (Oper, 3, J.F. Schink), woo50, 1810–11, Hamburg, 15 Nov 1811, private collection*, D-Bsb, vs (Hamburg, 1813)
Faust (romantische Oper, 2, J.K. Bernard), woo51 and 51a, 1813. Prague, 1 Sept 1816, Mbs, vs (Leipzig, 1822), ov. as op.60, pts (Leipzig, 1823), fs (Leipzig, 1856), B i; rev. as grosse Oper (3), CG, 15 July 1852, Bsb* (recits and other new music), vs (Leipzig, 1854)
Zemire und Azor (romantische Oper, 2, J.J. Ihlée, after J.F. Marmontel), woo52, 1818–19, Frankfurt, 4 April 1819, Mbs, vs (Hamburg, 1821)
Jessonda (grosse Oper, 3 E. Gehe, after A.-M. Lemierre: La veuve de Malabar), woo53, 1822 Kassel, Hof, 28 July 1823, vs (Leipzig, 1824), fs (Leipzig, 1881/R1988 as B ii), ov. as op.63, pts (Leipzig, 1824)
Der Berggeist (romantische Oper, 3, G. Döring), woo54, 1824, Kassel, Hof, 24 March 1825, Mbs, vs (Leipzig, 1825), ov. as op.73, pts (Leipzig, 1827)
Die beiden Galeerensklaven (incid music, T. Hell), woo66, 1824, song Der Morgen graut, S, 4vv (Meissen, 1834)
Macbeth (incid music, S.H. Spiker, after W. Shakespeare), woo55. 1825 Bsb, ov. as op.75, pts (Leipzig, 1827)
Der Sturm von Missolunghi (incid music, anon.), woo83, 1826, chorus Gebet vor der Schlacht, 5 male vv (Hersfeld, 1826)
Pietro von Abano (romantische Oper, 2, C. Pfeiffer, after L. Tieck), woo56, 1827, Kassel, Hof, 13 Oct 1827, F-Pn* (facs. in B iii), vs, pts (Berlin, 1828)
Der Alchymist (romantische Oper, 3, F.G. Schmidt [Pfeiffer], after W. Irving: The Student of Salamanca), woo57, 1829–30, Kassel, Hof, 28 July 1830, D-Bsb, vs (Berlin, 1831), ov., pts (Berlin 1831)
Der Matrose (incid music, K. Birnbaum), woo58, 1838, Kassel, 9 Jan 1839, collab. M. Hauptmann and others, Km, Matrosenlied woo80 (Dresden, 1841), ov. woo7, arr. pf 4 hands (Mainz, 1874)
Die Kreuzfahrer (grosse Oper, 3, L. and M. Spohr, after A. von Kotzebue), woo59, 1843–4, Kassel, Hof, 1 Jan 1845, Bsb, vs (Hamburg, 1845)

Other:
accompanied:
Das befreite Deutschland (cant., K. Pichler), C, woo64, 1814, ov. arr. pf duet (Vienna, 1830), no.4 ‘Du schöner Stern’ arr. 1v, pf (Vienna, 1823)
Hymne an die heilige Cäcilie (P. von Calenberg), B , S, chorus, pf, 1823, D-F* (Kassel, 1859)
Hessens Feiergesang (K. Wolf), D, unison vv, wind orch, woo68, 1830 (Kassel, 1830)
Es schwebt im lichten Strahlenkranze, festival song, D, 3 S, chorus, vn, pf, 1832, woo69, pubd with new text (Leipzig, 1887)
Schill, E , 4 male vv, pf 4 hands, woo71, 1840, BS* (Leipzig, 1842)
O sel’ge Zeit, festival song, E , A, chorus, pf 4 hands, woo73, 1850 (Leipzig, 1887)

unaccompanied partsongs:
Der Kompass, F, 4 male vv, woo89, c1807 (Meissen, 1826);
Lebe wohl, du Vater Brocken, canon, C, 4 male vv, woo128, 1808, Brunswick, Landesmuseum*, facs. in Spohr: Selbstbiographie
Freude, Jubel, C, 3 high vv, woo81, c1808, Brunswick, Landesmuseum*
6 Gësange, 4 male vv, op.44, 1817 (Leipzig, 1818): Hinauf (K. Grumbach), Rastlose Liebe (J.W. von Goethe), Kennt ihr das Land (F. Brun), Frühlingsorakel (Goethe), Trinklied (anon.), Zur Nacht (T. Körner)
Willst du immer weiter Schweifen (Goethe), canon, B , 4 male vv, woo129, 1817, pubd with op.44 (Leipzig, 1818)
2 Gësange, 4 male vv, woo82, 1820 (Leipzig, 1821): Flüchtig ist die Zeit (J.W.L. Gleim), Punschlied (anon.)
6 Gësange, 4 male vv, op.90, 1833 (Hamburg, 1838): Rat (anon.), Ständchen (anon.), Sängerleben (anon.), Sängerfahrt (C. Pfeiffer), Alte Liebe (anon.), Trinklied (anon.)
Wer das schneiden hat erfunden, canon, D, 2vv, woo133, before 1835, D-Bsb*
6 Lieder, 4vv, op.120, 1841–2, Kassel, Mitteldeutscher Sängerbund* (Kassel, 1842): Sonnenschein (K.F. Dräxel-Manfred), Vesper (C. von Schweizer), Wanderlust (J.P.T. Lyser), An die Sterne (F. Spohr), Ergebung (H. Spener), Frühlingsgedanken (A. Hagen)
Kurz ist der Schmerz (F. Schiller), canon, F, 3 S, woo134, 1848, Ksp*
6 Lieder, 4vv, woo87 [op.151], 1855 (Hamburg, 1873): Winterlied (F.K. Müller von der Werra), Die Frühlingszeit (Müller von der Werra), des Menschen Trost (Müller von der Werra), Der Sommerabend (K.F. Haltaus), Das deutsche Lied (Felim), Ode (G. Berlin)
Ständchen (A. Hahlert), C, 4 male vv, woo88, 1856, Ksp*

solo vocal with orchestra:
Oskar (scene and aria), B , S, woo75, 1805, D-Kl*
Torni serena l’alma (aria alla polacca), D, T, woo76, 1811, Kl
Welche seltenen Gefühle (recit), E , woo78, c1822, Bsb [for J. Weigl: Ostade, oder Adrian von Ostade]
E mi lasci così? (Tu m’abbandonai, ingrato) (scene and aria), A, S, op.71, 1823, vs, pts (Leipzig, 1827)

for 2 voices with piano:
3 Duette, S, T, op.107, 1838 (Bonn, 1839), B viii: Liebesfragen (H. Schulz), D-Ksp*, Wechselgesang (C.A. Tiedge), Kassel, Mitteldeutscher Sängerbund*, Liebe (anon.), Ksp*
Jenseits (F. Bobrich), S, T, woo98, 1838, Ksp* (Leipzig, 1838), B viii
3 Duette, 2 S, op.108, 1838 (Bonn, 1839) B viii: Abendlied (F. Rochlitz), Das Herz (anon.), Ruhe (G. von Deuern)
Mein Heimatland (Mecklenburg), 2 S, woo116, 1847, Kassel, Mitteldeutscher Sängerbund* (Berlin, 1849), B viii
3 Leider, 2 S, woo117. 1849 (Leipzig and London, 1854), B viii: Ermunterung (K.E. Ebert), Sonntagsfrühe (A. Lange), Frühlingslied (G. Scheurlin)
Wenn sich zwei Herzen finden, S, A, woo120, 1851 (Nuremberg, 1852)

solo songs:
for unspecified voice with piano unless otherwise stated
6 deutsche Lieder, op.25, 1809 (Hamburg, 1810), B viii: Wiegenlied (K.E.K. von Göchhausen), Schottisches Lied (anon.), Gretchen am Spinnrade (Goethe), Lied der Freude (E. Gross), Zigeunerlied (Goethe), Das Schiffermädchen (A. Gyr)
Lied des verlassenen Mädchens (J.L.F. Deinhardstein), woo90, 1814/15 (Vienna, 1815), B viii
6 deutsche Lieder, op.37, 1815 (Leipzig, 1816), B viii: Mignons Lied (Goethe), Lebenslied (H. Schmidt), Die Stimme der Nacht (C. von W.), Getrennte Liebe (H. Schmidt), Liebesschwärmerei (C. von W.), Lied beim Rundtanz (J.G. von Salis)
6 deutsche Lieder, op.41, 1815 (Leipzig, 1817), B viii: Das Mädchens Sehnsucht (F. Kind), Lied aus Aslaugas Ritter (F. de la Motte-Fouqué), An Mignon (Goethe), Klagelied von den drei Rosen (Buri), Der erste Kuss (M. Kartscher), Vanitas! Vanitatum vanitas (Goethe)
Nachgefühl (Goethe), woo91, 1819 (Meissen, 1824), B viii
Was treibt den Waidmann in den Wald (W. Vogel), acc hp/pf, hn, woo92, 1825 (Vienna, 1826), B viii
6 deutsche Lieder, op.72, 1826 (Leipzig, 1827), B viii: Frühlingslied (L. Uhland), Schifferlied der Wasserfee (L. Tieck), Ghasel (Adil), Beruhigung (anon.), An Rosa Maria (Amalia), Schlaflied (Tieck)
6 deutsche Lieder, A/Bar, op.94, 1835–36 (Bonn, 1837), B viii: Lied der Harfnerin (anon.), Bitte, bitte! (Schmidt), Der Bleicherin Nachtlied (R. Reinick), Ungeduld (W. Müller), Schwermut (S.A. Mahlmann), Sonntag und Montag (anon.)
Das Wirtshaus zu *** (A. von Marées), A/Bar, woo93, 1836 (Mainz, 1836), B viii
6 deutsche Lieder, acc. pf 2 and 4 hands, op.101, 1836–7 (Leipzig, 1837), B viii: Frühlingslied (R. Reinick), Sangeslust (J. Eberwein), Nichts Schöneres (Reinick), Trostlos (A. von Hochwald), Schweigen ist Schönes Ding (Reinick), Gondelfahrt (E. Geibel)
5 deutsche Lieder, op.139, 1836–48 (Kassel, 1848), B viii: Ständchen (K. Simrock), Maria (anon.), Jägerlied (anon.), Lied aus dem ‘ Märlein von der Wasserfee’ (M. Bekmann), Was mir wohl übrig bliebe (A.H. Hoffmann von Fallersleben)
6 deutsche Lieder, [S] acc. pf, cl, op.103, 1837 (Leipzig, 1838), B viii: Sei still mein Herz (C. von Schweizer), Zeigesang (Reinick), Sehnsucht (Geibel), Wiegenlied (in drei Tönen) ( Hoffmann von Fallersleben), Das heimliche Leid [sic] (E. Koch), Wach auf (anon.)
6 deutsche Lieder, S/T, op.105, 1838 (Halle, 1839), B viii: Die Himmelsbraut (J. Kerner), Der Rosenstrauch (E. Ferrand), Das Ständchen (Uhland), An *** (E. Koch), Des Mädchens Klage (Schweizer), Warum nicht? (anon.)
Mitternacht (F. Dingelstedt), acc. pf 4 hands, woo97, 1838 (Dresden, 1840), B viii
Verlust (B.F.W. Zimmermann), woo99, 1839, A-Wgm* (Vienna, 1839), B viii
An die Geliebten (V. Hugo), woo100, 1839 (Hamburg, 1850), B viii
Unterwegs (Dingelstedt), woo101, 1839 (Brunswick, 1842), B viii
Die sieben Schwestern (L. Wihl), acc. pf 4 hands, woo102, 1839 (Bonn, 1840), Kassel, Mitteldeutscher Sängerbund*
Rätselhaft (anon.), T, pf 4 hands, woo103, 1841, US-Wc* (Brunswick, 1841), B viii
Abendlied (J. Becker), woo104, 1841 (Kassel, 1841)
Singet die Nachtigall im dunkeln Wald (J.C. von Zedlitz: Kerker und Krone), woo105, 1841 (Leipzig, 1841), B viii
Wolle keiner mich fragen (Giebel), woo106, 1842, D-F* (Stuttgart, 1842), B viii
Thränen (A. von Chamisso), woo108, 1842 (Leipzig, 1842), B viii
Leibt er mich (anon.), woo109, 1843, Ksp* (Stuttgart, 1843), B viii
Gruss (J.K. Braun von Braunsthal), woo110, 1843, Kl* (Vienna, 1844), B viii
Mein Vaterland (Hoffmann von Fallersleben), woo111, 1844 (Mannheim, 1845), B viii
Ermutigung (C. von Schweizer), woo112, 1845 (Kassel, 1845), B viii
Immerdar Liebe (Göchhausen), woo113, 1845, Ksp* (Rudolstadt, 1845)
Every Where Far and Near (Sehnsucht) (Meier), woo114, 1846, Ksp* (London, 1848), B viii
Der Herbst (A.L. Lua), woo115, 1847 (Berlin, 1848), b viii
An sie am Klavier, sonatina for pf, 1v, B , op.138, 1848 (Kassel, 1848)
Glockenklänge (anon.), woo118, 1850, US-Wc* (Brunswick, 1852), B viii
3 Lieder (F. von Bodenstedt, after The Thousand and One Nights), woo119, 1850 (Leipzig, 1855), B viii
Erwartung (K. Bassewitz), woo121, 1853 (Göttingen, 1854), B viii
Mein Verlangen (Müller von der Werra), woo122, 1854 (St Gallen, 1855)
Grüsse (A. Linden), woo123, 1855, D-Ksp* (Leipzig, 1862)
6 deutsche Lieder, Bar, vn, pf, op.154, 1856 (Kassel, 1857), B viii: Abendfeier (H. Mahn), Jagdlied (F. Spohr), Töne (R. Otto), Erlkönig (Goethe), Der Spielmann und seine Geige (Hozze), Abendstille (J. Koch)
Immer dasselbe (A. Linden), woo124, 1856 Ksp* (Leipzig and Dresden, 1858)
Wohin (J. Sturm), woo125, 1856, Bsb*, B viii
Die verschweigene Nachtigall (Walther von der Vogelweide), woo126, 1857 (Würzburg, 1858), B viii
Neue Liebe, neues Leben (Goethe), woo127, 1858 (Würzburg, 1859), B viii

Vocal religiosa:

Mass, c, 5 solo vv, double chorus, op.54, 1821 (Leipzig, 1822)
Requiem, c, solo vv, chorus, orch, 1857–8, inc., D-Bsb*, Ksp*

Orats, solo vv, chorus, orch:
Das jüngste Gericht (A. Arnold), woo60, 1812, Kl*;
Die letzten Dinge (F. Rochlitz), woo61, vs pr. privately (Kassel, 1827), fs (London and Berlin, 1881/R in B iv);
Des Heilands letzte Stunden (Rochlitz), woo62, 1834–5, US-Wc*, vs pr. privately (Kassel, 1835), fs (London, 1884/R in B v);
Der Fall Babylons (E. Taylor, trans. F Oetker), woo63, 1839–40, D-LEm*, vs (Leipzig, 1842), fs (Leipzig, 1843)

Pss:
3 Pss (viii, xxiii, cxxx) (M. Mendelssohn), solo vv, double chorus, op.85, 1832, Kl* (Bonn, 1833);
Ps xxiv, 4 solo vv, chorus, pf, op.97a, 1836, Kl, vs (Berlin, 1890);
Ps cxxviii (C.B. Broadley), 4 solo vv, chorus, org/pf, op.122, 1841, arr. orch 1842, vs (London and Bonn, 1843), orch version GB-Lbl*;
Ps lxxxiv (J. Milton, Eng. and Ger. text), 4 solo vv, chorus, orch, woo72, 1846–7 (Hamburg, 1873)

Other:
Jubilate Deo, off, C, S, chorus, vn solo, orch, woo65, 1815, Kl;
Vater unser (A. Mahlmann), F, 4 solo vv, chorus, orch, woo67, 1829 (Berlin, 1831), Ksp*;
Gott, du bist gross (J.F. Rohdmann), hymn, 4 solo vv, chorus, orch, op.98, 1836 (Bonn, 1838);
Friede den Entschlafenen (J. Neus), A , 2vv, woo84, 1837 (Mainz, 1838);
Vater unser (F.G. Klopstock), double chorus male vv, wind orch, woo70, 1838, A-Wn, vs (Frankfurt, 1838) (2nd version with full orch, op.104, 1845, D-Ksp*;
Lasst uns Dankgesang erheben, fugue, C, 4vv, woo85, 1838 (Berlin, 1839);
Selig alle, die im Herrn entschliefen, C, 4 male vv, woo86, 1844, Ksp*

Instrumental:

Orch.:
op.
12Overture, c, 1806, pts (Bonn, 1808)
20Symphony no.1, E , 1811, pts (Leipzig, 1811); fs B vi
34Notturno, C, wind insts, Turkish band, 1815 (Leipzig, 1816)
—Grand Concert Overture, F, woo1, 1819, GB-Lbl*
49Symphony no.2, d, 1820, pts (Leipzig, 1820); fs B vi
—Fackeltanz, D, 53 tpt, 4 timp, woo2, 1825, lost
—Festmarsch, D, woo3, 1825 (Kassel, 1884)
78Symphony no.3, c, 1828, pts (Berlin, 1828), fs (Berlin, 1870)
—introductory music to Act 3 of Die Belagerung Missolunghis (W. Ehlers), woo4, 1830, lost
—Introduction to a Festspiel (A. Niemeyer), woo5, 1830, Kassel, 8 Jan 1831, D-HVs*
86Symphony no.4 ‘Die Weihe der Töne’, F, 1832 (Vienna, 1834); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
89Waltz ‘Erinnerung an Marienbad’, A, 1833, pts (Vienna, 1834)
102Symphony no.5, c, 1837 (Vienna, 1840); B vi
116Symphony no.6 ‘Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte’, G, 1839 (Vienna, 1842); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
121Symphony no.7 ‘Irdisches und Göttliches im Menschenleben’, C, 2 orch, 1841 (Hamburg, 1842); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
126Concert Overture ‘im ernsten Stil’, D, 1842 (Leipzig, 1846)
137Symphony no.8, G, 1847 (Leipzig, 1854)
143Symphony no.9 ‘Die Jahreszeiten’, b, 1849–50 (Hamburg, 1853)
156Symphony no.10, E, woo8, 1857, Bsb*

Violin concertos:
op.
—Violin Concerto, G, c1799, D-Mbs*
1Violin Concerto no.1, A, 1802–3, pts (Leipzig, 1803)
—Violin Concerto, e, woo10, 1803–4, Kl (pts with autograph alterations)
—Violin Concerto, A, 1803–4, ed. (Kassel, 1955)
2Violin Concerto no.2, d, 1804, pts (Leipzig, 1805)
10Violin Concerto no.4, b, 1805, pts (Bonn, 1808)
7Violin Concerto no.3, C, 1806, pts (Leipzig, 1806)
17Violin Concerto no.5, E , 1807, pts (Zürich, 1810)
28Violin Concerto no.6, g, 1808–9, pts (Vienna, 1813)
—Violin Concerto movt, D, c1809, Kl*
62Violin Concerto no.10, A, 1810, Bsb* (facs. in B vii), pts (Leipzig, 1824)
38Violin Concerto no.7, e, 1814, pts (Leipzig, 1816); X i
47Violin Concerto no.8 ‘in modo di scena cantante’, a, 1816, LEm*, pts (Leipzig, 1820), fs (Leipzig, 1894)
55Violin Concerto no.9, d, 1820, pts (Offenbach, 1822), fs (New York, n.d.)
70Violin Concerto no.11, G, 1825, pts (Leipzig, 1827)
79Violin Concerto no.12 (Concertino no.1), A, 1828, CH-Bu* (facs. in B vii), pts (Berlin, 1829)
92Violin Concerto no.13 (Concertino no.2), E, 1835, D-LEm*, pts (Leipzig, 1837)
110Violin Concerto no.14 (Concertino no.3) ‘Sonst und jetzt’, a, 1839, pts (Vienna, 1840)
128Violin Concerto no.15, e, 1844, pts (Hamburg, 1846)

Other concertos:
op.
—Concertante, C, vn, vc, woo11, 1803, D-Kl* (facs. in B vii)
—Concertante, G, vn, hp, woo13, 1806, US-NYpm*
—Concertante, e, vn, hp, woo14, 1807
26Clarinet Concerto no.1, c, 1808, pts (Leipzig, 1812), fs ed. (Kassel, 1957)
48Concertante, A, 2 vn, 1808, pts (Leipzig, 1820)
57Clarinet Concerto no.2, E , 1810, pts (Leipzig, 1822)
—Clarinet Concerto no.3, f, woo19, 1821, pts (Leipzig, 1885)
—Clarinet Concerto no.4, e, woo20, 1828, D-Ksp*, pts (Leipzig, 1885), fs X v
88Concertante, b, 2 vn, 1833, US-NYp*, pts (Bonn, 1834)
131Concerto, a str qt., 1845. F-Pn*, pts (Leipzig, 1847)

Concert pieces:
for solo instruments and orchestra
For vn:
Variations, A, 1814, woo18, lost;
Potpourri no.3, G, on themes by Mozart, op.23, 1808, pts (Offenbach, 1812);
Potpourri, A, on Irish themes, op.59, 1820, pts (Leipzig, 1823);
Polonaise, a, op.40, 1815, pts (Leipzig, 1817);
Potpourri, a, on themes from Jessonda, op.66, 1823, pts (Leipzig, 1825)

For cl:
Variations B , on a theme from Alruna, woo15, 1809, pts (Berlin, 1890);
Potpourri, F, on themes from P. von Winter, acc. orch/pf, op.80, 1811, pts (Berlin, 1830)

For vn, vc:
Potpourri, A , on themes from Jessonda, op.64, 1823, pts (Leipzig, 1824), Leipzig, Edition Peters archive*

For solo instrument and strings:
accompaniment for string trio unless otherwise stated

For vn:
Potpourris:
no.1, G, on themes from Gaveaux: Le petit matelot, op.5, 1804, pts (Leipzig, 1806);
no.2, B , on themes by Mozart, acc. 2 vn, va, vc, db, op.22, 1807, pts (Offenbach, 1811);
no.4, B, on themes by Mozart, op.24, 1808, pts (Offenbach, 1812)

Variations:
d, 1806, op.6, pts (Leipzig, 1806);
A, 1805, op.8, pts (Leipzig, 1807)

For cl:
Fantasia and Variations, B , on a theme of Danzi, acc. str qt/pf, op.81, 1814, pts (Berlin, 1830) [after Fantasia, hp, vn, op.118]

—

Chbr.:
string quartets
op.
4Two Quartets, C, g, 1804–5, pts (Leipzig, 1806), fs of no.2 B ix
11Quatuor brillant, d, 1806, pts (Bonn, 1808)
15Two Quartets, E , D, 1806–8, pts (Leipzig 1809), fs ed. (Kassel, 1955)
27Quartet, g, 1812, pts (Vienna, 1813)
29Three Quartets, E , C, f, 1813–15, no.1 US-STu* (facs. in B ix), no.2 S-Skma* (facs. in B ix), pts (Vienna, 1815), fs of no.1 ed. (Kassel, 1955)
30Quartet, A, 1814, A-Wn* (facs. in B ix), pts (Vienna, 1819)
43Quatuor brillant, E, 1817, pts (Leipzig, 1818)
45Three Quartets, C, e, f, 1818, pts (Leipzig, 1819), fs of nos.1 and 2 B ix
58Three Quartets, E , a, G, 1821–2, pts (Leipzig, 1822), fs of no.1 X viii, no.2 B ix
61Quatuor brillant, b, 1819, pts (Leipzig, 1823)
68Quatuor brillant, A, 1823, D-Bsb*, pts (Leipzig, 1825)
74Three Quartets, a, B , d, 1826, no.2 Ksp*, nos.1–3 pts (Leipzig, 1827), fs of nos.2 and 3 X viii
82Three Quartets, E, G, a, 1828–9, no.1 HVkm*, no.2 S-Skma* (facs. in B ix), nos.1–3 pts (Berlin, 1829)
83Quatuor brillant, E , 1829, F-Pn*, pts (Berlin, 1830)
84Three Quartets, d, A , 1831–2, pts (Offenbach, 1834)
93Quatuor brillant, A, 1835, D-Bsb*, pts (Vienna, 1837)
132Quartet, A, 1846, LEm*, pts (Leipzig, 1847)
141Quartet, C, 1849, Bsb* (facs. in B ix), pts (Kassel, 1849)
146Quartet, G, 1851, Leipzig, Edition Peters archive*, pts (Leipzig, 1856)
152Quartet, E , 1855, F-Pn*, pts (Leipzig, 1856)
[155]Quartet, E , woo41, 1856, D-Ksp*, F-pn*
[157]Quartet, g, woo42, 1857, Pn*

Other chamber:
without piano or harp:
Nonet, F, fl, ob, cl, hn, bn, vn, va, vc, db, op.31, 1813, pts (Vienna, 1819), fs (Berlin, 1878)
Octet, E, cl, 2 hn, vn, 2 va, vc, db, op.32, 1814, GB-Lbl*, pts (Vienna, 1819), fs (Berlin, c1878)
4 double string quartets: d, op.65, 1823, Leipzig, Edition Peters archive*, pts (Leipzig, 1825), fs (Florence, c1880); E , op.77, 1827, D-Bsb*, pts (Berlin, 1828), fs (Leipzig, 1888); e, op.87, 1832–3, Bsb* pts (Bonn, 1833), fs (Leipzig, 1888); g, op.136, 1847, Dlb*, pts (Kassel, 1849), fs (Leipzig, 1888)
Sextet, C, 2 vn, 2 va, 2 vc, op.140, 1848, Bsb*, pts (Kassel, 1850), fs B ix
7 quintets, 2 vn, 2 va, vc: E , G, op.33, 1813–14, Bsb* (facs. of no.2 in B ix), pts: no.1 (Vienna, 1815), no.2 (Vienna, 1819), fs of no.2 ed. (Cambridge, 1994); b, op.69, 1826, pts (Leipzig, 1827), fs B ix; a, op.91, Ksp, pts (Bonn, 1834), fs ed. (Cambridge, 1994); g, op.106, 1838, pts (Dresden, 1839); e, op.129, 1845, LEm*, pts (Leipzig, 1847); g, op.144, 1850, Leipzig, Edition Peters archive*, pts (Leipzig, 1855)
Duo, e, vn, va, op.13, 1807 (Leipzig, 1808)
19 Duets, 2 vn: F, C, E , woo21, c1797, Kl; E , woo22, c1797, Kl; C, woo30, c1808, Brunswick, Landesmuseum*; E , F, G, op.3, 1802–3 (Leipzig, 1805); A, op.9, 1806–7 (Leipzig, 1807); d, E , E, op.39, 1816 (Leipzig, 1816); a, D, g, op.67, 1824, Bsb* (Leipzig, 1825); F, op.148, 1854 (Leipzig, 1856); D, op.150, 1854 (Leipzig, 1856); C, op.153, 1855 (Leipzig, 1856)

with piano:
see also other chamber, with harp
Septet, a, fl, cl, hn, bn, vn, vc, pf, op.147, 1853 (Leipzig, 1855)
Piano Quintet, D, op.130, 1845 (Hamburg, 1846)
Quintet, C, fl, cl, hn, bn, pf, op.52, 1820 (Leipzig, 1821); arr. str qt, pf, op.53, 1820 (Leipzig, 1821)
5 pf trios: e, op.119, 1841 (Hamburg, 1842); F, op.123, 1842 (Hamburg, 1843); a, op.124, 1842 (Hamburg, 1843); B , op.133, 1846 (Hamburg, 1847); g, op.142, 1849 (Hamburg, 1852)
Vn, pf (original works): Introduction and Rondo, E, op.46, 1816 (Vienna, 1820); 3 duos concertants: g, op.95, 1836 (Leipzig, 1837), F, ‘Nachklänge einer Reise nach Dresden und in die sächsische Schweiz’, op.96, 1836 (Bonn, 1837), E, op.112, 1837 (Dresden, 1840); Rondo ‘alla spagnuola’, C, op.111, 1839 (Vienna, 1839); 6 Duettinen, op.127, 1843 (Hamburg, 1844); 6 Salonstücke, op.135, 1846–7 (Hamburg, 1848); 6 Salonstücke, op.145, 1851 (Leipzig, 1856); [Scherzino], D, woo43, c1856 (Berlin, 1896); Salonstück, D, woo44, c1857 (Leipzig, 1890)
Vn, pf (potpourris etc.: see also concert pieces above): Potpourri, E , on themes of Mozart, op.42, 1816 (Leipzig, 1817) [based on op.24]; Potpourri, G, on themes of Mozart, woo34, 1816, lost [based on op.23]; Potpourri, f , on themes from Mozart: Die Zauberflöte, op.50, 1820 (Leipzig, 1821) [based on op.114, 2nd movt]; Grand Rondo, G, 1820, op.51 (Leipzig, 1821) [based on op.115, 3rd movt]; Potpourri, E–A, on themes from P. von Winter: Das unterbrochene Opferfest, op.56, 1821 (Leipzig, 1822) [based on op.80)]; Fantasia, D, on themes from Der Alchymist, op.117, 1841 (Vienna, 1842);
Bn, pf: Adagio, F, woo35, 1817 (Mainz, c1869) *D-Ksp [based on op.115, 2nd movt]

with harp:
in many of these the harp was to be tuned down a semitone and the music was written a semitone higher
7 sonatas: c, hp, vn, woo23, 1805, ed. (Leipzig, 1917); B , op.16, 1806 (Bonn, 1809); e/f, hp, vn, woo27, c1806, pts Kassel, Mitteldeutscher Sängerbund*, D/E , hp/pf, vn, op.113, 1806 (Hamburg, 1840); D/E , hp/pf, vn, op.114, 1811 (Hamburg, 1841); G/A , hp/pf, vn, op.115, 1809 (Hamburg, 1841); G/A , hp, vn, woo36, 1819, lost
Sonata movt, inc., G, hp, vn, woo24, 1805, D-Ksp*; Introduction, G, woo25, 1805, Bsb* (Regensburg, 1934); Trio, e/f, vn, vc, hp, woo28, 1806, private collection [arr. of woo27]; Rondo, D/E , woo33, 1813, lost; Fantasia, b/c–A/B , on themes by Handel and Vogler, hp/pf, vn, op.118, 1814 (Hamburg, 1845)

for one instrument:
Pf: Waltz, c, woo31, c1808 (Leipzig, 1891); Sonata, A , op.125, 1843 (Vienna, 1843); Rondoletto, G, op.149, 1848 (Leipzig, 1855)
Hp: Fantasia, c, op.35, 1807 (Bonn, 1816); 2 variation sets: no.1, on Méhul’s ‘Je suis encore dans mon printemps’, op.36, 1807 (Bonn, 1816), no.2, E , woo29, 1808, lost
Vn: Violin-Schule, woo45, 1830–31 (Vienna, 1833); cadenzas for Beethoven’s Vn Conc., woo46 c1850 (London, 1896)

Claudio Merulo (también Merlotti, Merulus, o Claudio da Correggio; 8 de abril de 1533 – 4 de mayo de 1604) fue un compositor, organista, y editor italiano de fines del Renacimiento, reconocido por su innovadora música para teclado y su música de conjunto en el estilo policoral de la escuela de Venecia.

Música Antiga Claudio Merulo Missa in Dominicis, Magnificat

BIOGRAFIA

OBRA:

Vocal secular:

Italian:
Il primo libro de madrigali, 5vv (Venice, 1566) [1566]
Il primo libro de madrigali, 4vv (Venice 1579) [1579]
Il primo libro de madrigali, 3vv (Venice, 1580) [1580]
Il secondo libro de madrigali, 5vv (Venice, 1604) [1604]

Alcun non può saper, 3vv, 1580, B viii;
Alla Sibilla, 3vv, 1565, B viii;
Allor ch’io vi mirai, 5vv, 1604, B vii, O ii;
Alma ch’or vivi in ciel, 5vv, 1566, B vii, O i;
Amor co’ i strai, 5vv, 1596;
Amor n’è causa, 3vv, 1580, B viii;
Amorosetto neo, 5vv, 1592, B vii;
Ancor ch’io possa dire, 4vv, 1579, B viii;
Anzi via più, 3vv, 1580, B viii;
Bella fanciulla, 3vv, 1580, B viii;
Caro amoroso neo, 5vv, 1577;
Che pena si può dire, 3vv, 1580, B viii;
Chiara beata luce, 5vv, 1566, B vii, O i;
Chi non sa ciò, 4vv, 1579, B viii;
Cintia tu sei più bella, 5vv, 1566, B vii, O i;
Come al partir, 3vv, 1580, B viii;
Come la notte, 3vv, 1580, B viii;
Cor mio senza cervello, 7vv, 1564, B viii;
Da’ bei raggi, 5vv, 1567, B vii;
Dalle perle e rubini, 5vv, 1577, B vii;
Deh avesse Amor, 3vv, 1580, B viii
Deh ferma, Amor, 3vv, 1580, B viii;
Deh perchè il lungo pianto, 5vv, 1604, B vii, O ii;
Deh perchè, morte mia, 5vv, 1576, B vii;
Deh perchè voglio, 3vv, 1580, B viii;
Deh torna a me, mio sol, 3vv, 1580, B viii; D
i neve e fresche rose, 6vv, 1579, B viii;
Donna, poichè non puote, 5vv, 1604, B vii, O ii;
Donna poi che volete, 5vv, 1566, B vii, O i;
Donna, se l’occhio mio, 4vv, 1564, B viii;
Donna s’io resto vivo, 5vv, 1566, B vii, O i;
D’una gioia, 5vv, 1593; Dunque fia ver, 3vv, 1580, B viii;
Ero così dicea, 4vv, 1588, B viii;
Fida scorte, 7vv, 1584;
Gelo ha Madonna il seno, 6vv, 1579, B viii (1610 as Hymnum cantate);
Gioia m’abonda, 4vv, 1579, B viii;
Gravi pene in amor, 5vv, 1562, B vii;
Il desiderio e la speranza, 5vv, 1566, B vii, O i;
Il dolce aspetto, 5vv, 1562, B vii
Il vago e lieto aspetto, 5vv, 1566, B vii, O i;
Ingiustissimo Amor, 5vv, 1562, B vii;
Ingrato Amor, 3vv, 1570, B viii;
Innanzi a te che dalle prime, 4vv, 1579, B viii;
Io non potria goder, 5vv, 1576, B vii;
L’alma mia fiamma oltra, 6vv, 1560, B viii;
La mia spietata sorte, 6vv, 1579, B viii;
Lasso, chè desiando, 5vv, 1578, 1604, B vii, O ii;
Liete fiore e felici, 5vv, 1562, B vii;
Ma di che debbo lamentarmi, 4vv, 1579, B viii (arr. 3vv, 1580, B viii);
Madonna, poi ch’uccidermi volete, 4vv, 1561, B viii (arr. 3vv, 1580, B viii; arr. L. Balbi, 5vv, 1589, B vii);
Mai non vo’ più cantar, 3vv, 1586 (1p. of a 6p. cycle with other composers), B viii;
Ma non apparirà, 3vv, 1580, B viii;
Mentre ad ogni stagion, 3vv, 1580, B viii
Mentre il lauro gentil, 5vv, 1582, B vii;
Mentre l’acerbo duolo, 4vv, 1579, B viii;
Mentre, mia stella, miri, 6vv, 1579, B viii (1610 as In toto corde);
Mirami, vita mia, 5vv, 1583, B vii (1604 as Domine quid multiplicati; Il secondo libro della musica di Claudio Monteverdi, 1608, as Respice ò Jesu; further Latin contrafacta, 1588, 1589);
Nel grato e dolce albergo, 5vv, 1604, B vii, O ii;
Non è ver, 3vv, 1580, B viii;
Occhi, che fia di voi, 8vv, 1584, B viii;
Occhi leggiadri, 4vv, 1579, B viii;
O di che grato odor, 5vv, 1566, B vii, O i;
O dolce servitù, 5vv, 1566, B vii, O i;
O liete piante, 5vv, 1578, B vii;
O se, quanto è, l’ardore, 3vv, 1580, B viii;
O voi felici, 5vv, 1604, B vii, O ii;
O voi, servi d’Amore, 4vv, 1579, B viii;
Padre del ciel, 5vv, 1604, B vii, O ii;
Perchè aspra e cruda sei, 4vv, 1579, B viii;
Perché sopporti, 7vv, 1584;
Punge l’ape amorosa, 5vv, 1604, B vii, O ii
Qual maggior segno Aurora, 5vv, 1566, B vii, O i;
Quand’io penso al matire, 5vv, 1566, B vii, O i;
Queste alme da natura, 5vv, 1604, B vii, O ii;
Questi della mia musa, 4vv, 1579, B viii;
S’al vostro mal consente, 5vv, 1562, B vii;
S’amar si deve il bello, 5vv, 1604, B vii, O ii;
Sa questo altier, 3vv, 1580, B viii;
Se’l sol si scosta, 3vv, 1580, B viii;
Se nel mirar quel lume, 5vv, 1566, B vii, O i;
Se non m’inganna Amore, 3vv, 1586, B viii;
Se non volete, 4vv, 1579, B viii;
Sento l’aura vital, 5vv, 1566, B vii, O i;
Se potesse morir, 4vv, 1579, B viii;
S’ergan carchi di spoglie, 5vv, 1566, B vii, O i;
S’è ver, donna gentile, 5vv, 1604, B vii, O ii;
Signor che del peccato, 5vv, 1604, B vii, O ii;
Signor, cui fu già poco, 5vv, 1604, B vii, O ii;
Signor, fra tutte le opre, 5vv, 1586, 1604, B vii, O ii
Signor l’ardente fuoco, 5vv, 1566, B vii, O i;
Si rubella d’Amor, 4vv, 1579, B viii;
Son simile all’avar, 3vv, 1580, B viii;
Sorgi, popol felice, 5vv, 1604, B vii, O ii;
Svelto ha di morte, 5vv, 1568, B vii;
Tanto coi lieti suoni, 5vv, 1566, B vii, O i;
Tanto è il piacer ch’io sento, 5vv, 1566, B vii, O i;
Tanto t’amo, tanto t’adoro, 3vv, 1565, B viii;
Tra pure nevi alme, 6vv, 1579 (3p. of a sestina with other composers), B viii;
Un breve sì, 5vv, 1604, B vii, O ii;
Vergine bella, 5vv, 1604, B vii, O ii;
Vergine Madre, figlia, 5vv, 1604, B vii, O ii;
Vergine sacro vel, 5vv, 1604, B vii, O ii;
Vergine, son già stanco, 5vv, 1604, B vii, O ii;
Vi colse, o donna, 4vv, 1579, B viii;
Vide l’Arno superbo ambe, 5vv, 1586, B vii;
Vivea solo per voi, 5vv, 1570 (2p. of an 11p. canzone with other composers), B vii;
Vorrei lasso, 5vv, 1583, B vii
Intermedi for L. Dolce: Marianna, 1565; L. Dolce: Le troiane, 1566; C. Frangipane: Tragedia, 1574; all lost

Vocal religiosa:

Editions:Claudii Meruli: Opera omnia, ed. J. Bastian, CMM, li (1970–) [vols i-vi entitled Musica sacra] [B i–ix]
Claudio Merulo: Messe d’intavolatura d’organo, ed. R. Judd, CEKM, xlvii/5 (1991) [J]
Claudio Merulo: Canzoni d’intavolatura d’organo, ed. W. Cunningham and C. McDermott, RRMR, xc–xci (1992) [C]
Claudio Merulo: Messe d’intavolatura d’organo, ed. R. Walter, Diletto musicale, nos.1121–4 (Munich and Vienna, 1992–5) [W i–iv]
Claudio Merulo: Il primo libro de’ madrigali a cinque voci (Venice, 1566), ed. J.A. Owens, SCMad, xviii (1993) [O i]
Claudio Merulo: Il secondo libro de’ madrigali a cinque voci (Venice, 1604), ed. J.A. Owens, SCMad, xix (1994) [O ii]

Latin:
Missarum liber primus, 5vv (Venice, 1573) [1573]
Liber primus sacrarum cantionum, 5vv (Venice, 1578) [1578a]
Liber secundus sacrarum cantionum, 5vv (Venice, 1578) [1578b]
Il primo libro de mottetti, 6vv (Venice, 1583) [1583]
Il primo libro de mottetti a voci pari, 4vv (Venice, 1584) [1584]
Il secondo libro de mottetti, 6vv (Venice, 1593) [1593]
Sacrorum concentuum, 5, 6, 10, 12, 16vv (Venice, 1594) [1594]
Il terzo libro de mottetti, 6vv (Venice, 1605), inc. [1605]
Missae duae, 8, 12vv, org (Venice, 1609) [1609]
1585, 1590, 1593, 1599

Organ masses:
Messe d’intavolatura d’organo (Venice, 1568):
Missae Apostolorum, 4vv, J, W i;
Missae in Dominicis diebus, 4vv, J, W ii;
Missae Virginis Mariae, 4vv, J; W iii;
Credo in dominicis diebus, 4vv, J; W iv;
Credo Angelorum, 4vv, J; W iv;
Credo Cardinalium, 4vv, J; W iv

Mass:
Aspice domine, 5vv, 1573, B i;
Benedicam Dominum, 12vv, 1609, Bii;
Benedicta es, coelorum regina, 5vv, 1573, B i;
Cara la vita mia, 8vv, 1609, B ii;
Oncques amour, 5vv, 1573, B i;
Susanne un giour, 5vv, 1573, B i;
Kyrie quinti toni, 5vv, 1594, B vi;
Kyrie sexti toni, 8vv, 1594, B vi;
Kyrie sexti toni, 12vv, 1594, B vi;
Sanctus primi toni, 16vv, 1594, B vi;
Sanctus sexti toni, 8vv, 1594, B vi;
Sanctus sexti toni, 12vv, 1594, B vi

Other latin texted:
Adoramus te, Domine, 6vv, 1593, B iv;
Anima nostra sustinet Dominum, 8vv, 1594, B v;
Apparuit benignitas, 6vv, 1593, B iv;
Assumpsit Jesus Petrum, 6vv, 1583, B iv;
Ascendens Christus in altum, 5vv, 1578a, B iii;
Audi, Domine hymnum, 6vv, 1593, B iv;
Ave gratia plena, 8vv, 1594, B v;
Ave Maria, 5vv, 1578a, B iii;
Beata Elisabeth, 5vv, 1578a, B iii;
Beata es, Virgo Maria, 7vv, 1593, B iv;
Beata viscera, 6vv, 1593, B iv;
Beati qui custodiunt judicium, 4vv, 1584, B v;
Beati qui habitant in domo tua, 4vv, 1584, B v;
Benedicite, spiritus, 6vv, 1583, B iv;
Benedictus Dominus, 8vv, 1594, B v;
Bonum certamen certavi, 5vv, 1578a, B iii;
Bonum est confiteri, 7vv, 1593, B iv;
Cantabo Domino in vita mea, 4vv, 1584, B v;
Cantate Domino, 7vv, 1593, B iv;
Clamavi in toto corde meo, 4vv, 1584, B v
Cogitavi dies antiquos, 4vv, 1584, B v;
Confiteantur tibi populi, 8vv, 1594, B v;
Cumque beatissimus Marcus Evangelista, 5vv, 1578a, B iii;
Delicta juventutis meae, 6vv, 1583, B iv;
Deus noster refugium, 8vv, 1594, B v;
Domine, si adhuc populo, 5vv, 1578b, B iii;
Dominus dedit, 6vv, 1583, B iv;
Dominus illuminatio, 7vv, 1593, B iv;
Dominus regit me, 4vv, 1584, B v;
Dum illucescente, 4vv, 1584, B v;
Ecce Maria genuit, 7vv, 1593, B iv;
Ego sum panis vivus, 5vv, 1578a, B iii;
Eminente coeli dulcedine, 5vv, 1578b, B iii;
Exaudi, Domine, 7vv, 1593, B iv;
Exaudi me, Domine, 6vv, 1593, B iv;
Gaude, felix parens Hispania, 5vv, 1578b, B iii;
Gaude Maria Virgo, 10vv, 1594, B vi;
Gaude sponsa cara Dei, 6vv, 1583, B iv;
Haec est dies, 5vv, 1578a, B iii;
Haec est dies, 8vv, 15905, B v
Haec est domus Dei, 5vv, 1578b, B iii;
Haec est Virgo prudens, 5vv, 1578b, B iii;
Hei mihi! Domine, 7vv, 1593, B iv;
Hodie beata Virgo Maria, 5vv, 1578a, B iii;
Hodie Christus natus est, 10vv, 1594, B vi;
Hodie Spiritus Sanctus, 5vv, 1578a, B iii;
Homo Dei, 8vv, 1594, B v;
Inclina Domine aurem tuam, 4vv, 1584, B v;
In Deo laudabo, 7vv, 1593, B iv;
In Deo speravit, 6vv, 1583, B iv;
Indicabo tibi, homo, 8vv, 1594, B v;
Innocentes pro Christo, 5vv, 1578a, B iii;
In te Domine speravi, 6vv, 1583, B iv (arr. lute, 1599);
In tribulatione mea, 8vv, 1594, B v;
Iste est Joannes, 4vv, 1584, B v;
Iste Sanctus Theodorus, 4vv, 1584, B v;
Jesum quem quaeritis, 6vv, 1593, B iv;
Judica me, Domine, 6vv, 1593, B iv;
Jubilate Deo, 4vv, 1584, B v;
Jubilate Deo, 6vv, 1593, B iv;
Laetabimur, 6vv, 1593, B iv
Laudate Dominum, 8vv, 1594, B v;
Levita Laurentius, 5vv, 1578b, B iii;
Litaniae Beatae Mariae virginis, 8vv, 1609, B ii;
Lux fulgebit, 7vv, 1593, B iv;
Magna enim sunt, 6vv, 1583, B iv;
Magnificat primi toni, 8vv, 1594, B vi;
Magnificat primi toni, 12vv, 1594, B vi;
Magnificat quinti toni, 8vv, 1594, B vi;
Magnificat sexti toni, 8vv, 1594, B vi;
Magnum haereditatis mysterium, 8vv, 1594, B v;
Magnus Dominus, 7vv, 1593, B iv;
Maria Mater gratiae, 4vv, 1584, B v;
Maria unxit pedes Jesu, 5vv, 1578a, B iii;
Maria Virgo, 8vv, 1594, B v;
Maria Virgo assumpta est, 6vv, 1605, B vi (org. tablature, D-Mbs Mus.265);
Maria Virgo caelos ascendit, 5vv, 1578b, B iii;
Maximum hoc omnium, 5vv, 1578a, B iii;
Memento mei Deus, 4vv, 1584, B v;
Mirabiles elationes maris, 8vv, 1594, B v
Nativitatem hodiernam, 5vv, 1578b, B iii;
Ne projicias me, 4vv, 1584, B v;
Ne reminiscaris, 6vv, 1583, B iv;
O admirabile commercium, 5vv, 1578a, B iii;
O adoranda Trinitas, 5vv, 1578a, B iii;
O Alberte, norma munditiae, 5vv, 1578b, B iii;
O altitudo divitiarum, 6vv, 1583, B iv;
O altitudo divitiarum, 7vv, 1581, B iv;
O crux benedicta, 5vv, 1578b, B iii;
O Doctor optime, 5vv, 1578b, B iii;
O gloriosa Domina, 4vv, 1584, B v;
O quam gloriosum, 5vv, 1578b, B iii;
O quam suavis est, 6vv, 1593, B iv;
O Rex gentium, 6vv, 1583, B iv;
O rosa incorruptibilis, 8vv, 1594, B v;
O sacrum convivium, 6vv, 1583, B iv;
O virgo justa, 5vv, 1578b, B iii;
Pax vobis, ego sum, 5vv, 1578b, B iii;
Peccantem me quotidie, 6vv, 1583, B iv;
Peccavi super numerum, 6vv, 1583, B iv
Puellae saltanti, 5vv, 1578b, B iii;
Puer qui natus est, 5vv, 1578a, B iii;
Puer qui natus est nobis, 6vv, 1593, B iv;
Quae sunt in corde, 6vv, 1583, B iv;
Quantas ostendisti mihi, 6vv, 1593, B iv;
Qui manducat, 4vv, 1584, B v;
Qui me confessus fuerit, 5vv, 1578b, B iii (arr. lute, 1593);
Quis est homo, qui vivet?, 4vv, 1584, B v;
Regina caeli laetare, 8vv, 1594, B vi;
Repleatur os meum laude, 4vv, 1584, B v;
Respice, Francisce, 5vv, 1578b, B iii;
Sacerdos et Pontifex, 5vv, 1578b, B iii;
Salvum fac populum tuum, 12vv, 1594, B vi;
Sancta et immaculata virginitas, 4vv, 1584, B v;
Sancti et justi, 5vv, 1578a, B iii;
Salvator noster, dilectissimi, 5vv, 1578a, B iii;
Similabo eum, 5vv, 1578b, B iii;
Simile est regnum caelorum, 6vv, 1583, B iv;
Spiritus Sanctus, 7vv, 1593, B iv;
Stephanus autem plenus gratia, 5vv, 1578a, B iii;
Tanquam aurum in fornace, 5vv, 1578b, B iii
Tribuat tibi, 7vv, 1593, B iv;
Tribulationem et dolorem, 5vv, 1578b, B iii;
Tribus miraculis ornatum diem, 5vv, 1578a, B iii;
Tu es Petrus, 5vv, 1578a, B iii;
Ubi caritas, 6vv, 1583, B iv;
Ubi sunt misericordiae, 6vv, 1583, B iv;
Ure igne Sancti Spiritus, 6vv, 1583, B iv;
Veni Sancte Spiritus, 6vv, 1583, B iv;
Verbum iniquum, 6vv, 1583, B iv;
Vias tuas Domine, 4vv, 1584, B v;
Vias tuas Domine, 10vv, 1594, B vi;
Vigilate ergo, quia nescitis, 4vv, 1584, B v;
Vos qui reliquistis omnia, 5vv, 1578b, B iii

Instrumental:

Versetti:
all in I-Tn; ed S. dalla Libera (Padova, 1971)
Versetti del secondo tono;
Magnificat primi toni;
Messa Domenicale;
Messa degli Apostoli;
Versi del secondo tono;
Versi dell’ottavo tono;
Versi del primo tono (Magnificat primi toni);
Passo e mezzo

Ricercares:
Ricercari d’intavolatura d’organo … libro primo (Venice, 1567); ed. A. Marcon and A. Gaus, Musica antiqua nova arte scripta, ii (Zimmern ob Rottweil, 1995)
Il primo libro de ricercari da cantare, 4vv (Venice, 1574); B ix; IIM, v (1987)
Ricercari da cantare, libro secondo, 4vv (Venice, 1607); IIM, vi (1987)
Ricercari da cantare, libro terzo, 4vv (Venice, 1608); IIM, vii (1987)

Toccatas:
Toccate d’intavolatura d’organo, libro primo (Rome, 1598/R in Archivium musicum, xliii (Florence, 1982)); ed. S. dalla Libera (Milan, 1959/R)
Toccate d’intavolatura d’organo, libro secondo (Rome, 1604/R in Archivium musicum, xliii (Florence, 1982)); ed. S. dalla Libera (Milan, 1959/R)
2 toccatas, 1593, 1607

Canzonas:
Canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1592)
Libro secondo di canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1606)
Terzo libro de canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1611)
Canzonas, insts, kbd, 1588, 1607, 1608, 1617, A-Wm, I-VEcap, Tn