Fernández-Santiago, Miriam “Introduction. An Ecology of Vulnerability” in Embodied VulnerAbilities in Literature and Film. Routledge Interdisciplinary Perspectives on Literature. 2023
Fernández-Santiago, Miriam “Introduction” in Representing Vulnerabilities in Contemporary Literature. Routledge Studies in Contemporary Literature. 2023: 1-16.
Fernández-Santiago, Miriam “Pretty Dolls Don’t Play Dice. The Calculated Vulnerabilities of Jennifer Egan’s Manhattan Beach (2017)” in Representing Vulnerabilities in Contemporary Literature. Routledge Studies in Contemporary Literature. 2023: 62-76.
Fernández-Santiago, Miriam “Female Ageing and Technological Reproduction. Feminist Transhuman Embodiments in Jasper Fforde’s The Woman Who Died A Lot.” in Technologies of Feminist Speculative Fiction. Ed. Sherryl Vint and Sümeyra Buran, Palgrave. 2022, 283-300.
Fernández Santiago, M. y Bennett Ortega, L. (2022). El aprendizaje de lenguas extranjeras en la Universidad de Granada durante el confinamiento. En A. J. Acosta Jiménez, A. Corral Esteban y Y. García Hernández (Eds.). Enseñar lenguas extranjeras después de la COVID-19. Análisis y propuestas metodológicas (pp. 103-112). Peter Lang. ISBN 978-3-631-81522-9.
Chapman, Ana y Hidalgo-Varo, Carmen. “El aprendizaje de lenguas extranjeras en el contexto de la COVID-19 en la Universidad de Málaga”. Enseñar lenguas extranjeras después de la COVID-19. Análisis y propuestas metodológicas, 2022, pp. 113-123, ISBN 978-3-631-81522-9, Peter Lang.
Fernández-Santiago, Miriam “Vulnerable: Intersecting Disability and Precarity in the Fourth Industrial Revolution. The Case of Mr. Robot (2015-2019)”. (Granada: Comares, 2021).
Fernández-Santiago, Miriam “Paradojas de la transparencia. La perspectiva del alumnado digital en tiempos de pandemia” Innovación Docente e Investigación en Arte y Humanidades. Volumen III. Editorial Dykinson. 2021).
Fernández-Santiago & Gámez-Fernández “Aprendizaje Autónomo por Tareas y Adaptación de Materiales al Entorno Digital en Estudios de Postgrado. La Asignatura de “Narrativa Postcolonial” De Platón al homo tecnologicus: Las humanidades en el siglo XXI. Valencia: Tirant Lo Blanc, 2021, pp.66-74 ISBN: 9788418614583
Fernández-Santiago, Miriam “El Aprendizaje Autónomo por Tareas y su Adaptación al Entorno Digital en Estudios de Grado. Enseñar la Cultura de una Lengua Extranjera” De Platón al homo tecnologicus: Las humanidades en el siglo XXI. Valencia: Tirant Lo Blanc, 2021, pp.81-90. ISBN: 9788418614583.
Fernández-Santiago, Miriam “Split. A Dystopian Vision of Transhuman Enhancement. Speciesist and Political Issues Intersecting Trauma and Disability”. Transhumanism and Posthumanism in Twenty-First Century Narrative. Ed. Sonia Baelo and Mónica Calvo. Routledge, 2021, pp 142-160.
Collado-Rodríguez, Francisco. “Patterns of Posthuman Numbness in Shirley & Gibson’s ‘The Belonging Kind’ and Egger’s The Circle.” Posthumanism and Transhumanism in Twenty-First Century Narrative. Eds. Sonia Baelo-Allué y Mónica Calvo-Pascual. London and New York: Routledge, 2021. ISBN: 0367655136
Fernández-Santiago, Miriam; Cristina Gámez Fernández. “La precari(e)dad en el currículo de educación superior: un enfoque transversal en los Estudios Culturales desde el mundo anglosajón” Claves para la Innovación pedagógica ante los nuevos retos: Respuestas en la vanguardia de la práctica educativa. Edited by López Meneses, E.; David Cobos; Sanchiz, Laura Molina García; Alicia Jaén-Martínez and Antonio Hilario Martin-Padilla. Octaedro, 2020.
Fernández-Santiago, Miriam “Where Else but Reading? Blending Genres in Jasper Fforde’s Nursery Crime Series” in Contemporary fairy-Tale Magic. Lydia Brugué and auba Llompart (eds) . Brill, 2020, pp. 307-316.
Fernández-Santiago, Miriam “Narrative Exhaustion And The Posthuman Narrative Self In Tao Lin’s Taipei.” Nikial, Julia and Izabella Kimak, eds. Exhaustion and Regeneration in Post-Millenial North-American Literature and Culture. Berlin: Peter Lang, 2019, 59-60 ISBN: 978-3 631-79557-6.
Fernández-Santiago, Miriam “Memoria (in)mediática y trauma continuado. Identidad nacional bajo el prisma femenino en Al Límite, de T.R. Pynchon,” Mujer, Memoria e Identidad, Granada: Comares, 2019, pp. 93-112.
Fernández-Santiago, Miriam “Foreword” in Fernández-Santiago, M.; de la torre Moreno, M.J.; Rodríguez Salas, G.; Andrés Cuevas, M.I.; Literary Minorities in English. Student Guide. AVICAM, 2019, pp.5-13. ISBN: 978-84-17628-31-4.
Fernández-Santiago, Miriam “Accounting for Feminist Myths. A Critical Posthumanist and Agential MaterialistApproach” in Women Poets and Myth in the 20th and 21st Centuries: On Sappho’s Website , 2018, 199-212 Cambridge Scholars Publishing (SPI 1.43).
Fernández-Santiago, Miriam “Agential Materialism and the Problem of Iteration.” Crystals Beneath the Surface. Eds. Mauricio Aguilera and Margarita Carreter. Granada: Editorial Universidad de Granada, 2018 (81-90).
Fernández-Santiago, Miriam “Accounting for Feminist Myths. A Critical Posthumanist and Agential Materialist Approach” en volumen monográfico (invitación), Women Poets and Myth in the 20th and 21st centuries. Cambridge Scholars Publishing, 2018.
Collado-Rodríguez, Francisco. “On Human Consciousness and Posthuman Slavery: Representations of the Living Dead in T. S. Eliot, Thomas Pynchon, and William Gibson.” In A Critical Gaze from the Old World. Transatlantic aesthetics and culture series; vol. 9. Isabel Durán et al., eds. Bern, Berlin, Wien, New York: Peter Lang, 2018. 117–35. ISBN: 978-3-0343-3480-8. DOI: 10.3726/b14768. (Available here)
Baelo-Allué, Sonia. “The Trauma Paradigm and Commercial Fiction: The Case of Fifty Shades of Grey”. The Politics of Traumatic Literature: Narrating Human Psyche and Memory. Eds. Önder Çakırtaş, Antolin Trinidad and Şahin Kızıltaş. Cambridge Scholar Publishing, 2018. 140-154. ISBN: 978-1-5275-1338-9.
Collado-Rodríguez, Francisco. “Horror mortis, structural trauma, and postmodern parody in Saul Bellow’s Henderson the Rain King.” In Traces of Aging: Old Age and Memory in Contemporary Narrative. Aging Studies Series, vol. IX. Marta Cerezo & Nieves Pascual, eds. Bielefeld: Transcript, 2016. 149–67. ISBN 978-3-8376-3439-6. (Available here)
Collado-Rodríguez, Francisco. “Historiographic Metafiction, Thermodynamics and the middle that was not excluded in Thomas Pynchon’s The Crying of 49.” In Metahistorical Narratives and Scientific Metafictions. Giuseppe Episcopo, ed. Napoli: Cronopio, 2015. 149–66. ISBN: 978-88-98367-09-2. (Available here)
Baelo-Allué, Sonia. “‘From Twilight to Fifty Shades of Grey: Fan Fiction, Commercial Culture, and Grassroots Creativity.” The Twilight Saga: Exploring the Global Phenomenon. Ed. Claudia Bucciferro. Lanham, Toronto, Plymouth: Scarecrow Press. 2013. ISBN: 978-0-8108-9285-9.
Baelo-Allué, Sonia. “From Solid to Liquid: Invisible Monsters and the Blank Fiction Road Story.” Chuck Palahniuk: Fight Club, Invisible Monsters, Choke. Ed. Francisco Collado-Rodríguez. London and New York: Bloomsbury. 117-135. 2013. ISBN: 978-1441141941.
Calvo Pascual, Mónica. “Switching Affects: Anxious Narratives of Lesbian Representation in Spanish Television” (co-authored with Maite Escudero). Televising Queer Women: A Reader. Ed. Rebecca Beirne. New York: Palgrave Macmillan, 2012. 193-206. ISBN: 9780230600805.
Baelo-Allué, Sonia. “‘It’s Really Me’: Intermediality and Constructed Identities in Glamorama.” Bret Easton Ellis: American Psycho, Glamorama, and Lunar Park. Continuum Series on Contemporary North American Fiction. Ed. Naomi Mandel. London and New York: Continuum. 84-97. 2011. ISBN: 978-0826435620.
Calvo Pascual, Mónica. “Barred from the Sublime: Structural Trauma and Gender Socialization in Jenefer Shute’s Life-Size.” Between the Urge to Know and the Need to Deny: Trauma and Ethics in Contemporary British and American Literature. Eds. Dolores Herrero and Sonia Baelo-Allué. Heidelberg: Winter, 2011. 55-70. ISBN: 3825358844