Fernández-Santiago, Miriam. “Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination” Anglia, vol. 140, no. 3-4, 2022, pp. 591-606. DOI: https://doi.org/10.1515/ang-2022-0049.
Fernández-Santiago, Miriam. “Posthumanist Trauma: An Intrasectional Approach to Accountable Determinacy in Current North American Narrative.” Journal of English Studies, vol. 19, 2021, pp. 73-95. DOI: 10.18172/jes.4370.
Fernández-Santiago, Miriam; Chapman, Ana. “Post-postmodernist Aesthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)” Critique. Studies in Contemporary Fiction, 2021. DOI: 10.1080/00111619.2021.1996326.
Fernández-Santiago, Miriam. “Agential Materialism and the Feminist Paradigm. A Posthumanist Approach” Journal of Feminist, Gender and Women Studies, vol. 10, 2021, pp. 31-40. DOI: https://doi.org/10.15366/jfgws2021.10.
Fernández-Santiago, Miriam. “Accountable Metaphors. Transhuman Poetics of Failure in Tao Lin’s Taipei.” Atlantis, vol. 43, no. 1, June 2021, pp. 20-38. DOI: http://doi.org/10.28914/Atlantis-2021-43.1.02.
Gámez-Fernández, Cristina M. 2021. “Meena Kandasamy’s Contestation of Inherited Cultural Landscapes in Touch.” In Modern Ecopoetry. Reading the Palimpsest of the More-Than-Human World, edited by Leonor M. Martínez Serrano and Cristina M. Gámez-Fernández, pp.151-70. Series Nature, Culture and Literature, Volume: 16. Leiden: Brill.9789004445260, https://brill.com/view/title/58840.
Chapman A, Chapman S and Cosentino S. “Bodies in the Novel Infinite Jest“. Frontiers in Psychology, 2021, 12:539555. DOI: 10.3389/fpsyg.2021.539555.
Hidalgo-Varo, Carmen. “Hybridisation, Third Space and Language in Salman Rushdie’s Short Story “The Courter””. Gaudeamus, vol. 1, Summer 2021, pp. 41-58, ISSN 2697-2166.
Collado-Rodríguez, Francisco. “Narratives of the Rocket: Chabon’s ‘Amnesiac’ Revisitation of Pynchon’s Posthuman Zone.” Critique: Studies in Contemporary Fiction (Routledge), vol. 61.1, 2020, pp. 91–103. ISSN: 0011-1619. DOI: 10.1080/00111619.2019.1650710 (Available here)
Wilson, Janet M., Om P. Dwivedi and Cristina M. Gámez-Fernández. 2020. “Planetary Precarity and the Pandemic.” Special Issue “Challenging Precarity”, Journal of Postcolonial Writing, co-edited by Janet M. Wilson, Om P. Dwivedi and Cristina M. Gámez-Fernández, vol. 56, no. 4, pp. 439-46. DOI: https://doi.org/10.1080/17449855.2020.1786904
Chapman, Ana. “Jaded Selves and Body Distance: A Case Study of Cotard’s Syndrome in Infinite Jest.” Journal of English Studies, vol. 18, 2020, pp. 37-58. DOI: https://doi.org/10.18172/jes.3953.
Fernández-Santiago, Miriam. “Of Language and Music. A Neo-Baroque, Environmental Approach to the Human, Infrahuman and Superhuman in Richard Powers’ Orfeo.” Anglia, vol. 137, Issue 1, 2019, pp. 126–146, ISSN (Online) 1865-8938, ISSN (Print) 0340-5222, DOI: https://doi.org/10.1515/ang-2019-0008.
Fernández-Santiago, Miriam. “Lo Plausible. Similitudes y Diferencias entre la Malinche y Pocahontas” Miscelánea, vol. 60, 2019, pp. 51-70.
Fernández-Santiago, Miriam. “‘Acting Out’ and ‘Working Through’ Departure in T. Pynchon’s Bleeding Edge.” Nordic Journal of English Studies, vol. 18, no. 2, 2019, pp. 86-110.
Baelo-Allué, Sonia. “Transhumanism, Transmedia and the Serial Podcast: Redefining Storytelling in Times of Enhancement.” IJES, International Journal of English Studies, vol. 19, no. 1, 2019, pp. 113-131. ISSN 1578-7044. Doi: 10.6018/ijes.335321.
Gámez-Fernández, Cristina M. 2019. “Exploring the Pilgrimaged Universe: Religiosity in Denise Levertov’s Poetry.” In ‘this need to dance / this need to kneel’: Denise Levertov and the Poetics of Faith, edited by Michael P. Murphy and Melissa Bradshaw, pp. 50-65. Eugene, Oregon, USA: Pickwick Publications An Imprint of Wipf and Stock Publishers. 9781532677366.
Gámez-Fernández, Cristina M. 2019. “De creencias autolimitantes, paradojas y oportunidades: hacia un análisis del heroísmo en Hijas Difíciles de Manju Kapur.” In Mujer, memoria e identidad en la literatura en lengua inglesa, edited by Javier Martín, pp. 131-46. Granada: Comares. 9788490457665.
Chapman, Ana. “Piecing Together: Body Control, Mutability and Entertainment Technology in Infinite Jest”. Revista de Estudios Norteamericanos, vol. 23, 2019, pp. 95-116.
Baelo-Allué, Sonia. “Exhaustion and Regeneration in 9/11 Speculative Fiction: Kris Saknussemm’s ‘Beyond The Flags’ (2015).” Revista de Estudios Norteamericanos, 22 (2018): 13-35. ISSN 1133-309-X. Doi: 10.12795/REN.2018. i22.01. (Available here).
Calvo Pascual, Mónica. “Girl meets boy: postcyborg ethics, individual identity and collective rights in the posthuman age”. Journal of English Studies 16 (2018): 7-25. ISSN 1576-6357 DOI: 10.18172/jes.3498 (Available here).
Calvo Pascual, Mónica. “The new children of the earth: Posthuman dystopia or a lesbian’s dream in Larissa Lai’s Salt Fish Girl”. Orbis Litterarum 73 (2018): 405-17. ISSN 0105-7510 DOI: 10.1111/oli.12190 (Available here).
Gámez-Fernández, Cristina M. 2018. “Sustained Caste Violence and Dalit Discrimination in Meena Kandasamy’s The Gypsy Goddess.” In Broadening Horizons: A Peak Panorama of English Studies in Spain, edited by María Beatriz Hernández Pérez et al., pp. 137-43. Servicio de Publicaciones de la Universidad de La Laguna. 97884159396656.
Gámez-Fernández, Cristina M. 2018. “Wanderers, Vagabonds, Seekers and Pilgrims: The Myth of the Quest in Denise Levertov.” In Women Poets and Myth in the 20th and 21st Centuries: On Sappho’s Website, edited by Esther Sánchez-Pardo, Rosa Burillo and María Porras Sánchez, pp. 35-52. Newcastle upon Tyne, UK: Cambridge Scholars Publishing. 9781527516724.
Collado-Rodríguez, Francisco. “The Holy Fool’s Revelation: Metafiction, Trauma, and Posthumanity in E. L. Doctorow’s Andrew’s Brain.” Papers on Language and Literature, vol. 53.4 (2017): 383-414. ISSN: 0031-1294. (Available here)
Collado-Rodríguez, Francisco. “The Imperfections of a Future Past: Trauma, Posthumanity, and Sci-Fi in William Gibson’s ‘The Gernsback Continuum’.” Letterature d’America, vol. 37 (2017): 177-94. ISSN: 2037-6952. (Available here)
Calvo Pascual, Mónica. “Eating Disorders and Constitutive Absence in Contemporary Women’s Writing.” Journal of International Women’s Studies 18.4 (2017): 292-305. (Available here).
Fernández-Santiago, Miriam. “Divination And Comparison: The Dialogical Tension Between Self-Reflective Aesthetics And Sensational Motifs In E. A. Poe’s Dupin Series.” Poetics Today. 37.4 (2016): 641-674.
Collado-Rodríguez, Francisco. “Approaching the Scientific Method in Literary Studies: On the notions of Framework and Method (and their application to Kurt Vonnegut’s Slaughterhouse-Five).” Miscelánea: A Journal of English and American Studies, vol. 54 (2016): 33-50. ISSN: 1137-6368. (Available here)
Collado-Rodríguez, Francisco. “Intratextuality, Trauma and the Posthuman in Thomas Pynchon’s Bleeding Edge.” Critique: Studies in Contemporary Fiction, vol. 57.3 (2016): 229–41. ISSN: 0011-1619. (Author’s postprint available here)
Baelo-Allué, Sonia. “From the Traumatic to the Political: Cultural Trauma, 9/11 and Amy Waldman’s The Submission.” Atlantis: Journal of the Spanish Association of Anglo-American Studies, 38.1 (2016): 165-183. ISSN: 0210-6124. (Available here).
Calvo Pascual, Mónica. “‘It Was Perfect’: Desire, Corporeality, and Denial in Darren Aronofsky’s The Black Swan”. ES: Revista de Filología Inglesa 37 (2016): 119-132. ISSN: 0210-9689. (Available here).
Gámez-Fernández, Cristina M. 2016. “Delusion and Defeat in the Short-story Sequence ‘Hema and Kaushik’ from Jhumpa Lahiri’s Unaccustomed Earth”. South Asian Diaspora. 8 (1): 49-62. https://doi.org/10.1080/19438192.2015.1092299.
Collado-Rodríguez, Francisco and María Ferrández San Miguel. “The True Voice of the American Fictionist: E. L. Doctorow.” AEDEAN Nexus 2 (2015): 90-101. ISSN: 1697-464. (Available here)
Collado Rodríguez, Francisco. “Meaning Deferral, Jungian Symbolism, and the Quest for V. in Thomas Pynchon’s The Crying of 49.” Critique: Studies in Contemporary Fiction, vol. 56.3 (2015): 255–69. ISSN: 0011-1619. (Author’s postprint available here)
Calvo Pascual, Mónica. “Appetites and Consumption: Designing the Self in Jenefer Shute’s Fiction”. Journal of Gender Studies 23.4 (2014): 351-361. ISSN: 0958-9236.
Collado-Rodríguez, Francisco. “Textual Unreliability, Trauma and the Fantastic in Chuck Palahniuk’s Lullaby.” Studies in the Novel, vol. 45.4 (Winter 2013): 620–37. ISSN: 0039-3827. (Available here)
Collado-Rodríguez, Francisco. “Naming Female Multiplicity: An Interview with Bharati Mukherjee.” (Reprt). Short Story Criticism. Vol. 173. Ed. Lawrence J. Trudeau. Detroit: Gale, Cengage Learning, 2013. 79–84. ISSN: 0895-9439.
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Baelo-Allué, Sonia. “The Depiction of 9/11 in Literature: the Role of Images and Intermedial References.” Radical History Review, 111. Historicizing 9/11 Issue. (Fall, 2011): 184-193. ISSN: 0163-6545. (Available here)
Calvo Pascual, Mónica. “The Order/Disorder Binary in Stephen Marlowe’s Fiction: From Neurotic Subjects to Narrative Chaos.” Revista de Estudios Norteamericanos 13 (2009): 49-62. ISSN: 1133-309X.
Calvo Pascual, Mónica. “Scientific Discourses and Post-Modernist Parody in Thomas Pynchon’s The Crying of Lot 49.” Parnassus: An Innovative Journal of Literary Criticism 1 (2009): 69-82. (Rae Bareli: Feroze Gandhi Collage). ISSN: 0975-0266.
Calvo Pascual, Mónica. “We Are Family? Spanish Law and Lesbian Normalization in Hospital Central” (co-authored with Maite Escudero). Journal of Lesbian Studies 13.1 (2009): 35-48. (Philadelphia: Routledge Taylor and Francis.) ISSN: 1089-4160, 1540-3548.