Giacomo Carissimi (18 de abril de 1605 – Roma, 12 de enero de 1674) fue uno de los compositores italianos más eminentes de los comienzos del Barroco y uno de los principales representantes de la Escuela Romana.

76 Carissimi Jephte, oratorio Il Giardino Armonico

Conservatorio Como | Carissimi: HISTORIA JONAE | Antonio Eros Negri, direttore

Biografía.

OBRA:

Vocal secular:

Drey Schmid bey einem Amboss stunden (Cyclopisches Hammer-Tricinium), TTB, bc, in Musikalischer Zeitvertreiber (Nuremberg, 1643), 16554; ed. in Corydon, ii (Brunswick, 1933), 75
Fabri cum per incudem (Histoire des Cyclopes), SSB, bc, A-Wn, D-Bsb, F-Pc
Nominativo hic haec hoc, SATB, bc, in J.E. Kindermann: Intermedium musico-politicum (Nuremberg, 1643), 16524, 16554 [by T. Merula]; ed. in Corydon, ii (Brunswick, 1933), 43
Quand mon mari vient de dehors – Requiem aeternam (Requiem jocosum), SST, A-Wn, D-Bsb, Pc; ed. in Corydon, ii (Brunswick, 1933), 74
Rusticus cum mortuum suum vidit asinum (Testament d’un âne), SA, bc, A-Wn, D-Bsb, F-Pc; ed. in Corydon, ii (Brunswick, 1933), 68
Venerabilis barba Capucinorum (Plaisanterie sur la barbe), SSB, bc, D-Bsb, Mbs, F-Pc; ed. in Corydon, ii (Brunswick, 1933), 60

Vocal religiosa:

Masses:
Missa ‘Sciolto havean dall’alte sponde’, c, SSATB, bc, GB-Lbl, Lcm, Ob, I-Ps, Rsg, Vqs [on own cantata; also survives with 2 vn]
Missa a quinque et a novem cum selectis quibusdam cantionibus (Cologne, 1666) [1666]

Motets
Arion Romanus sive Liber primus sacrarum cantionum, 1–5vv (Konstanz, 1670) [1670]
Sacri concerti musicali, 2–5vv (Rome, 1675) [1675]
Alma Redemptoris mater, SSB, bc, 1647 [also survives as Alleluia, Jesum nostrum laudate]; ed. in Jones (C1982)
Anima nostra sustinet Dominum, SS, bc, 1670; ed. in Jones (C1982)
Annunciate, gentes, SSATB, bc, 1675; ed. in Orbis choris, iii (Egtved, 1967); ed. in Jones (C1982)
Ardens est cor nostrum [meum], SATB, bc, 16641, 1670; ed. F. Rochlitz, Sammlung vorzüglicher Gesang-Stücke, ii (Mainz, c1840), no.4; ed. in Jones (C1982)
Audite, sancti [justi], SSB, bc, 1645, 16562, 1670, 1693; ed. in Jones (C1982)
Audivi vocem, SSS, 2 vn, lute, theorbo, bc, before 1634, A-KR
Ave dulcissime angelorum panis, SST, 2 vn, bc, 1670
Benedicite gentes, SSS, bc, 1670
Benedictus Deus, SSS, bc, 16681; ed. in Jones (C1982)
Cantabo Domino, SS, bc, 16753; ed. in Jones (C1982)
Caro factum facta parens, SS, bc, S-Uu
Caro mea vere est cibus, SMezATB, 2 vn, bc, F-Pn
Christus factus est, SSATB, SATB, bc, I-Rsg; ed. in Documenta liturgiae polychoralis, xviii (Trent, 1964)
Confitebor tibi Domine, SSATB, 2 vn, bc, GB-Lcm
Confitebor tibi Domine, SSB, bc, 16462, 16622; ed. in Jones (C1982)
Confitemini Domino, BB, bc, before 1634, A-KR, F-Pn
Convertere ad me, S, bc, 1670
Cum reverteretur David, SSS, bc, 1675 [also survives as Cum ingrederetur]; C messe e mottetti i, 74
Desiderata nobis, ATB, bc, 16671; ed. in Jones (C1982)
Dicite nobis, SSAT, bc, 16753; ed. in Jones (C1982)
Dixit Dominus, SATB, SATB, bc, GB-Lcm, I-PS (inc.), S-Uu
Dixit Dominus, SSATB, bc, CS-KRa, GB-Lbl, Och, Y; ed. J. Pilgrim (Hilversum, 1968)
Doleo et poenitet me, SSTB, 3 viols (possibly not by Carissimi), bc, S-Uu
Domine Deus meus, S, bc, 16631, 1670; ed. Cantio sacra, viii (Cologne, 1956); ed. in Jones (C1982)
Domine quis habitabit, SST, bc, 16753; ed. in Jones (C1982)
Ecce nos reliquimus omnia, TTB, bc, before 1648, GB-Lam, Ob, Och, Y, S-Uu
Ecce sponsus venit, SA, bc, 16542, 1670
Egredimini caelestes curiae, SSS, 2 vn, bc, in A. Poggioli, Delectus sacrarum cantionum 2–5vv (Antwerp, 1652)
Egredimini, filiae Sion, et admiramini, S, bc, I-Bc
Egredimini, filiae Sion, et videte, SSS, bc, 1670
Elevatis manibus, SAT, bc, I-Rc
Emendemus in melius, MezAT, bc, 16432; ed. in Jones (C1982)
Euge, serve bone, AT, bc, GB-Lam, Lcm, Och, Y
Exultabunt justi (Felicitas beatorum), SSS, bc, B-Bc (frag.), D-Hs, F-Pc, GB-Lam, Lbl, Lcm, Ob, Och, I-COd (with 2 vn); ed. C. Dell’Argine (Florence, 1972)
Exulta, gaude, filia Sion, SS, bc, 16753; ed. R. Prentice, 6 Cantatas by Carissimi (London, 1877); ed. in Jones (C1982)
Exurge, cor meum, in cithara, S, 2 vn, vle, bc, 1670; ed. in Jones (C1982)
Gaudeat terra, jubilent montes, SS, bc, S-Uu
Hodie Salvator mundi, SSATB, 2 vn, va da gamba, bc, before 1664, Uu
Hodie Simon Petrus ascendit, TT, bc, B-Bc, F-Pc, GB-Lam, Lbl, Och, Ob, Y (for SS); C messe e mottetti i, 68
Hymnum jucunditatis cantemus, SS, bc, 16451, 1670; ed. in Jones (C1982)
Immensus coeli conditor, SS, bc, before 1634, A-KR, F-Pn, I-Bc
Incipit oratio Jeremiae Prophetae, S, bc, in A. Poglietti, Compendium oder Kurtzer Begriff (1676) [frag. only], A-KR
Inclinavit caelos Dominus, TT, bc, F-Pn
Insurrexerunt [Praevaluerunt] in nos, MezAT, bc, 16421, 16481, 16491, 16494, 16611; ed. in Jones (C1982)
Jubilemus omnes et cantemus, SSB, bc, before 1673, S-Uu; ed. E. Selén (Kassel, 1973)
Lamentations Jeremiae Prophetae, ‘Feriae Quintae in Coena Domini’, 1 for Mez, bc, 1 for S, bc, I-Bc
Laudate, pueri, SSS, A-Wn, CS-KRa (with 2 vn), D-MÜs
Laudemus virum gloriosum, SS, bc, 16562, 1670, 1675; ed. in Jones (C1982)
Lucifer, caelestis olim, BS, bc, 1693
Militia est vita hominis, SSB, bc, 16431, 16521, 1666 (with 2 vn, va da gamba); ed. Jones (C1982)
Mortalis homo (= No, no, mio core), S, bc, 1670; ed. in Jones (C1982)
Nigra es sed formosa, SS, bc, 1712
Nigra sum sed formosa, SS, bc, 16501
O beatum virum, SSA, bc, 16431, 1670
O dulcissime Jesu, SS, bc, 1670, 16721
O dulcissimum Mariae nomen, SS, bc, 16471, in A. Poggioli, Delectus sacrarum cantionum 2–5vv (Antwerp, 1652); ed. in Jones (C1982)
O ignis sancte, SS, bc, 16671, 16672; ed. in Jones (C1982)
Omnes gentes, gaudete, SSS, bc, S-Uu, 1670 (lacks final Alleluia); pt of Quasi columba speciosa
Omnes sancti (see Summi regis puerpera)
O pretiosum et admirandum convivium, S, bc, GB-Lcm (with vn), I-COd
O quam dilecta sunt tabernacula, SSATB, bc, 1670
O quam mirabilia sunt, SS, bc, 16753
O quam pulchra es, S, bc, GB-Lbl, Lcm; ed. in Cantio sacra, lvii (Cologne, 1964); ed. in Jones (C1982)
O stupor, I-Ad
O vulnera doloris, B/SSB, bc, B-Bc, F-Pc, GB-Cfm, Lam, Lbl, Lcm, Och; ed. in Cantio sacra, xvi (Cologne, 1958)
Panem coelestem angelorum, SS, bc, 1670
Paratum cor meum Deus, S/B, vn, bc, I-PS, S-Uu
Parce, heu, parce jam, SSAB, bc, Uu; ed. J. Pilgrim (Hilversum, 1971)
Plaudite, caelestes chori, S, bc, I-COd; ed. in Jones (C1982)
Praevaluerunt in nos (see Insurrexerunt in nos)
Quasi aquila, T, 2 vn, bn, bc, 1670
Quasi columba speciosa, SSS, bc, c1647, I-Bc (section Omnes gentes gaudete survives separately)
Quasi stella matutina, SSSA, bc, F-Pn, I-Bc (with 2 vn, vc)
Quid tandem sunt mundi deliciae, ATB, bc, D-Dlb, S-Uu
Quis est hic vir, SSS, bc, 16462, 16471, in A. Poggioli, Delectus sacrarum cantionum 2–5vv (Antwerp, 1652); ed. in Jones (C1982)
Quis est hic vir, AB, bc, 1670
Quo abiit dilectus meus, SA, bc, CS-KRa, F-Pc, Pn, I-COd
Quomodo facti sunt impii, SSB, bc, 16542; ed. in Jones (C1982)
Quo tam laetus progrederis, SS, bc, 1670 (for SST, bc), 1675
Regina coeli (i), SATB, I-Ac, ?c1628–9
Regina coeli (ii), SATB, I-Ac, ?c1628–9
Sacerdotes Dei, benedicite, SS, bc, S-Uu
Salve, amor noster, SS, bc, 16651
Salve, puellule, S/T, bc, CS-KRa (T, 2 vn, bc), F-Pn, GB-Lbl, Lcm; ed. in Cantio sacra, xlviii (Cologne, 1961)
Salve, regina, SSB, bc, F-Pc, Pn, S-Uu (with alternative text Salve rex Christe pater misericordiae); ed. in Jones (C1982)
Salve, regina, SATB, SATB, bc, Uu
Salve, virgo immaculata, SSB, bc, 1670
Sancta et individua Trinitas, SS, 2 vn, lute/theorbo, before 1634, A-KR; ed. W. Fürlinger (Stuttgart, 1978)
Sicut mater consolatur, SS, bc, 1670
Sicut stella matutina, S, bc, 16591, 1670; ed. in Jones (C1982)
Silentium tenebant, SST, 2 vn, bc, F-Pc, Pn (frag.)
Si linguis hominum et angelorum, SSS, 2 vn, bc [also survives without 2 vn], CZ-KRa, F-Pc, Pn, GB-Och, Y (inc.), I-PS (vn 1 only), S-Uu
Simile est regnum coelorum, SS, bc, S-Uu
Si qua est consolatio, SSB, bc, 16421; ed. in Jones (C1982)
Somne laborum dulce levamen (pt of Silentium tenebant)
Summi regis puerpera, SS, 2 vn, lute/spinet, bc, GB-Och (attrib. ‘Luigi’), Y, I-PS (as Omnes sancti, vn 1 only); ed. P. Seymour (London, 1982)
Super flumina Babilonis, SSAT, bc, F-LYm, Pc, Pn, GB-Y, I-Bc, S-Uu
Surgamus, eamus, properemus, ATB, bc, 16492, 16521, 16562, 1666 (with 2 vn, va da gamba)
Surrexit pastor bonus, SSS, bc, Uu
Suscitavit Dominus, ATB, bc, 16651, 1666 (with 2 vn, va da gamba); ed. in Jones (C1982)
Sustinuimus in pacem, SSATTB, bc, CZ-KRa
Timete Dominum, SSATB, bc, I-COd; ed. in Jones (C1982)
Tollite, sancti mei (Martyres), SST, bc, D-Hs, GB-Y
Turbabantur impii (Lamentatio damnatorum), ATB, bc [also survives with 2 vn, lute], 1666 (with 2 vn, va da gamba), 1675; ed. F. Rochlitz, Sammlung vorzüglicher Gesang-Stücke, ii (Mainz, c1840); ed. H. Quittard, Concerts spirituels, i (Paris, c1905); ed. C. Dell’Argine (Florence, 1972); ed. in Jones (C1982)
Usquequo peccatores, SSS, SAT, SATB, 2 vn, lute, bc, CS-KRa (dated 1672)
Veni, consolator suspirantis, SS, bc, D-MÜs (pt of O ignis sancte)
Veni, dilecta mea, SS, bc, 1643
Veni, sponsa Christi, SSATTB, bc, I-PS, S-Uu
Viderunt te Domine, SB, bc, 1647, 1670; ed. in Jones (C1982)
Vidi impium superexaltatum, ATB, bc, 16551, in F. de Silvestri: Alias cantiones sacras ab excellentissimis musices auctoribus (Rotterdam, 1657)

Oratorios:
incipits given in parentheses
Abraham et Isaac (Tentavit Deus Abraham), SATTB, bc; C oratorî ii, 1
Baltazar (Baltazar Assyriorum rex), SSATB, 2 vn, bc; C oratorî iii
Diluvium universale (Cum vidisset Deus), SS, SSATB, SSATB, 2 vn, bc, D-Hs
Dives malus [Historia divitis] (Erat vir quidam opulentissimus), SSTB, SATB, bc; C oratorî v
Ezechias (Aegrotante Ezechia), SSATB, 2 vn, bc; C oratorî i, 14
Interfecto Sisara, SSSATB, 2 vn, bc, CZ-KRa
Jephte (Cum vocasset in proelium), SSSATB, bc, before 16 June 1648 (final chorus in Kircher); ed. J.E. Beat (London, 1974); ed. A. Amisano (Milan, 1977)
Jonas (Cum repleta esset Ninive), SATB, SSATB, 2 vn, bc; C oratorî xi
Judicium extremum (Aspiciebam in visione noctis), SSATB, ATB, ATB, 2 vn, bc; C oratorî iv
Judicium Salomonis (A solis ortu), SSAB, 2 vn, bc [attrib. S. Capricornus in his Continuatio Theatri musici (Würzburg, 1669), but certainly by Carissimi]; ed. in Denkmäler der Tonkunst, ii (Bergedorf, 1869), 30; ed. A. Toni (Milan, 1929)
Vanitas vanitatum (Proposui in mente mea), SSATB, 2 vn, bc; C oratorî x, 18

Cantatas:
Editions: Cantatas by Giacomo Carissimi 1605–1674, ed. G. Massenkeil, The Italian Cantata in the Seventeenth Century, ii (New York, 1986) [facs.] [Ma]
Giacomo Carissimi: Cantate a una, due e tre voci, ms. Bologna [I-Bc X234], ed. P. Mioli, Archivum musicum: La cantata barocca, xiv (Florence, 1983) [facs.] [Mi]
Alte Meister des Bel Canto: Eine Sammlung von Arien, i, ed. L. Landshoff (Leipzig, 1912) [La]
Alte Meister des Bel Canto: italienischen Kammerduetten, ii, ed. L. Landshoff (Leipzig, 1927) [Ld]
Ahi non torna, SS, bc, I-Bc, Nc, Rvat (Ma); C cantate i, 12
Al’hor che nel cielo, S, bc, Bc, Rvat
Allegria vuol’Amore, S, bc, B-Lc
Alma, che fai, che pensi?, SB, bc, before 1643, GB-Och (Ma); ed. in Rose (E1960)
Almeno un pensiero, S, bc, A-Wn, GB-Lbl, Och, I-Bc (Mi), Rvat
Amanti, che dite? (pt of Sciolto havean dall’alte sponde), perf. for Charles II at English court, in Recueil d’airs sérieux (Paris, 1701), F-Pc, GB-Lbl, Lcm, Ob, Och
Amanti che vivete, SS, bc, I-Bc, Fc; ed. in Buff (E1973)
Amanti de miei lumi, S, bc, Nc
Amanti, tacete (pt of Più non ti chieggio)
A morire (pt of Ferma, lascia ch’io parli); ed. R. Prentice, 6 Cantatas by Carissimi (London, 1874), 2; ed. P. Floridia, Early Italian Songs and Airs (Boston, 1923), 81
A morir’, infelice cor mio, S, bc, F-Pthibault
Amor mio, che cosa è questa? (Amante sdegnato) (D. Benigni), S, bc, before 1663, I-Bc, MOe, Vc, US-CA; ed. G. Rose, G. Carissimi: 6 Solo Cantatas (London, 1969), 30
A piè d’un verde alloro (I filosofi; Democritus et Heraclitus) (Benigni), SS, bc, before 16 June 1948 (frag. in Kircher), GB-Lbl, Ob, Och, I-Bc (Mi), Fc, MOe, Nc; Ld, 52
Apritevi inferni (Peccator penitente) (Benigni), S, bc, before 1663, MOe, Nc; ed. G. Rose, Giacomo Carissimi: 6 Solo Cantatas, 54
Ardeva in tanto foco, S, bc, GB-Och, I-Bc, Rvat (Ma), Vc
Ardo, lassa, ò non ardo? (G. Marino), S, bc, GB-Och
Bel tempo per me, S, bc, F-Pn, GB-Lbl, Och, Ob, I-Bc (Mi), Gl, MOe, Rc, Rvat; ed. G. Rose, Giacomo Carissimi: 6 Solo Cantatas (London, 1969), 19
Bisogna contentarsi, S, bc, Nc; ed. in Rose (E1960)
Cara e dolce mia vita (P. Colonna), S, bc, Bc (Mi); C cantate ii, 15
Che dici, Amore? (G. Giustiniani), S, bc, F-Pn
Che legge è questa, o Dio? S, bc, I-Bc (Mi); C cantate ii, 29
Che superba ai miei sospiri, S, bc, Nc
Che tanto esclamare, S, bc, Bc, Rc (also survives as Risposta, with Non chiede altro as Proposta)
Chi d’amor vive in tormento, S, bc, 16467 (Ma)
Chi fugge d’amor (Dialogo di Tirsi e Filli) (Benigni), SS, bc, F-Pn, GB-Och, I-Bc (Mi), Rc; ed. in Buff (E1973)
Ch’io speri o disperi, S, bc, Rn
Chi più sà, manco ne sà, SSB, bc, GB-Lbl
Come, ahi, come cade, S/B, bc, Cmc, I-Rvat (Ma)
Come sete importuni (Sta in dubio se si dispera) (Benigni), S, bc, before 1663, Bc, MOe, US-CA; ed. in La Flora, i (Copenhagen, 1949), 31
Consolati, cor mio (Consola il suo cor) (F. Buti), S, bc, before 1663, I-Bc, MOe, Rvat
Coronata di splendori (Amor difeso), SSS, bc, GB-Ob, Och; ed. in Buff (E1973)
Così volete, così sarà, S, bc, B-Bc, I-Bc (Mi), MOe, Nc, Rvat; La, 52 (inc.)
Crudo amore il mio core, S, bc, 16796 (Ma)
Dai più riposti abissi (= Tra più riposti abissi)
Deh contentatevi, S, bc, GB-Och; ed. R. Prentice, 6 Cantatas by Carissimi (London, 1874), 6; ed. P. Floridia, Early Italian Songs and Airs (Boston, 1923), 85
Deh memoria e che più chiedi?, S, bc, I-Rvat; ed. G. Rose, G. Carissimi: 6 Solo Cantatas (London, 1969), 37
Dimmi, o ciel, che fia di me?, SS, bc, Bc, Nc; Ld 49
Dolor senza rimedio, A, bc, Nc
Dove fuggi, o mia speranza? (= Ove fuggi o mia speranza?)
Dunque degl’horti miei, S, bc, Rsc; C cantate i, 1
È bello l’ardire d’un anima, S, bc, F-Pn, GB-Och, I-Bc (Mi), Rdp, Rvat
E chi vi resta più, SS, bc, Rvat; ed. in Rose (E1960)
Entro il mar de miei tormenti, S, bc, A-Wn
E pur volete piangere (Amante sfortunato) (Benigni), S, bc, before 1663, F-Pn, I-Bc, MOe, SPc, US-CA
E pur vuole il cielo (Destava la cativa sorte in amore) (Benigni), SS, bc, in Canzonette amorose (Rotterdam, 1656) (incl. In si duro martire, survives separately) [also attrib. A. Stradella]; Ld, 5
Era de gli imenei d’Anna, S, bc, I-Rvat (Ma)
Errai, signor, errai, S, bc, A-Wn, I-Rvat; ed. in Rose (E1960)
Ferma, lascia ch’io parli (Il lamento di Maria di Scozia), S, bc, D-MÜs, F-Pc, GB-Lbl (Ma) (incl. A morire, see above)
Filli, non t’amo più, S, bc, Och, I-Rc [also attrib. Carlo del Violino]; ed. R. Prentice, 6 Cantatas by Carissimi (London, 1877), 15; ed. H. Riemann, Handbuch der Musikgeschichte, ii/2 (Leipzig, 2/1922), 69 (frag.); ed. P. Floridia, Early Italian Songs and Airs (Boston, 1923), 90
Fuggi, o mio core, dal seno, S, bc, GB-Och, I-Fc, Gl
Fuggi, fuggi quel ben che tanto alletta, AT, bc, 16402 (anon.) (Ma)
Fuggite, pensieri guerrieri (pt of Lungi da me fuggite)
Già del ciel con piè di rose, SSS, 2 vn, bc, Rdp
Giurai d’amarti (Disperato amante) (Benigni), S, bc, before 1663, Bc, MOe, Rsc
Giustizia o cupido, S, bc, Fc; ed. in La nuova musica, ii (1899), 12
Hor che di Sirio (Colonna), S, bc, F-Pn, GB-Och, I-Bc (Mi); ed. in Rose (E1960)
Il mio core è un mar, SS, bc, D-MÜs, I-Fc, Nc [also attrib. A. Stradella]; Ld, 34
Indovine pellegrine (Le zingare), SST, bc, Bc (Mi)
In si duro martire (pt of E pur vuole il cielo)
Insuperbito il Tebro, S, bc, GB-Och
In un mar di pensieri, S, bc, A-Wn, GB-Lbl, Och, I-Gl, Rc; ed. G. Rose, G. Carissimi: 6 Solo Cantatas (London, 1969), 44
Inventane più, S, bc, I-Fc, Rvat
Io corro alle sventure, SS, bc, 16467 (Ma); ed. in Buff (E1973)
Io dissi sempre che l’amare, S, bc, before 25 April 1669, GB-Och, I-Nc
Io vò pensando, S, bc, Rc; ed. in Rose (E1960)
La mia fede altrui giurata, S/T, bc, 16796 [also in MS attrib. A. Stradella]; La, 57
La regina de volanti, S, bc, GB-Och, I-Bc (Mi), Nc; ed. in Buff (E1973)
Le ferite d’un cor, SST, bc, perf. at French court, 1658, F-Pn, Pthibault, GB-Och, I-Bc (Mi), Nc, Rvat; ed. in Buff (E1973)
Le magnanimi eroi, S, bc, Rvat
Lungi, lungi da me fuggite (Penosa rimembranza di gioie perdute) (Conte Teodoli), S, bc, before 1663, Bc (Ma), MOe, Rc, US-CA; incl. Fuggite pensieri guerrieri, survives separately in Recueil d’airs sérieux (Paris, 1701); ed. in La Flora, i (Copenhagen, 1949), 26
Lungi, homai, deh spiega, SS, bc, before 1673, F-Pc, GB-Och, I-Bc; Ld, 29
Mai non esce di servitù, S, bc, Nc
Mesto in sen, S, bc, GB-Lbl, Och, I-Bc (Mi), Rvat; ed., inc., in Eleganti canzoni ed arie italiane, v (Milan, 1894)
M’havete chiarito, tiranne pupille, S, bc, Fc, Nc; ed. in Rose (1959)
Nella più verde età (F. Chigi), S, 2 vn, bc, GB-Och, I-Bc (Ma), Fc, Nc
No ch’io non voglio amar, S, bc, Fc, Gl, Nc
Non bisogna scherzare, SS, bc, Fc, Rc; ed. in Buff (E1973)
Non chiede altro che vita, S, bc, A-Wn, GB-Och, Bc (Ma), Rc (also survives as Proposta, with Che tanto esclamare as Risposta); ed. R. Haas, Die Musik des Barocks, HMw (1928), 127
Non disperar, mio core, S, bc, Rvat (Ma)
No, no, mio core, S, bc, A-Wn, GB-Lbl, Och, I-Bc (Mi), Nc, ed. C. MacClintock; The Solo Song, 1580–1730 (New York, 1973)
No, no, non si speri, A, bc, I-Rvat; La, i-ii, 49, ed. P. Floridia, Early Italian Songs and Airs (Boston, 1923), 99
Non piangete, ò ciechi amanti, SS, bc, before 1663, GB-Och, I-Bc, MOe, Nc [also attrib. M. Savioni]; ed. in Buff (E1973)
Non posso vivere, S, bc, Pc, Vqs; ed. in La Flora, i (Copenhagen, 1949), 38
Occhi che m’uccidete, S, bc, before 1658, F-Pn, GB-Och
O dura più d’un sasso, S, bc, D-Kl, I-Nc, Vqs
O la, pensieri, S/B, bc, GB-Och, I-Rvat (Ma)
O mirate che portenti, SS, bc, F-Pc, I-Fc, Nc (inc.); ed. in Les gloires de l’Italie, ii (Paris, 1868), 63
O miseria infinita, SS, bc, Bc, Nc
O se mai di quell’arsura, SS, bc, Bc; C cantate ii, 55
Ove [Dove] fuggi o mia speranza?, S, bc, Bc, Gl, Rvat (Ma), SPc
O voi ch’in arid’ossa (Giuditio universale) (Benigni), S, bc, before 1663, COd, MOe, Rc, Rvat (Ma); ed. in Rose (E1960)
Pastor à cui fra l’ombre, S, bc, Rvat
Peregrin d’ignote sponde, SS, bc, Bc, Fc, Rvat [also attrib. L. Rossi]; C cantate ii, 59
Per mè si che và bisesto, S, bc, Fc
Per mille colpi e mille (I ciechi; Pietà e Amore) (Benigni), SS, bc, before 1663, Bc (Mi), MOe; ed. in Buff (E1973)
Piange Filli con sospiri, S, bc, GB-Lbl, US-CA
Piangete, aure, piangete (Benigni), S, bc, F-Pn, I-Nc, Rsc, US-CA
Piangete, ohimè piangete, S, bc, GB-Lbl, I-Bc (Ma); ed. A. Parisotti, Arie antiche, iii (Milan, 1900), 61
Più non ti chieggio, SS, bc, before 1673, GB-Och, I-Bc, Rvat (incl. Amanti tacete, survives separately); ed. in Buff (E1973)
Poiche lo sdegno intese (Il ciarlatano; Lo sdegno ciarlatano), SSS, bc, A-Wn, B-Bc, I-Bc (Ma), Nc, Rc; ed. in AMI, v (c1900), 238
Presso vagho ruscello, S, bc, Nc
Quando Filli mirai, S, bc, Rvat
Qui son venuta à piangere, S, bc, before May 1669, Nc
Rasserenatevi, foschi pensieri, S, bc, Rc; ed. in Rose (1959)
Rimanti in pace homai (Partenza dalla S.D.) (C. della Luna), ST, bc, before 1663, Bc, MOe; Ld, 19; ed. in La Flora, iii (Copenhagen, 1949), 99
Risolviti, mio core (P. Carey), S, bc, GB-Lbl, I-Rc
Risvegliatemi, pensieri, S, bc, F-Pn, GB-Och, I-Fc, Rvat
Sassi, e hor quà tra le ruine (Il tempo divorra ogni cosa), S, bc, before 1663, F-Pn, I-MOe [also attrib. L. Rossi]
Sciolto havean dall’alte sponde (I naviganti), SSBar, bc, before April 1653, D-MÜs, GB-Lbl, Och, I-Bc (Mi), Nc, Rvat (last section Amanti, che dite? survives separately); C cantate i, 20
Scrivete, occhi dolenti, S, bc, Bc; C cantate ii, 43
Se il duol non finirà, S, bc, Fc; ed. in Rose (E1960)
Se l’antica mia guerriera, S, bc, before May 1669, Nc
Sempre m’affliggo più, S, bc, Rvat; ed. in Rose (1959) (Ma)
Se nell’uscir di spene (Buti), S, bc, F-Pn
Siam tre miseri piangenti, SSS, bc, GB-Ob, Och, I-Bc (Ma); ed. in Rose (E1960)
Si dia bando alla speranza, S, bc, D-MGu, GB-Ob, Och
Sin che havrò spirto, S, bc, Ob, Och
S’io del ciel fossi Signore, S, bc, I-Bc (Mi)
Si, si, v’ ingannate, S, bc, Rvat
Soccoretemi ch’io moro, S, bc, B-Bc, GB-Och, I-Bc (Mi), MOe, Nc, Rvat, Vc [also attrib. L. Rossi]; La, 40
Soccorretemi per pietà, SS, bc, GB-Lbl, I-Nc, Rc; ed. (anon and inc.) in La Flora, iii (Copenhagen, 1949), 101
Son pur giunta ad amare, S, bc, GB-Och
Sopra un gelido sasso, S, bc, I-Vc
Sospiri ch’uscite, S, bc, F-Pn, GB-Lbl; ed. in Rose (E1960)
Sospiro che dici?, S, bc, Ob, Och
Sovra il sen d’alata prova, S, bc, Lbl; ed. in Rose (E1960)
Spera l’huomo infelice, SS, bc, I-Rc
Speranze non partite, S, bc, F-Pn; ed. in Rose (E1960)
Stelle, chi fù di voi, S, bc, I-Nc; ed. in Buff (E1973)
Su, fortuna, i dardi arruota, S, bc, GB-Cfm, I-Rvat
Suonerà l’ultima tromba (Del giuditio universale) (Benigni), S, bc, before 1663, GB-Lbl, I-MOe, Rc, Rvat; ed. G. Rose, G. Carissimi: 6 Solo Cantatas (London, 1969), 68
Sventura, cor mio (Pene in amore) (Benigni), S, bc, before 1663, MOe, Rsc; ed. in La Flora, ii (Copenhagen, 1949), 28
Ti vedo giungere, S, bc, GB-Lbl, I-Gl
Toglietemi la vita (Vendetta in amore), S, bc, before 1663, GB-Och, I-MOe
Tra [Dai] più riposti [remoti] abissi (F. Balducci), SSB, 2 vn, bc, before 1663, F-Pc, GB-Och (Ma), I-Bc, Rvat, US-CA; ed. in Buff (E1973)
Tronchisi, pensieri, S, bc, F-Pn; ed. in Kantatenfrühling, iii (Leipzig, 1909), 10
Tronchisi, pensieri, SB, bc, GB-Lbl (inc.), Och (different version of above)
Tu m’hai preso à consumare, S, bc, I-Bc (Mi), Rn, Rvat
Un infelice core amò (S. Baldini), S, bc, B-Bc, GB-Och, I-Bc (Mi), Rn, Rvat
Un pensier siede si forte, S, bc, Bc
Vaghi rai, pupille ardenti (Benigni), SS, bc, before 1673, B-Bc, F-Pc, GB-Och, I-Bc, Fc, Nc, Rvat; Ld, 42
Va, va, dimanda al mio pensiero, S, bc, F-Pn, GB-Och
Vella, o Febo, ai raggi d’oro (Lodi i capelli neri della S.D.) (Benigni), S, bc, before 1663, I-MOe, US-SFsc
V’intendo, occhi, voi mi volete, S/A, bc, D-Mbs, GB-Lbl, I-Nc, Rc, Rvat, US-SFsc [also attrib. L. Rossi]; ed. in Rose (E1960)
Vittoria, mio core (Amante sciolto d’amore) (Benigni), S, bc, 16537 (anon), in Canzonette amorose (Rotterdam, 1656) (anon.), 16695 (anon.) [also attrib. L. Rossi]; ed. F.A. Gevaert, Les gloires de l’Italie, i (Paris, 1868), 4; ed. A. Parisotti, Arie antiche, i (Milan, 1885), 2; ed. P. Floridia, Early Italian Songs and Airs (Boston, 1923), 103; ed. (inc.) in La Flora, i (Copenhagen, 1949), 23; Ma
Voglio amar, sì, voglio amare, S, bc, before 25 April 1669, I-Nc
Voglio andare. Dove, dove? (Fileno e Silvio), SS, bc, Fc, Rdp; ed. in Buff (1973)
Volate, sospiri, SS, bc, Bc, Bsp

—

Doubtful and misattributed works:
Masses:
Missa ‘L’homme armé’, SATB, SATB, SATB, bc, D-MÜs, F-Pc, I-Rsg, Rvat, NL-At
Missa septimi toni (Ky, Gl, Cr), G, SATB, SATB, bc, I-Bc; ed. in AMI, v (c1900), 1
Missa ‘Ut queant laxis’ sopra le note ut, re, mi, fa, sol, la, SATB, SATB, bc, D-MÜs, F-Pc, NL-At
Missa a quinque et a novem, TTB/SSB, SATB (ad lib), 2 vn, bc (Cologne, 1666); C messe e mottetti i, 1 (3vv only)
Missa, SSATB, bc, GB-Och, Ouf
Missa (Ky, Gl, Cr), SATB, bc, A-Wn, D-Mbs
Missa, SATB, I-Rvat; ed. G. Massenkeil (Regensburg, 1966)
6 others, Rvat (1 also Rsg), spurious; see Feininger (A1970)

Motets:
Ad cantus, ad melos, AA, bc, GB-Cfm [by M. Cazzati]
Ad dapes salutis venite, ATB, bc, F-LYm
Adeste mortales, S, bc, F-Pc, Pn
Ad festum venite, mortales, SS, bc, CB-Cfm [by M. Cazzati]
A Domino factum est, SAT, bc, D-Bsb, Mbs, MÜs
Adoremus Christum, SSB, bc, F-Pc [by F. Foggia]
Adoro te, ATB, bc, GB-Ob
Ad te levavi animam meam, AT, bc, D-MÜs
Ah Deus ego amo te, SSA, 2 vn, bc, Ob [by J.H. von Wilderer]
Ah quid obdormis, S, 2 vn, vc, bc, Ob [by J.H. von Wilderer]
Ah vide Domine, SATB, 2 vn, vc, bc, Ob [by J.H. von Wilderer]
Alleluia. O beatae caeli mentes, SB, bc, Cfm
Alma Redemptoris mater, SATB, bc, D-MÜs
Amo te, ST, 2 vn, vc, bc, GB-Ob [by J.H. von Wilderer]
Animae amantes, ATB, bc, F-Pc [by M. Cazzati]
Anima mea in aeterna dulcedine, SB, bc, GB-Lbl, Ob, Och [by E. Trabbatone], ed. R. Prentice, 6 Cantatas by Carissimi (London, 1877)
Anima mea in dolore est, SSATB, bc, F-LYm, Pn
Anima mea liquefacta, SAB, bc, GB-Lam, I-Rc [by F.M. Marini]
Audi Domine, S, bc, F-LYm, Pc
Audite, gentes, ATB, bc, GB-Cfm [by M. Cazzati]
Audite, omnes, quodquod estis, SSB, bc, S-Uu
Audite, peccatores, SSB, 2 vn, vc, bc, GB-Ob [by J.H. von Wilderer
Ave, dulcissima Maria, AT, bc, Lbl [by M. Cazzati]
Ave, verum corpus, SATB, bc, F-Pn, I-Rsc; ed. R.R. Terry (London, 1905)
Beatus vir, SATB, SATB, bc, A-Wn, D-Mbs, MÜs, GB-Ob; ed. J. Pilgrim (Hilversum, 1968)
Beatus vir, SSATB, bc, Y; ed. P. Seymour (London, 1975)
Beatus vir, S, 2 vn, bc, Cfm
Beatus vir, A, 2 vn, bc, Cfm
Benedicite omnes angeli, ATB, bc, Och
Benedictus Redemptor, SS, bc, F-Pc
Benignissime Jesu, ATB, bc, F-LYm, Pc [by B. Graziani]
Cantate Domino, SSB, bc, LYm, Pc
Cantemus, jubilemus, ST, bc, GB-Lbl [by M. Cazzati]
Cernis panem, cernis vinum, AB, bc, F-Pc
Christum regem adoremus, SATB, D-MÜs
Christus factus est, SATB, bc, I-Ls, PAc
Christus factus est, ATB, bc, GB-Cfm
Concinant linguae, A, bc, F-Pn
Congratulamini, congaudete, S, bc, Pn [by N. Bernier]
Crucior in hac flamma (Angelus et Anima), AB, bc, GB-Cfm, Lbl, Och [by M. Cazzati]
Cum audisset Gedeon, S, bc, F-Pn [also attrib. E. Bernabei]
Deduxit illum Dominus, SSB, bc, S-Uu [by F. Foggia]
Deus Dominus, BB, bc, F-Pn
Deus meus ad te, SST, bc, D-MÜs
Deus quis similis erit tibi, ATB, bc, F-LYm (for SSB), Pc [by G. Tricarico; also attrib. F. Foggia]
Diffusa est gratia, SATB, bc, D-Bsb, MÜs
Dilatatae sunt tribulationes, SS, bc, F-Pn [by A.M. Abbatini]
Dominator Domine, A, 2 vn, bc, GB-Cfm
Domine, Deus virtutum, SAT, bc, D-MÜs
Domine, ne in furore tuo, SSB, bc, F-Pc [by B. Graziani]
Dulcis amor Jesu, SS, GB-Lbl [by M. Cazzati]
Duo ex discipulis (Histoire des pèlerins d’Emmaüs; Historia dei pellegrini di Emmaus), SST, bc, F-LYm, Pc
Ecce, nunc benedicite Dominum, SSS, bc, GB-Cfm
Ecce, sonuerunt inimici tui, ATB, bc, F-Pc [by G.M. Pagliardi]
Ego sum panis vivus, SSB, bc, GB-Och [by O. Benevoli]
Eia plebs fidelium, B, 2 vn, va da gamba, bc, Cfm
Errate per colles, SATB, bc, F-Pc
Exultate, colles, B, 2 vn, va, GB-Cfm
Fideles animae, SB, bc, F-Pc, Cfm [by M. Cazzati]
Filiae Jerusalem surgite (Sponsa canticorum), SSSB, 2 vn, bc; C oratorî ix, 15
Gaudeamus omnes, SATB, bc, Cfm [by M. Cazzati]; ed. A. Steck (Paris, 1955)
Gaude, laetare, Sion, TB, bc, Cfm
Gaudete cum Maria, SSB, bc, 1670 [music = Deduxit illum Dominus]
Gaudete, exercitus caeli, SSB, bc, Och
Gaudia felices, SS, bc, F-Pc [by B. Graziani]
Gloria Patri, Bu [attrib. M. Locke], Ob [anon.]
Haec dies quam fecit Dominus, SS, bc, Cfm [by M. Cazzati]
Incipit lamentatio Jeremiae, SA, 2 vn, bc, Ob
In memoriam suorum mirabilium, SAT, bc, D-MÜs
In te, Domine, speravi, ATB, 2 vn, va da gamba, bc, 1666
In te, Domine, spes mea, SS, bc, F-Pc
In tribulationibus, SS, bc, Pn, 16471, 1652 [by A. Antonelli]
In voce exultationis, SSATTB, bc, D-Bsb
Ipse praeibit ante illum, SSTB, bc, A-Wn, D-Bsb, Mbs, MÜs, F-Pc, GB-Ob, NL-At
Iste sanctus pro lege Dei, ATB, bc, F-Pc [by F. Foggia]
Isti sunt triumphatores et amici Dei, ATB, bc, Pc
Isti sunt triumphatores sancti, SSATB, bc, S-Uu
Laeta caelestibus, S, 2 vn, bc, F-Pc
Laetamini canendo, S, 2 vn, bc, GB-Ob [by J.H. von Wilderer]
Lapides praetiosi, SMezAT, A-Wn, D-Bsb, Mbs, MÜs, F-Pc, GB-Ob
Lauda Sion, SATB, SATB, bc, D-Bsb, Mbs, MÜs, F-Pc
Lauda Sion, SAB, bc, GB-Cfm
Laudate, pueri, SSATB, bc, Y (inc.)
Laudate, pueri, SSB, bc, Y
Locus iste, SA, bc, D-Mbs
Magnificat anima mea Dominum, C, SATB, SATB, bc, GB-Lbl, Ob; ed. O. Drechsler (Wolfenbüttel, 1964)
Magnificat anima mea Dominum, SATB, 2 vn, va, vc, bc, Lbl
Magnificat anima mea Mariam, SA, bc, Lbl [by M. Cazzati]
Mihi autem nimis honorati sunt, SSB, bc, D-MÜs
Nisi Dominus, SATB, SATB, bc, F-Pc
Nisi Dominus, SSATB, bc, GB-Cfm; ed. J. Beat (London, 1974)
Nisi Dominus, S, 2 vn, bc, D-Mbs
Non turbetur cor, SB, bc, GB-Och (inc.)
Notus in Judaea, STB, bc, F-Pc [by F. Vignali (ii); also attrib. G.A. Rigatti]
O admirabile commercium, SSB, bc, F-LYm, Pc
O anima, festina, SATB, 2 vn, vc, bc, GB-Ob [by J.H. von Wilderer]; ed. J. Pilgrim (Hilversum, 1971)
O anima mea, suspira, SA, bc, GB-Lbl [by M. Cazzati]
O beatae caeli mentes, AA, bc, Cfm [by M. Cazzati]
O beata virgo Maria, SSS, bc, 1670 [by F. Foggia]
Obstupescite redemti, ATB, bc, D-Dlb [by F. della Porta]
O crux benedicta, ATB, bc, GB-Ob [by G.F. Sances]
O crux nobilitata palma, AT, bc, Lbl [by M. Cazzati]
O felix anima (pt of Audite, gentes)
O ignis qui semper ardes, SST, bc, F-Pc [by F. Foggia]
O impii mortales, ATB, 2 vn, bc, Pn
Oleum effusum est, S, bc, GB-Lam
O miracula, o prodigia, S, bc, F-Pn [by P.P. Vannini]
O miraculum miraculorum, SB, bc, Pc
O mortalis, quid mundanas, ATB, bc, Pn [by S. Durante as O mortalis nimis fralis]
O piissime Jesu, ATB, bc, Pc
O quam clemens et pia, SS, bc, Pc [by A. Vermeeren; also attrib. F. Foggia]
O quam pulchra et casta es, SS, GB-Lbl [by M. Cazzati]
O quam suave est regnum caelorum, SSS, bc, Lbl, Ob, Och [also attrib. G. Bassani]
O quam terribilis est, SS, bc, S-Uu [also attrib. V. Albrici]
O regina caeli porta, SA, bc, GB-Lbl [by M. Cazzati]
O sacrum convivium, SAT, A-Wn, D-Bsb, MÜs; ed. E. Tyr (Paris, 1939)
O vere et care Jesu, TB, 2 vn, bc, F-Pc
O vita, cui omnia vivunt, A, bc, GB-Lam
O vos populi, ATB, 2 vn, va, vc, S-Uu [by M. Cazzati]
Panem coelestem, SATB, bc, F-Pn
Pange lingua, SAB, bc, GB-Cfm
Pastores, dum custodistis, S, bc, Och [by B. Graziani]
Peccaverunt habitatores, SATB, bc, F-Pc, Pn [by C. Cecchelli]
Peccavi, Domine, et miserere mei, SAB, bc, LYm, Pc [by Girolamo Ferrari]
Peccavi, Domine, peccavi multum, SSB, bc, Pn [by M.-A. Charpentier]
Peccavi super numerum, SA, bc, D-MÜs
Pulchra et decora, SATB, bc, I-Bc [by G. Ghizzolo]
Quam pulchra es, SSB, bc, GB-Lbl [by G. Rovetta]
Quando Jesus adest, SA, 2 vn, vc, bc, Ob [by J.H. von Wilderer]
Quare fremuerunt gentes, ATB, bc, F-Pc
Quare suspiras, SSB, bc, Pc, Pn [by F. Foggia]
Quid agis, cor meum, S, bc, GB-Och [by B. Graziani]
Qui descendunt mare in navibus, BB, bc, F-Pc [by T. Cima]
Quid gloriaris, ATB, bc, GB-Ob [by J.H. von Wilderer]
Qui non renuntiat, TTB, bc, F-Pc
Quis est hic vir, AB, bc, 1670 [probably by F. Foggia]
Qui vult post me venire, SATB, 2 vn, vc, bc, GB-Ob [by J.H. von Wilderer]
Regina coeli, SAT, bc, D-MÜs
Revertimini, praevaricatores, ATB, bc, F-Pc, Pn
Salve, Jesu spes nostra, SAB, bc, Pc [by G. Carisio]
Salve, regina, ATB, bc, GB-Lbl, Lcm, Ob [by N. Monferrato]
Sedente Salomone (Judicium Salomonis), SSB, bc, F-LYm, Pc
Serve bone et fidelis, SSAT, bc, D-MÜs
Siccine te Domine, ATB, bc, GB-Cfm [by M. Cazzati]
Sicut cervus desiderat, SSB, bc, F-Pc
Si Deus pro nobis, SSB, 2 vn, bc, 1670 [by S. Fabri (ii), SSB, bc]
Sonent organa, SAB, 2 vn, bc, GB-Cfm
Sub umbra Jesu, ATB, bc, F-Pn [also attrib. G. Carisio]
Sub umbra noctis mortis, SST, bc, Pc, Pn
Sunt breves mundi rosae, B, 2 vn, bc, Pc, Pn (for 2 fl, bn, 2 vn, with addns by P. Royer) [by M. Cazzati]
Surge, propera, S, bc, Pn [by N. Bernier]
Tecum principium in die, ATB, bc, D-MÜs
Tolle sponsa tolle fores, SB, bc, F-Pc; C oratorî vi, 1
Tu es Petrus, SSB, bc, Pc
Tui sunt caeli, SS, bc, D-MÜs
Vanitas vanitatum, SS, bc, F-LYm, Pc; C oratorî x, 1 (as Vanitas vanitatum I)
Veni Sancte Spiritus, SATB, bc, D-MÜs
Veni Sancte Spiritus, SSA, bc, MÜs
Veni Sancte Spiritus, SAB, bc, GB-Cfm
Venite exultemus (anon.), lost, perf. S Apollinare, Rome, Christmas 1639, according to P. della Valle: Della musica dell’età nostra (dated 1640), repr. in A. Solerti: Le origini del melodramma (Turin, 1903/R1969), 174
Venite, fideles, festinate, ST, bc, GB-Cfm [by M. Cazzati]
Venite, gentes, SB, bc, Cfm [by M. Cazzati]
Venite, pastores, S, bc, GB-Och [by B. Graziani]
Vir frugi et pater familias, TTB, bc; C oratorî ii, 23
Viri Galilaei quid aspicitis, SSB, bc, D-Bsb, F-Pc, GB-Ob
Vivat laeta trumphalis, ATB, bc, GB-Cfm [by B. Graziani]
Vox turturis, SA, bc, F-Pc [by Alessandro Melani]

Oratorios:
Cain, SSSATB, bc; C oratorî ix, 1
Historia Davidis et Jonathae, SSATB, 2 vn, bc, F-Pn
Job (Audi Job), SAB, bc; C oratorî i, 1
Oratorio della SS vergine (Balducci), SSATB, 2 vn, bc; C oratori viii
Oratorio di Daniele profeta, SSSATB, bc; C oratorî vii

Cantatas:
Adesso è bizzaria saper, S, bc, D-MÜs
Alla rocca del pensiero (G. Rospigliosi), S, bc, perf. Rome, 1654, I-Rvat [by A.M. Abbatini, from opera Dal male il bene by Abbatini and M. Marazzoli]
Al tramontar del giorno, S, bc, F-Pn, I-Bc, MOe, Rvat [also attrib. B. Pasquini]; ed. in Kantatenfrühling, iii (Leipzig, 1909), 3
Amanti, sentite amor, SA, bc, before 7 Sept 1641, GB-Lbl, Och, I-Bc, Fc, Rvat [also attrib. M. Marazzoli and L. Rossi]
Amanti, un bell’humore, S, bc, Nc
Apri le luci, S, bc, Vc
Begl’occhi lusinghieri, S, bc, D-MÜs
Begl’occhi, pietà, SS, bc, MÜs, GB-Lbl, I-MOe, Nc, Rvat, US-Nsc [also attrib. A. Cesti and A. Steffani]
Cara, tu sei gelosa, S, bc, D-MÜs
Care selve beate (G.B. Guarini), B, bc, GB-Och [from Il pastor fido]
Chi d’amor divien seguace, S, bc, Lbl, I-Nc
Colpa è del cieco Dio, S, bc, D-MÜs
Co’l versar sì belle lagrime, S, bc, MÜs
Come l’ombra à nostro scherno (G.F. Apollonio), S, bc, MÜs, I-Nc [by A. Stradella]
Con incerta speranza, S, bc, GB-Och, I-Nc, Rc, Rvat [also attrib. M. Marazzoli and L. Rossi]
Cor mio, volesti amar, SS, bc, S-Uu (inc.)
Costante il ciel mi fe’, S, bc, I-Nc
Crolla il mondo, S, bc, Rvat
Da perfida speranza (La perfida speranza), S, bc, B-Bc, F-Pthibault, GB-Lbl, Och, I-Fn, PAc, Rc, Vc [by L. Rossi]
Disperata rimembranza, S, bc, GB-Cfm, I-MOe, Nc [by A. Stradella]
Dite, o cieli, se crudeli sono i sguardi, S, bc, in 16887, Recueil des milleurs airs italiens (Paris, 1703) [by L. Rossi]
Dolorosi pensieri, SABar/ATBar, bc, F-Pn [also attrib. M. de la Barre]
Dove andasti, raminga mia luce?, S, bc, D-MÜs
Ecco l’alba luminosa, SSB, bc, GB-Lbl
E che farete, amanti? (Rospigliosi), S, bc, perf. Rome, 1654, I-Rvat [by A.M. Abbatini, from opera Dal male il bene by Abbatini and M. Marazzoli]
Erminia sventurata, S, bc, B-Bc, GB-Lbl, Och, I-Nc, Rc, Rvat [by L. Rossi]
Fatto son hoggi nocchiero, SSB, bc, F-Pn, I-Bc [also attrib. G. Marciani]
Fingo per mio diletto, S, bc, D-MÜs
Fra [Tra] sponde di smeraldo, S, bc, Kl, F-Pthibault, I-MOe, Rvat [by Atto Melani]
Havete fatto assai, S, bc, before May 1669, Nc
Il mondo tace, SSB, bc, F-Pn, GB-Och, I-Bc
In amor le stravaganze, S, bc, Nc, Rc [also attrib. G. Marciani]
In guerra d’amore, S, bc, in Recueil d’airs sérieux (Paris, 1701)
Insegnatemi à morire, S, bc, GB-Lcm, Och [by A. Cesti]
Irene da me lungi, S, bc, I-Nc
Languia Filen trafitto, S, bc, GB-Och, I-Nc, Rvat [also attrib. C. Caproli and L. Rossi]
La rosa dogliosa, S, bc, F-Pc, Pn, I-Rvat, US-NH [also attrib. A. Cesti]
Lontananza dogliosa, S, bc, F-Pn
Luci belle, mio tesoro, SS/AT, bc, Pn, I-Bc, Fc [also attrib. L. Rossi]
Me l’ha fatta la speranza, SS, bc, Nc
M’è venuto à fastidio (Apollonio), S, bc, D-MÜs, F-Pthibault, I-Nc [by A. Stradella]
Mi nasce un sospetto, S, bc, D-MÜs
Mio core, mio bene, languisco, SS, bc, GB-Lbl, I-Bc, Fc, Nc, Rc [also attrib. A. Cesti, G. Marciani and L. Rossi]
Mirate ch’io rompo del piè, S, bc, Nc
Navicella che si altera (G. Lotti), S, bc, Nc, Rc
Nel rogo fatale, S, bc, Nc
Non basta la fe’, S, bc, Nc [also attrib. M. Savioni]
Non più gioie, mio core, SS, bc, F-Pn, I-Fc [also attrib. L. Rossi]
Non veduta ancor m’impiaga, S, bc, D-MÜs
Notte amica a i dolci amori, S, bc, MÜs
Occhi miei belli, S, bc, B-Bc, D-Mbs, F-Pn, Pthibault, I-Fn [by Atto Melani]
O me infelice (Falsirena disperata), S, bc, GB-Och
O mirtillo, S, bc, F-Pn
Pensieri, che fate?, SS, bc, I-Bc, Fc, Nc, Rc, Rvat [also attrib. M. Marazzoli, F. Provenzale and L. Rossi]
Per legar l’alma d’un rè, S, bc, D-MÜs
Per mirar chi al sol da luce, S, bc, MÜs
Più non spero di gioire, SS, bc, I-Nc
Porta su gl’occhi il pianto, S, bc, MOe, Nc
Presso un ruscel sedea un huom (Quanto sia instabile l’età dell’huomo) (Benigni), S, bc, before 1663, GB-Lbl, Och, I-MOe, Rc, Rvat [by L. Rossi]
Pupille care, moro se non vi miro, S, bc, D-MÜs
Quand’ amor mi darai pace?, S, bc, GB-Lbl, I-Nc [also attrib. F. Valenti]
Quanto sete [siete] per me pigri, S, bc, F-Pc, Pn, GB-Och, I-Nc, Rvat [also attrib. A. Cesti]
Quel vezzo m’impiaga, S, bc, D-MÜs
So ben io dov’è legata, S, bc, GB-Och, I-Nc [also attrib. L. Rossi]
Sotto le curve e spatiose spalle, S, bc, Vc
Sperar vorrei, ma al fine, S, vn, bc, D-MÜs
Sta forte, mio core, S, bc, I-Nc, Rc [also attrib. M.A. Pasqualini]
Su destatevi, amanti (Ariberti), SS, bc, Bc, Nc, Rvat [also attrib. M. Marazzoli]; Ld, 83
Tormentato mio core, S, bc, I-Nc
Tratto qui da un cieco Nume, S, bc, D-MÜs
Un canoro rusignolo già sirena, S, bc, I-Nc
Ve lo dico, non amate, S, bc, Nc, Rdp [also attrib. M. Marazzoli]
Vivo, ò bella, co’l tuo core, S, bc, D-MÜs

—

Lost works:
Stage:
L’amorose passioni di Fileno, lib. pubd (Bologna, 1647)
Giuditta, perf. Collegio Germanico, Rome, 1656
Il sacrificio d’Isaaco, perf. Collegio Germanico, Rome, 1656

Motets:
Ad coelestem Jerusalem, S, bc, cited in Ansbach inventory
Ad fontem, 3 vv, bc, cited in Ansbach inventory
Annos aeternos, 2vv, bc, perf. Weissenfels, 1693, under J.P. Krieger
Audite, mortales, 6vv, 3 insts, bc, belonged to J.P. Krieger in c1690, ?by B. Pekiel; ed. Z. Szweykowski (Kraków, 1982)
Audite, sancti, 6vv, 5 insts, bc, cited in Ansbach inventory
Beatus vir, 5vv, bc, cited in Ansbach inventory
Cantate Domino, 2vv, bc, perf. Weissenfels, 1692, under J.P. Krieger
Cantemus Domino, SS, bc, cited in Tovačov inventory
Clama, ne cesses, 4vv, bc, mentioned in letter, 1642
Confitebimur, SSSS, bc, cited in Tovačov inventory
Cum de sepulcro, 8vv, bc, perf. Weissenfels, 1691, under J.P. Krieger
Estotes fortes in bello, cited in Ansbach inventory
Exultate, SS, bc, cited in Tovačov inventory
Iratus sum, 3vv, bc, cited in Ansbach inventory
Jesu noster, 2vv, 2 insts, bc, cited in Ansbach inventory
Justus germinabit, SSB, bc, formerly in Stadtbibliothek, Breslau
Magnificat, 8vv, 4 insts, perf. Weissenfels, 1691, under J.P. Krieger
O anima mea, suspira, SS/TT, bc, cited in catalogue, 1695, of Michaelisschule, Lüneburg; ? identical with motet for SA, bc
O cor meum, T, bc, cited in Ansbach inventory
O felix felicitatis, 3vv, 2 insts, bc, cited in Ansbach inventory
O sanctissimum sacramentum, 3vv, bc, cited in Ansbach inventory
Sacris dicta, SS, bc, cited in Tovačov inventory
Si quis est cupiens, ATB, bc, formerly in Staats- und Universitätsbibliothek, Königsberg
Valete, mundi delitiae, SS/TT, bc, cited in catalogue, 1695, of Michaelisschule, Lüneburg
Valete, risus, valete, cantus, SS/TT, bc, cited in catalogue, 1695, of Michaelisschule, Lüneburg
Venite, exultemus, perf. S Apollinare, Christmas 1639
Venite, socii, 4vv, bc, cited in Ansbach inventory
Viam mandatorum suorum, SATB, bc, formerly in D-MÜs
Virgo Davidica, S, ? 2 vn, bc, cited in Tovačov inventory

Oratorios:
Persarum rex maximus Assuerus, oratorio, SSATB, 2 vn, bc, formerly in CZ-KRa
Stabat adversus Israel Philisteus, oratorio, SS, SATB, SATB, 2 vn, lute, vle, bc, formerly in KRa

Instrumental:

42 versetti, hmn/org, in Kurtzer jedoch gründlicher Wegweiser (Augsburg, 1689); pubd (Turin, 1901)

Literatura:

Ars cantandi (It. treatise extant only in Ger. trans.)
Kurze, jedoch grundliche Anweisung zur Musica Modulatorio, D-Bsb
Regulae compositionis, Bsb

Pier Francesco Cavalli (Crema, 14 de febrero de 1602 – Venecia, 14 de enero de 1676) fue un compositor, organistay cantante italiano. Fue, junto a Monteverdi, el compositor de ópera más importante del siglo XVII.

Cavalli – L’Arpeggiata o.l.v. Christina Pluhar – Festival Oude Muziek Utrecht 2016 – Live concert HD

Biografia

OBRA:

Vocal secular:

Stage:
Le nozze di Teti e Peleo (libretto di O. Persiani) al Teatro San Cassiano di Venezia
Gli amori di Apollo e Dafne (Gian Francesco Busenello) al Teatro San Cassiano di Venezia
La Didone (Gian Francesco Busenello) al Teatro San Cassiano di Venezia
Amore innamorato (Giovanni Battista Fusconi e Giovan Francesco Loredan) al Teatro San Moisè di Venezia
Narcisso et Ecco immortalati di Filippo Vitali, rielaborazione di Marco Marazzoli e Cavalli (O. Persiani, perduta) al Teatro Santi Giovanni e Paolo di Venezia
La virtù de’ strali d’Amore (Giovanni Faustini) al Teatro San Cassiano
L’Egisto (Giovanni Faustini) al Teatro Novissimo di Venezia
La Deidamia scritta con Filiberto Laurenzi (Scipione Herrico, perduta) al Teatro Novissimo
L’Ormindo (G. Faustini) al Teatro San Cassiano
Il Romolo e ‘l Remo (Giulio Strozzi e Giovan Battista Strozzi, perduta) al Teatro Santi Giovanni e Paolo
La Doriclea (Giovanni Faustini) al Teatro San Cassiano
Il Titone (Giovanni Faustini, perduta) al Teatro San Cassiano
La prosperità infelice di Giulio Cesare dittatore (Gian Francesco Busenello, perduta)
La Torilda (P.P. Bissari, perduta)
Il Giasone (Giacinto Andrea Cicognini) al Teatro San Cassiano
L’Euripo (Giovanni Faustini, perduta) al Teatro San Moisè di Venezia
La Bradamante (P.P. Bissari, perduta)
Orimonte (Nicolò Minato)
L’Oristeo (Giovanni Faustini)
La Rosinda (Giovanni Faustini) al Teatro Sant’Apollinare di Venezia
L’Armidoro (B. Castoreo, perduta) al Teatro San Cassiano
La Calisto (Giovanni Faustini)
Veremonda, l’amazzone di Aragona (Giulio Strozzi e Giacinto Andrea Cicognini) al Palazzo Reale di Napoli
L’Eritrea (Giovanni Faustini)
L’Helena rapita da Teseo (Giacomo Badoaro)
L’Orione (Francesco Melosio, Teatro Regio Ducale di Milano)
Il Ciro (Aurelio Aureli, opera di Francesco Provenzale rimaneggiata da Cavalli con Andrea Mattioli[1]) al Teatro Santi Giovanni e Paolo di Venezia
Il Serse (o Xerse, Nicolò Minato) al Teatro Santi Giovanni e Paolo con Atto Melani
La Statira, principessa di Persia (Gian Francesco Busenello) al Teatro Santi Giovanni e Paolo
L’Erismena (Aurelio Aureli) al Teatro Sant’Apollinare di Venezia
L’Artemisia (Nicolò Minato) al Teatro Santi Giovanni e Paolo
L’Antioco (Nicolò Minato, perduta) al Teatro San Cassiano
L’Hipermestra (Moniglia, Firenze) al Teatro della Pergola
L’Elena (Nicolò Minato e Giovanni Faustini) al Teatro San Cassiano
La pazzia in trono, ossia il Caligola delirante (D. Gisberti, perduta)
L’Ercole amante (Francesco Buti, Teatro delle Tuileries di Parigi)
Scipione Africano (Nicolò Minato), Teatro Santi Giovanni e Paolo con Giovanni Francesco Grossi
Il Mutio Scevola (Nicolò Minato) al Teatro Vendramin di San Salvatore (poi Teatro stabile del Veneto Carlo Goldoni) di Venezia
Il Pompeo Magno (Nicolò Minato) al Teatro Vendramin di San Salvatore (poi Teatro stabile del Veneto Carlo Goldoni) di Venezia
L’Eliogabalo (A. Aureli)
Coriolano (Cristoforo Ivanovich) a Piacenza

Other secular:
most attributions doubtful; arias by Cavalli are probably from operas:
Arias:
Son ancor pargoletta, 1634, ed. K. Jeppesen, La Flora (Copenhagen, 1949);
E rimedio al mal d’amore, 1656 (see also Erismena);
Dolce colpo d’un sguardo amoroso, F-Pn;
In amor non ho fortuna, Pn;
O dolce servitù, Pn;
Dolce amor, ?Pn (formerly GB-T), probably the piece ed. J. Stainer, Six Italian Songs for a Mezzo-soprano Voice (London, 1897), and E. Rung, Musica scelta di antichi maestri italiani (Mainz, n.d.), almost certainly not by Cavalli

Cantatas:
Arm’il petto d’orgoglio, I-Vc (6 arias wrongly attrib. Cavalli in same MS);
Chi non fa il giardinier, dated 1662, MOe;
Ho un cor che non sa (Amante veridico), 1662, MOe;
Levamiti davanti (Vanità in amore), 1662, MOe;
Se laggiù negli abissi, Nc, ed. H. Riemann, Kantaten-Frühling (1633–1682) (Leipzig, 1912)

Vocal religiosa:

Musiche sacre concernenti messa, e salmi concertati con istromenti, imni, antifone et sonate, 2–8, 10, 12vv, bc (Venice, 1656):
Messa, 8vv, 2 vn, vc, other insts ad lib; ed. R. Leppard (London, 1966)
Alma Redemptoris mater, 2 S, A, T, B, ed. B. Stäblein, Musica divina, iv (Regensburg, 1950)
Ave maris stella, A, T, B, 2 vn, vc
Ave regina caelorum, T, B, ed. B. Stäblein, Musica divina, i (Regensburg, 1950)
Beatus vir, A, T, B, 2 vn, vc
Confitebor tibi Domine, 8vv, 2 vn, vc
Credidi, 2 S, A, T, B, 2 vn, vc
Deus tuorum militum, A, T, B, 2 vn, vc
Dixit Dominus, 8vv, 2 vn, vc, other insts ad lib
Domine probasti, S, A, B, 2 vn, vc
Exultet orbis, 4vv, 2 vn, vc
In convertendo, 2 S, A, T, B
Iste confessor, 2 S, 2 vn, vc
Jesu corona virginum, A, T, B, 2 vn, vc
Laetatus sum, A, T, B, 2 vn, 3 va, ed. R. Leppard (London, 1969)
Lauda Jerusalem, 8vv, 2 vn, vc, other insts ad lib
Laudate Dominum, 8vv, 2 vn, vc, ed. R. Leppard (London, 1969)
Laudate pueri, 2 S, A, T, B, 2 vn, vc
Magnificat, 8vv, 2 vn, vc, other insts ad lib, ed. R. Leppard (London, 1969)
Nisi Dominus, 4vv, 2 vn, vc
Regina caeli, A, T, B, ed. B. Stäblein, Musica divina, ii (Regensburg, 1950)
Salve regina, A, 2 T, B, ed. B. Stäblein, Musica divina, iii (Regensburg, 1950)
Canzoni [sonate] a 3, 4, 6, 8, 10, 12; those a 6 and a 12 ed. R. Nielsen (Bologna, 1955)
Vesperi, 8vv, bc (Venice, 1675):
Vespero della B.V. Maria: Dixit Dominus; Laudate pueri; Laetatus sum; Nisi Dominus; Lauda Jerusalem; Magnificat, ed. G. Piccioli (Milan, 1960); all ed. F. Bussi (Milan, 1995)
Vespero delle domeniche: Dixit Dominus; Confitebor; Beatus vir; Laudate pueri; In exitu Israel; Laudate Dominum; Credidi; In convertendo; Domine probasti; Beati omnes; De profundis; Memento; Confitebor angelorum; Magnificat, ed. G. Piccioli (Milan, 1960); all ed. F. Bussi (Milan, 1995)
Vespero delle cinque Laudate ad uso della cappella di S Marco: Laudate pueri; Laudate Dominum laudate eum; Lauda anima mea; Laudate Dominum quoniam bonus; Lauda Jerusalem; Magnificat, ed. G. Piccioli (Milan, 1960); all ed. F. Bussi (Milan, 1995)
Cantate Domino, 1v, bc, 1625; ed. F. Vatielli, Antiche cantate spirituali (Turin, 1922)
O quam suavis, 1v, bc, 1645
Magnificat, 6vv, 2 vn, bc, 1650; ed. F. Bussi (Milan, 1988)
In virtute tua, 3vv, bc, 1656
O bone Jesu, 2vv, bc, 1656
Plaudite, cantate, 3vv, bc, 1656
Missa pro defunctis [Requiem], 8vv, bc, D-Bsb, Dlb; ed. F. Bussi (Milan, 1978)
Il giuditio universale (orat), dated 1681, I-Nf, attrib. ‘Cavalli’ in MS but almost certainly not by Francesco Cavalli; attrib. ‘Nicolas Cavalli’ by Fétis, who incorrectly dated it as 18th-century

Louis Spohr nació en Brunswick el 5 de abril de 1784. Fue un compositor, violinista y director de orquesta alemán.Por muchos contemporáneos fue colocado en un meritorio puesto detrás de Haydn, Mozart y Beethoven en el panteón de los grandes compositores. Junto con Gluck y Cherubini, se le ha asignado un estatus menor por la posteridad.

Louis Spohr – Clarinet Concerto No.1 – [Karl Leister]

BIOGRAFIA

OBRA:
Vocal secular:

Stage:
Die Prüfung (Operette, 1, E. Henke), woo48, private concert perf., Gotha, 1806, D-Ksp*, ov. as op.15, pts (Bonn, 1809)
Alruna, die Eulenkönigin (grosse romantische Oper, 3), woo49, 1808, unperf., US-Bp*, ov. as op.21, pts (Offenbach, 1812)
Der Zweikampf mit der Geliebten (Oper, 3, J.F. Schink), woo50, 1810–11, Hamburg, 15 Nov 1811, private collection*, D-Bsb, vs (Hamburg, 1813)
Faust (romantische Oper, 2, J.K. Bernard), woo51 and 51a, 1813. Prague, 1 Sept 1816, Mbs, vs (Leipzig, 1822), ov. as op.60, pts (Leipzig, 1823), fs (Leipzig, 1856), B i; rev. as grosse Oper (3), CG, 15 July 1852, Bsb* (recits and other new music), vs (Leipzig, 1854)
Zemire und Azor (romantische Oper, 2, J.J. Ihlée, after J.F. Marmontel), woo52, 1818–19, Frankfurt, 4 April 1819, Mbs, vs (Hamburg, 1821)
Jessonda (grosse Oper, 3 E. Gehe, after A.-M. Lemierre: La veuve de Malabar), woo53, 1822 Kassel, Hof, 28 July 1823, vs (Leipzig, 1824), fs (Leipzig, 1881/R1988 as B ii), ov. as op.63, pts (Leipzig, 1824)
Der Berggeist (romantische Oper, 3, G. Döring), woo54, 1824, Kassel, Hof, 24 March 1825, Mbs, vs (Leipzig, 1825), ov. as op.73, pts (Leipzig, 1827)
Die beiden Galeerensklaven (incid music, T. Hell), woo66, 1824, song Der Morgen graut, S, 4vv (Meissen, 1834)
Macbeth (incid music, S.H. Spiker, after W. Shakespeare), woo55. 1825 Bsb, ov. as op.75, pts (Leipzig, 1827)
Der Sturm von Missolunghi (incid music, anon.), woo83, 1826, chorus Gebet vor der Schlacht, 5 male vv (Hersfeld, 1826)
Pietro von Abano (romantische Oper, 2, C. Pfeiffer, after L. Tieck), woo56, 1827, Kassel, Hof, 13 Oct 1827, F-Pn* (facs. in B iii), vs, pts (Berlin, 1828)
Der Alchymist (romantische Oper, 3, F.G. Schmidt [Pfeiffer], after W. Irving: The Student of Salamanca), woo57, 1829–30, Kassel, Hof, 28 July 1830, D-Bsb, vs (Berlin, 1831), ov., pts (Berlin 1831)
Der Matrose (incid music, K. Birnbaum), woo58, 1838, Kassel, 9 Jan 1839, collab. M. Hauptmann and others, Km, Matrosenlied woo80 (Dresden, 1841), ov. woo7, arr. pf 4 hands (Mainz, 1874)
Die Kreuzfahrer (grosse Oper, 3, L. and M. Spohr, after A. von Kotzebue), woo59, 1843–4, Kassel, Hof, 1 Jan 1845, Bsb, vs (Hamburg, 1845)

Other:
accompanied:
Das befreite Deutschland (cant., K. Pichler), C, woo64, 1814, ov. arr. pf duet (Vienna, 1830), no.4 ‘Du schöner Stern’ arr. 1v, pf (Vienna, 1823)
Hymne an die heilige Cäcilie (P. von Calenberg), B , S, chorus, pf, 1823, D-F* (Kassel, 1859)
Hessens Feiergesang (K. Wolf), D, unison vv, wind orch, woo68, 1830 (Kassel, 1830)
Es schwebt im lichten Strahlenkranze, festival song, D, 3 S, chorus, vn, pf, 1832, woo69, pubd with new text (Leipzig, 1887)
Schill, E , 4 male vv, pf 4 hands, woo71, 1840, BS* (Leipzig, 1842)
O sel’ge Zeit, festival song, E , A, chorus, pf 4 hands, woo73, 1850 (Leipzig, 1887)

unaccompanied partsongs:
Der Kompass, F, 4 male vv, woo89, c1807 (Meissen, 1826);
Lebe wohl, du Vater Brocken, canon, C, 4 male vv, woo128, 1808, Brunswick, Landesmuseum*, facs. in Spohr: Selbstbiographie
Freude, Jubel, C, 3 high vv, woo81, c1808, Brunswick, Landesmuseum*
6 Gësange, 4 male vv, op.44, 1817 (Leipzig, 1818): Hinauf (K. Grumbach), Rastlose Liebe (J.W. von Goethe), Kennt ihr das Land (F. Brun), Frühlingsorakel (Goethe), Trinklied (anon.), Zur Nacht (T. Körner)
Willst du immer weiter Schweifen (Goethe), canon, B , 4 male vv, woo129, 1817, pubd with op.44 (Leipzig, 1818)
2 Gësange, 4 male vv, woo82, 1820 (Leipzig, 1821): Flüchtig ist die Zeit (J.W.L. Gleim), Punschlied (anon.)
6 Gësange, 4 male vv, op.90, 1833 (Hamburg, 1838): Rat (anon.), Ständchen (anon.), Sängerleben (anon.), Sängerfahrt (C. Pfeiffer), Alte Liebe (anon.), Trinklied (anon.)
Wer das schneiden hat erfunden, canon, D, 2vv, woo133, before 1835, D-Bsb*
6 Lieder, 4vv, op.120, 1841–2, Kassel, Mitteldeutscher Sängerbund* (Kassel, 1842): Sonnenschein (K.F. Dräxel-Manfred), Vesper (C. von Schweizer), Wanderlust (J.P.T. Lyser), An die Sterne (F. Spohr), Ergebung (H. Spener), Frühlingsgedanken (A. Hagen)
Kurz ist der Schmerz (F. Schiller), canon, F, 3 S, woo134, 1848, Ksp*
6 Lieder, 4vv, woo87 [op.151], 1855 (Hamburg, 1873): Winterlied (F.K. Müller von der Werra), Die Frühlingszeit (Müller von der Werra), des Menschen Trost (Müller von der Werra), Der Sommerabend (K.F. Haltaus), Das deutsche Lied (Felim), Ode (G. Berlin)
Ständchen (A. Hahlert), C, 4 male vv, woo88, 1856, Ksp*

solo vocal with orchestra:
Oskar (scene and aria), B , S, woo75, 1805, D-Kl*
Torni serena l’alma (aria alla polacca), D, T, woo76, 1811, Kl
Welche seltenen Gefühle (recit), E , woo78, c1822, Bsb [for J. Weigl: Ostade, oder Adrian von Ostade]
E mi lasci così? (Tu m’abbandonai, ingrato) (scene and aria), A, S, op.71, 1823, vs, pts (Leipzig, 1827)

for 2 voices with piano:
3 Duette, S, T, op.107, 1838 (Bonn, 1839), B viii: Liebesfragen (H. Schulz), D-Ksp*, Wechselgesang (C.A. Tiedge), Kassel, Mitteldeutscher Sängerbund*, Liebe (anon.), Ksp*
Jenseits (F. Bobrich), S, T, woo98, 1838, Ksp* (Leipzig, 1838), B viii
3 Duette, 2 S, op.108, 1838 (Bonn, 1839) B viii: Abendlied (F. Rochlitz), Das Herz (anon.), Ruhe (G. von Deuern)
Mein Heimatland (Mecklenburg), 2 S, woo116, 1847, Kassel, Mitteldeutscher Sängerbund* (Berlin, 1849), B viii
3 Leider, 2 S, woo117. 1849 (Leipzig and London, 1854), B viii: Ermunterung (K.E. Ebert), Sonntagsfrühe (A. Lange), Frühlingslied (G. Scheurlin)
Wenn sich zwei Herzen finden, S, A, woo120, 1851 (Nuremberg, 1852)

solo songs:
for unspecified voice with piano unless otherwise stated
6 deutsche Lieder, op.25, 1809 (Hamburg, 1810), B viii: Wiegenlied (K.E.K. von Göchhausen), Schottisches Lied (anon.), Gretchen am Spinnrade (Goethe), Lied der Freude (E. Gross), Zigeunerlied (Goethe), Das Schiffermädchen (A. Gyr)
Lied des verlassenen Mädchens (J.L.F. Deinhardstein), woo90, 1814/15 (Vienna, 1815), B viii
6 deutsche Lieder, op.37, 1815 (Leipzig, 1816), B viii: Mignons Lied (Goethe), Lebenslied (H. Schmidt), Die Stimme der Nacht (C. von W.), Getrennte Liebe (H. Schmidt), Liebesschwärmerei (C. von W.), Lied beim Rundtanz (J.G. von Salis)
6 deutsche Lieder, op.41, 1815 (Leipzig, 1817), B viii: Das Mädchens Sehnsucht (F. Kind), Lied aus Aslaugas Ritter (F. de la Motte-Fouqué), An Mignon (Goethe), Klagelied von den drei Rosen (Buri), Der erste Kuss (M. Kartscher), Vanitas! Vanitatum vanitas (Goethe)
Nachgefühl (Goethe), woo91, 1819 (Meissen, 1824), B viii
Was treibt den Waidmann in den Wald (W. Vogel), acc hp/pf, hn, woo92, 1825 (Vienna, 1826), B viii
6 deutsche Lieder, op.72, 1826 (Leipzig, 1827), B viii: Frühlingslied (L. Uhland), Schifferlied der Wasserfee (L. Tieck), Ghasel (Adil), Beruhigung (anon.), An Rosa Maria (Amalia), Schlaflied (Tieck)
6 deutsche Lieder, A/Bar, op.94, 1835–36 (Bonn, 1837), B viii: Lied der Harfnerin (anon.), Bitte, bitte! (Schmidt), Der Bleicherin Nachtlied (R. Reinick), Ungeduld (W. Müller), Schwermut (S.A. Mahlmann), Sonntag und Montag (anon.)
Das Wirtshaus zu *** (A. von Marées), A/Bar, woo93, 1836 (Mainz, 1836), B viii
6 deutsche Lieder, acc. pf 2 and 4 hands, op.101, 1836–7 (Leipzig, 1837), B viii: Frühlingslied (R. Reinick), Sangeslust (J. Eberwein), Nichts Schöneres (Reinick), Trostlos (A. von Hochwald), Schweigen ist Schönes Ding (Reinick), Gondelfahrt (E. Geibel)
5 deutsche Lieder, op.139, 1836–48 (Kassel, 1848), B viii: Ständchen (K. Simrock), Maria (anon.), Jägerlied (anon.), Lied aus dem ‘ Märlein von der Wasserfee’ (M. Bekmann), Was mir wohl übrig bliebe (A.H. Hoffmann von Fallersleben)
6 deutsche Lieder, [S] acc. pf, cl, op.103, 1837 (Leipzig, 1838), B viii: Sei still mein Herz (C. von Schweizer), Zeigesang (Reinick), Sehnsucht (Geibel), Wiegenlied (in drei Tönen) ( Hoffmann von Fallersleben), Das heimliche Leid [sic] (E. Koch), Wach auf (anon.)
6 deutsche Lieder, S/T, op.105, 1838 (Halle, 1839), B viii: Die Himmelsbraut (J. Kerner), Der Rosenstrauch (E. Ferrand), Das Ständchen (Uhland), An *** (E. Koch), Des Mädchens Klage (Schweizer), Warum nicht? (anon.)
Mitternacht (F. Dingelstedt), acc. pf 4 hands, woo97, 1838 (Dresden, 1840), B viii
Verlust (B.F.W. Zimmermann), woo99, 1839, A-Wgm* (Vienna, 1839), B viii
An die Geliebten (V. Hugo), woo100, 1839 (Hamburg, 1850), B viii
Unterwegs (Dingelstedt), woo101, 1839 (Brunswick, 1842), B viii
Die sieben Schwestern (L. Wihl), acc. pf 4 hands, woo102, 1839 (Bonn, 1840), Kassel, Mitteldeutscher Sängerbund*
Rätselhaft (anon.), T, pf 4 hands, woo103, 1841, US-Wc* (Brunswick, 1841), B viii
Abendlied (J. Becker), woo104, 1841 (Kassel, 1841)
Singet die Nachtigall im dunkeln Wald (J.C. von Zedlitz: Kerker und Krone), woo105, 1841 (Leipzig, 1841), B viii
Wolle keiner mich fragen (Giebel), woo106, 1842, D-F* (Stuttgart, 1842), B viii
Thränen (A. von Chamisso), woo108, 1842 (Leipzig, 1842), B viii
Leibt er mich (anon.), woo109, 1843, Ksp* (Stuttgart, 1843), B viii
Gruss (J.K. Braun von Braunsthal), woo110, 1843, Kl* (Vienna, 1844), B viii
Mein Vaterland (Hoffmann von Fallersleben), woo111, 1844 (Mannheim, 1845), B viii
Ermutigung (C. von Schweizer), woo112, 1845 (Kassel, 1845), B viii
Immerdar Liebe (Göchhausen), woo113, 1845, Ksp* (Rudolstadt, 1845)
Every Where Far and Near (Sehnsucht) (Meier), woo114, 1846, Ksp* (London, 1848), B viii
Der Herbst (A.L. Lua), woo115, 1847 (Berlin, 1848), b viii
An sie am Klavier, sonatina for pf, 1v, B , op.138, 1848 (Kassel, 1848)
Glockenklänge (anon.), woo118, 1850, US-Wc* (Brunswick, 1852), B viii
3 Lieder (F. von Bodenstedt, after The Thousand and One Nights), woo119, 1850 (Leipzig, 1855), B viii
Erwartung (K. Bassewitz), woo121, 1853 (Göttingen, 1854), B viii
Mein Verlangen (Müller von der Werra), woo122, 1854 (St Gallen, 1855)
Grüsse (A. Linden), woo123, 1855, D-Ksp* (Leipzig, 1862)
6 deutsche Lieder, Bar, vn, pf, op.154, 1856 (Kassel, 1857), B viii: Abendfeier (H. Mahn), Jagdlied (F. Spohr), Töne (R. Otto), Erlkönig (Goethe), Der Spielmann und seine Geige (Hozze), Abendstille (J. Koch)
Immer dasselbe (A. Linden), woo124, 1856 Ksp* (Leipzig and Dresden, 1858)
Wohin (J. Sturm), woo125, 1856, Bsb*, B viii
Die verschweigene Nachtigall (Walther von der Vogelweide), woo126, 1857 (Würzburg, 1858), B viii
Neue Liebe, neues Leben (Goethe), woo127, 1858 (Würzburg, 1859), B viii

Vocal religiosa:

Mass, c, 5 solo vv, double chorus, op.54, 1821 (Leipzig, 1822)
Requiem, c, solo vv, chorus, orch, 1857–8, inc., D-Bsb*, Ksp*

Orats, solo vv, chorus, orch:
Das jüngste Gericht (A. Arnold), woo60, 1812, Kl*;
Die letzten Dinge (F. Rochlitz), woo61, vs pr. privately (Kassel, 1827), fs (London and Berlin, 1881/R in B iv);
Des Heilands letzte Stunden (Rochlitz), woo62, 1834–5, US-Wc*, vs pr. privately (Kassel, 1835), fs (London, 1884/R in B v);
Der Fall Babylons (E. Taylor, trans. F Oetker), woo63, 1839–40, D-LEm*, vs (Leipzig, 1842), fs (Leipzig, 1843)

Pss:
3 Pss (viii, xxiii, cxxx) (M. Mendelssohn), solo vv, double chorus, op.85, 1832, Kl* (Bonn, 1833);
Ps xxiv, 4 solo vv, chorus, pf, op.97a, 1836, Kl, vs (Berlin, 1890);
Ps cxxviii (C.B. Broadley), 4 solo vv, chorus, org/pf, op.122, 1841, arr. orch 1842, vs (London and Bonn, 1843), orch version GB-Lbl*;
Ps lxxxiv (J. Milton, Eng. and Ger. text), 4 solo vv, chorus, orch, woo72, 1846–7 (Hamburg, 1873)

Other:
Jubilate Deo, off, C, S, chorus, vn solo, orch, woo65, 1815, Kl;
Vater unser (A. Mahlmann), F, 4 solo vv, chorus, orch, woo67, 1829 (Berlin, 1831), Ksp*;
Gott, du bist gross (J.F. Rohdmann), hymn, 4 solo vv, chorus, orch, op.98, 1836 (Bonn, 1838);
Friede den Entschlafenen (J. Neus), A , 2vv, woo84, 1837 (Mainz, 1838);
Vater unser (F.G. Klopstock), double chorus male vv, wind orch, woo70, 1838, A-Wn, vs (Frankfurt, 1838) (2nd version with full orch, op.104, 1845, D-Ksp*;
Lasst uns Dankgesang erheben, fugue, C, 4vv, woo85, 1838 (Berlin, 1839);
Selig alle, die im Herrn entschliefen, C, 4 male vv, woo86, 1844, Ksp*

Instrumental:

Orch.:
op.
12Overture, c, 1806, pts (Bonn, 1808)
20Symphony no.1, E , 1811, pts (Leipzig, 1811); fs B vi
34Notturno, C, wind insts, Turkish band, 1815 (Leipzig, 1816)
—Grand Concert Overture, F, woo1, 1819, GB-Lbl*
49Symphony no.2, d, 1820, pts (Leipzig, 1820); fs B vi
—Fackeltanz, D, 53 tpt, 4 timp, woo2, 1825, lost
—Festmarsch, D, woo3, 1825 (Kassel, 1884)
78Symphony no.3, c, 1828, pts (Berlin, 1828), fs (Berlin, 1870)
—introductory music to Act 3 of Die Belagerung Missolunghis (W. Ehlers), woo4, 1830, lost
—Introduction to a Festspiel (A. Niemeyer), woo5, 1830, Kassel, 8 Jan 1831, D-HVs*
86Symphony no.4 ‘Die Weihe der Töne’, F, 1832 (Vienna, 1834); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
89Waltz ‘Erinnerung an Marienbad’, A, 1833, pts (Vienna, 1834)
102Symphony no.5, c, 1837 (Vienna, 1840); B vi
116Symphony no.6 ‘Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte’, G, 1839 (Vienna, 1842); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
121Symphony no.7 ‘Irdisches und Göttliches im Menschenleben’, C, 2 orch, 1841 (Hamburg, 1842); ed. in The Symphony 1720–1840, ser.C, ix (New York, 1980)
126Concert Overture ‘im ernsten Stil’, D, 1842 (Leipzig, 1846)
137Symphony no.8, G, 1847 (Leipzig, 1854)
143Symphony no.9 ‘Die Jahreszeiten’, b, 1849–50 (Hamburg, 1853)
156Symphony no.10, E, woo8, 1857, Bsb*

Violin concertos:
op.
—Violin Concerto, G, c1799, D-Mbs*
1Violin Concerto no.1, A, 1802–3, pts (Leipzig, 1803)
—Violin Concerto, e, woo10, 1803–4, Kl (pts with autograph alterations)
—Violin Concerto, A, 1803–4, ed. (Kassel, 1955)
2Violin Concerto no.2, d, 1804, pts (Leipzig, 1805)
10Violin Concerto no.4, b, 1805, pts (Bonn, 1808)
7Violin Concerto no.3, C, 1806, pts (Leipzig, 1806)
17Violin Concerto no.5, E , 1807, pts (Zürich, 1810)
28Violin Concerto no.6, g, 1808–9, pts (Vienna, 1813)
—Violin Concerto movt, D, c1809, Kl*
62Violin Concerto no.10, A, 1810, Bsb* (facs. in B vii), pts (Leipzig, 1824)
38Violin Concerto no.7, e, 1814, pts (Leipzig, 1816); X i
47Violin Concerto no.8 ‘in modo di scena cantante’, a, 1816, LEm*, pts (Leipzig, 1820), fs (Leipzig, 1894)
55Violin Concerto no.9, d, 1820, pts (Offenbach, 1822), fs (New York, n.d.)
70Violin Concerto no.11, G, 1825, pts (Leipzig, 1827)
79Violin Concerto no.12 (Concertino no.1), A, 1828, CH-Bu* (facs. in B vii), pts (Berlin, 1829)
92Violin Concerto no.13 (Concertino no.2), E, 1835, D-LEm*, pts (Leipzig, 1837)
110Violin Concerto no.14 (Concertino no.3) ‘Sonst und jetzt’, a, 1839, pts (Vienna, 1840)
128Violin Concerto no.15, e, 1844, pts (Hamburg, 1846)

Other concertos:
op.
—Concertante, C, vn, vc, woo11, 1803, D-Kl* (facs. in B vii)
—Concertante, G, vn, hp, woo13, 1806, US-NYpm*
—Concertante, e, vn, hp, woo14, 1807
26Clarinet Concerto no.1, c, 1808, pts (Leipzig, 1812), fs ed. (Kassel, 1957)
48Concertante, A, 2 vn, 1808, pts (Leipzig, 1820)
57Clarinet Concerto no.2, E , 1810, pts (Leipzig, 1822)
—Clarinet Concerto no.3, f, woo19, 1821, pts (Leipzig, 1885)
—Clarinet Concerto no.4, e, woo20, 1828, D-Ksp*, pts (Leipzig, 1885), fs X v
88Concertante, b, 2 vn, 1833, US-NYp*, pts (Bonn, 1834)
131Concerto, a str qt., 1845. F-Pn*, pts (Leipzig, 1847)

Concert pieces:
for solo instruments and orchestra
For vn:
Variations, A, 1814, woo18, lost;
Potpourri no.3, G, on themes by Mozart, op.23, 1808, pts (Offenbach, 1812);
Potpourri, A, on Irish themes, op.59, 1820, pts (Leipzig, 1823);
Polonaise, a, op.40, 1815, pts (Leipzig, 1817);
Potpourri, a, on themes from Jessonda, op.66, 1823, pts (Leipzig, 1825)

For cl:
Variations B , on a theme from Alruna, woo15, 1809, pts (Berlin, 1890);
Potpourri, F, on themes from P. von Winter, acc. orch/pf, op.80, 1811, pts (Berlin, 1830)

For vn, vc:
Potpourri, A , on themes from Jessonda, op.64, 1823, pts (Leipzig, 1824), Leipzig, Edition Peters archive*

For solo instrument and strings:
accompaniment for string trio unless otherwise stated

For vn:
Potpourris:
no.1, G, on themes from Gaveaux: Le petit matelot, op.5, 1804, pts (Leipzig, 1806);
no.2, B , on themes by Mozart, acc. 2 vn, va, vc, db, op.22, 1807, pts (Offenbach, 1811);
no.4, B, on themes by Mozart, op.24, 1808, pts (Offenbach, 1812)

Variations:
d, 1806, op.6, pts (Leipzig, 1806);
A, 1805, op.8, pts (Leipzig, 1807)

For cl:
Fantasia and Variations, B , on a theme of Danzi, acc. str qt/pf, op.81, 1814, pts (Berlin, 1830) [after Fantasia, hp, vn, op.118]

—

Chbr.:
string quartets
op.
4Two Quartets, C, g, 1804–5, pts (Leipzig, 1806), fs of no.2 B ix
11Quatuor brillant, d, 1806, pts (Bonn, 1808)
15Two Quartets, E , D, 1806–8, pts (Leipzig 1809), fs ed. (Kassel, 1955)
27Quartet, g, 1812, pts (Vienna, 1813)
29Three Quartets, E , C, f, 1813–15, no.1 US-STu* (facs. in B ix), no.2 S-Skma* (facs. in B ix), pts (Vienna, 1815), fs of no.1 ed. (Kassel, 1955)
30Quartet, A, 1814, A-Wn* (facs. in B ix), pts (Vienna, 1819)
43Quatuor brillant, E, 1817, pts (Leipzig, 1818)
45Three Quartets, C, e, f, 1818, pts (Leipzig, 1819), fs of nos.1 and 2 B ix
58Three Quartets, E , a, G, 1821–2, pts (Leipzig, 1822), fs of no.1 X viii, no.2 B ix
61Quatuor brillant, b, 1819, pts (Leipzig, 1823)
68Quatuor brillant, A, 1823, D-Bsb*, pts (Leipzig, 1825)
74Three Quartets, a, B , d, 1826, no.2 Ksp*, nos.1–3 pts (Leipzig, 1827), fs of nos.2 and 3 X viii
82Three Quartets, E, G, a, 1828–9, no.1 HVkm*, no.2 S-Skma* (facs. in B ix), nos.1–3 pts (Berlin, 1829)
83Quatuor brillant, E , 1829, F-Pn*, pts (Berlin, 1830)
84Three Quartets, d, A , 1831–2, pts (Offenbach, 1834)
93Quatuor brillant, A, 1835, D-Bsb*, pts (Vienna, 1837)
132Quartet, A, 1846, LEm*, pts (Leipzig, 1847)
141Quartet, C, 1849, Bsb* (facs. in B ix), pts (Kassel, 1849)
146Quartet, G, 1851, Leipzig, Edition Peters archive*, pts (Leipzig, 1856)
152Quartet, E , 1855, F-Pn*, pts (Leipzig, 1856)
[155]Quartet, E , woo41, 1856, D-Ksp*, F-pn*
[157]Quartet, g, woo42, 1857, Pn*

Other chamber:
without piano or harp:
Nonet, F, fl, ob, cl, hn, bn, vn, va, vc, db, op.31, 1813, pts (Vienna, 1819), fs (Berlin, 1878)
Octet, E, cl, 2 hn, vn, 2 va, vc, db, op.32, 1814, GB-Lbl*, pts (Vienna, 1819), fs (Berlin, c1878)
4 double string quartets: d, op.65, 1823, Leipzig, Edition Peters archive*, pts (Leipzig, 1825), fs (Florence, c1880); E , op.77, 1827, D-Bsb*, pts (Berlin, 1828), fs (Leipzig, 1888); e, op.87, 1832–3, Bsb* pts (Bonn, 1833), fs (Leipzig, 1888); g, op.136, 1847, Dlb*, pts (Kassel, 1849), fs (Leipzig, 1888)
Sextet, C, 2 vn, 2 va, 2 vc, op.140, 1848, Bsb*, pts (Kassel, 1850), fs B ix
7 quintets, 2 vn, 2 va, vc: E , G, op.33, 1813–14, Bsb* (facs. of no.2 in B ix), pts: no.1 (Vienna, 1815), no.2 (Vienna, 1819), fs of no.2 ed. (Cambridge, 1994); b, op.69, 1826, pts (Leipzig, 1827), fs B ix; a, op.91, Ksp, pts (Bonn, 1834), fs ed. (Cambridge, 1994); g, op.106, 1838, pts (Dresden, 1839); e, op.129, 1845, LEm*, pts (Leipzig, 1847); g, op.144, 1850, Leipzig, Edition Peters archive*, pts (Leipzig, 1855)
Duo, e, vn, va, op.13, 1807 (Leipzig, 1808)
19 Duets, 2 vn: F, C, E , woo21, c1797, Kl; E , woo22, c1797, Kl; C, woo30, c1808, Brunswick, Landesmuseum*; E , F, G, op.3, 1802–3 (Leipzig, 1805); A, op.9, 1806–7 (Leipzig, 1807); d, E , E, op.39, 1816 (Leipzig, 1816); a, D, g, op.67, 1824, Bsb* (Leipzig, 1825); F, op.148, 1854 (Leipzig, 1856); D, op.150, 1854 (Leipzig, 1856); C, op.153, 1855 (Leipzig, 1856)

with piano:
see also other chamber, with harp
Septet, a, fl, cl, hn, bn, vn, vc, pf, op.147, 1853 (Leipzig, 1855)
Piano Quintet, D, op.130, 1845 (Hamburg, 1846)
Quintet, C, fl, cl, hn, bn, pf, op.52, 1820 (Leipzig, 1821); arr. str qt, pf, op.53, 1820 (Leipzig, 1821)
5 pf trios: e, op.119, 1841 (Hamburg, 1842); F, op.123, 1842 (Hamburg, 1843); a, op.124, 1842 (Hamburg, 1843); B , op.133, 1846 (Hamburg, 1847); g, op.142, 1849 (Hamburg, 1852)
Vn, pf (original works): Introduction and Rondo, E, op.46, 1816 (Vienna, 1820); 3 duos concertants: g, op.95, 1836 (Leipzig, 1837), F, ‘Nachklänge einer Reise nach Dresden und in die sächsische Schweiz’, op.96, 1836 (Bonn, 1837), E, op.112, 1837 (Dresden, 1840); Rondo ‘alla spagnuola’, C, op.111, 1839 (Vienna, 1839); 6 Duettinen, op.127, 1843 (Hamburg, 1844); 6 Salonstücke, op.135, 1846–7 (Hamburg, 1848); 6 Salonstücke, op.145, 1851 (Leipzig, 1856); [Scherzino], D, woo43, c1856 (Berlin, 1896); Salonstück, D, woo44, c1857 (Leipzig, 1890)
Vn, pf (potpourris etc.: see also concert pieces above): Potpourri, E , on themes of Mozart, op.42, 1816 (Leipzig, 1817) [based on op.24]; Potpourri, G, on themes of Mozart, woo34, 1816, lost [based on op.23]; Potpourri, f , on themes from Mozart: Die Zauberflöte, op.50, 1820 (Leipzig, 1821) [based on op.114, 2nd movt]; Grand Rondo, G, 1820, op.51 (Leipzig, 1821) [based on op.115, 3rd movt]; Potpourri, E–A, on themes from P. von Winter: Das unterbrochene Opferfest, op.56, 1821 (Leipzig, 1822) [based on op.80)]; Fantasia, D, on themes from Der Alchymist, op.117, 1841 (Vienna, 1842);
Bn, pf: Adagio, F, woo35, 1817 (Mainz, c1869) *D-Ksp [based on op.115, 2nd movt]

with harp:
in many of these the harp was to be tuned down a semitone and the music was written a semitone higher
7 sonatas: c, hp, vn, woo23, 1805, ed. (Leipzig, 1917); B , op.16, 1806 (Bonn, 1809); e/f, hp, vn, woo27, c1806, pts Kassel, Mitteldeutscher Sängerbund*, D/E , hp/pf, vn, op.113, 1806 (Hamburg, 1840); D/E , hp/pf, vn, op.114, 1811 (Hamburg, 1841); G/A , hp/pf, vn, op.115, 1809 (Hamburg, 1841); G/A , hp, vn, woo36, 1819, lost
Sonata movt, inc., G, hp, vn, woo24, 1805, D-Ksp*; Introduction, G, woo25, 1805, Bsb* (Regensburg, 1934); Trio, e/f, vn, vc, hp, woo28, 1806, private collection [arr. of woo27]; Rondo, D/E , woo33, 1813, lost; Fantasia, b/c–A/B , on themes by Handel and Vogler, hp/pf, vn, op.118, 1814 (Hamburg, 1845)

for one instrument:
Pf: Waltz, c, woo31, c1808 (Leipzig, 1891); Sonata, A , op.125, 1843 (Vienna, 1843); Rondoletto, G, op.149, 1848 (Leipzig, 1855)
Hp: Fantasia, c, op.35, 1807 (Bonn, 1816); 2 variation sets: no.1, on Méhul’s ‘Je suis encore dans mon printemps’, op.36, 1807 (Bonn, 1816), no.2, E , woo29, 1808, lost
Vn: Violin-Schule, woo45, 1830–31 (Vienna, 1833); cadenzas for Beethoven’s Vn Conc., woo46 c1850 (London, 1896)

Claudio Merulo (también Merlotti, Merulus, o Claudio da Correggio; 8 de abril de 1533 – 4 de mayo de 1604) fue un compositor, organista, y editor italiano de fines del Renacimiento, reconocido por su innovadora música para teclado y su música de conjunto en el estilo policoral de la escuela de Venecia.

Música Antiga Claudio Merulo Missa in Dominicis, Magnificat

BIOGRAFIA

OBRA:

Vocal secular:

Italian:
Il primo libro de madrigali, 5vv (Venice, 1566) [1566]
Il primo libro de madrigali, 4vv (Venice 1579) [1579]
Il primo libro de madrigali, 3vv (Venice, 1580) [1580]
Il secondo libro de madrigali, 5vv (Venice, 1604) [1604]

Alcun non può saper, 3vv, 1580, B viii;
Alla Sibilla, 3vv, 1565, B viii;
Allor ch’io vi mirai, 5vv, 1604, B vii, O ii;
Alma ch’or vivi in ciel, 5vv, 1566, B vii, O i;
Amor co’ i strai, 5vv, 1596;
Amor n’è causa, 3vv, 1580, B viii;
Amorosetto neo, 5vv, 1592, B vii;
Ancor ch’io possa dire, 4vv, 1579, B viii;
Anzi via più, 3vv, 1580, B viii;
Bella fanciulla, 3vv, 1580, B viii;
Caro amoroso neo, 5vv, 1577;
Che pena si può dire, 3vv, 1580, B viii;
Chiara beata luce, 5vv, 1566, B vii, O i;
Chi non sa ciò, 4vv, 1579, B viii;
Cintia tu sei più bella, 5vv, 1566, B vii, O i;
Come al partir, 3vv, 1580, B viii;
Come la notte, 3vv, 1580, B viii;
Cor mio senza cervello, 7vv, 1564, B viii;
Da’ bei raggi, 5vv, 1567, B vii;
Dalle perle e rubini, 5vv, 1577, B vii;
Deh avesse Amor, 3vv, 1580, B viii
Deh ferma, Amor, 3vv, 1580, B viii;
Deh perchè il lungo pianto, 5vv, 1604, B vii, O ii;
Deh perchè, morte mia, 5vv, 1576, B vii;
Deh perchè voglio, 3vv, 1580, B viii;
Deh torna a me, mio sol, 3vv, 1580, B viii; D
i neve e fresche rose, 6vv, 1579, B viii;
Donna, poichè non puote, 5vv, 1604, B vii, O ii;
Donna poi che volete, 5vv, 1566, B vii, O i;
Donna, se l’occhio mio, 4vv, 1564, B viii;
Donna s’io resto vivo, 5vv, 1566, B vii, O i;
D’una gioia, 5vv, 1593; Dunque fia ver, 3vv, 1580, B viii;
Ero così dicea, 4vv, 1588, B viii;
Fida scorte, 7vv, 1584;
Gelo ha Madonna il seno, 6vv, 1579, B viii (1610 as Hymnum cantate);
Gioia m’abonda, 4vv, 1579, B viii;
Gravi pene in amor, 5vv, 1562, B vii;
Il desiderio e la speranza, 5vv, 1566, B vii, O i;
Il dolce aspetto, 5vv, 1562, B vii
Il vago e lieto aspetto, 5vv, 1566, B vii, O i;
Ingiustissimo Amor, 5vv, 1562, B vii;
Ingrato Amor, 3vv, 1570, B viii;
Innanzi a te che dalle prime, 4vv, 1579, B viii;
Io non potria goder, 5vv, 1576, B vii;
L’alma mia fiamma oltra, 6vv, 1560, B viii;
La mia spietata sorte, 6vv, 1579, B viii;
Lasso, chè desiando, 5vv, 1578, 1604, B vii, O ii;
Liete fiore e felici, 5vv, 1562, B vii;
Ma di che debbo lamentarmi, 4vv, 1579, B viii (arr. 3vv, 1580, B viii);
Madonna, poi ch’uccidermi volete, 4vv, 1561, B viii (arr. 3vv, 1580, B viii; arr. L. Balbi, 5vv, 1589, B vii);
Mai non vo’ più cantar, 3vv, 1586 (1p. of a 6p. cycle with other composers), B viii;
Ma non apparirà, 3vv, 1580, B viii;
Mentre ad ogni stagion, 3vv, 1580, B viii
Mentre il lauro gentil, 5vv, 1582, B vii;
Mentre l’acerbo duolo, 4vv, 1579, B viii;
Mentre, mia stella, miri, 6vv, 1579, B viii (1610 as In toto corde);
Mirami, vita mia, 5vv, 1583, B vii (1604 as Domine quid multiplicati; Il secondo libro della musica di Claudio Monteverdi, 1608, as Respice ò Jesu; further Latin contrafacta, 1588, 1589);
Nel grato e dolce albergo, 5vv, 1604, B vii, O ii;
Non è ver, 3vv, 1580, B viii;
Occhi, che fia di voi, 8vv, 1584, B viii;
Occhi leggiadri, 4vv, 1579, B viii;
O di che grato odor, 5vv, 1566, B vii, O i;
O dolce servitù, 5vv, 1566, B vii, O i;
O liete piante, 5vv, 1578, B vii;
O se, quanto è, l’ardore, 3vv, 1580, B viii;
O voi felici, 5vv, 1604, B vii, O ii;
O voi, servi d’Amore, 4vv, 1579, B viii;
Padre del ciel, 5vv, 1604, B vii, O ii;
Perchè aspra e cruda sei, 4vv, 1579, B viii;
Perché sopporti, 7vv, 1584;
Punge l’ape amorosa, 5vv, 1604, B vii, O ii
Qual maggior segno Aurora, 5vv, 1566, B vii, O i;
Quand’io penso al matire, 5vv, 1566, B vii, O i;
Queste alme da natura, 5vv, 1604, B vii, O ii;
Questi della mia musa, 4vv, 1579, B viii;
S’al vostro mal consente, 5vv, 1562, B vii;
S’amar si deve il bello, 5vv, 1604, B vii, O ii;
Sa questo altier, 3vv, 1580, B viii;
Se’l sol si scosta, 3vv, 1580, B viii;
Se nel mirar quel lume, 5vv, 1566, B vii, O i;
Se non m’inganna Amore, 3vv, 1586, B viii;
Se non volete, 4vv, 1579, B viii;
Sento l’aura vital, 5vv, 1566, B vii, O i;
Se potesse morir, 4vv, 1579, B viii;
S’ergan carchi di spoglie, 5vv, 1566, B vii, O i;
S’è ver, donna gentile, 5vv, 1604, B vii, O ii;
Signor che del peccato, 5vv, 1604, B vii, O ii;
Signor, cui fu già poco, 5vv, 1604, B vii, O ii;
Signor, fra tutte le opre, 5vv, 1586, 1604, B vii, O ii
Signor l’ardente fuoco, 5vv, 1566, B vii, O i;
Si rubella d’Amor, 4vv, 1579, B viii;
Son simile all’avar, 3vv, 1580, B viii;
Sorgi, popol felice, 5vv, 1604, B vii, O ii;
Svelto ha di morte, 5vv, 1568, B vii;
Tanto coi lieti suoni, 5vv, 1566, B vii, O i;
Tanto è il piacer ch’io sento, 5vv, 1566, B vii, O i;
Tanto t’amo, tanto t’adoro, 3vv, 1565, B viii;
Tra pure nevi alme, 6vv, 1579 (3p. of a sestina with other composers), B viii;
Un breve sì, 5vv, 1604, B vii, O ii;
Vergine bella, 5vv, 1604, B vii, O ii;
Vergine Madre, figlia, 5vv, 1604, B vii, O ii;
Vergine sacro vel, 5vv, 1604, B vii, O ii;
Vergine, son già stanco, 5vv, 1604, B vii, O ii;
Vi colse, o donna, 4vv, 1579, B viii;
Vide l’Arno superbo ambe, 5vv, 1586, B vii;
Vivea solo per voi, 5vv, 1570 (2p. of an 11p. canzone with other composers), B vii;
Vorrei lasso, 5vv, 1583, B vii
Intermedi for L. Dolce: Marianna, 1565; L. Dolce: Le troiane, 1566; C. Frangipane: Tragedia, 1574; all lost

Vocal religiosa:

Editions:Claudii Meruli: Opera omnia, ed. J. Bastian, CMM, li (1970–) [vols i-vi entitled Musica sacra] [B i–ix]
Claudio Merulo: Messe d’intavolatura d’organo, ed. R. Judd, CEKM, xlvii/5 (1991) [J]
Claudio Merulo: Canzoni d’intavolatura d’organo, ed. W. Cunningham and C. McDermott, RRMR, xc–xci (1992) [C]
Claudio Merulo: Messe d’intavolatura d’organo, ed. R. Walter, Diletto musicale, nos.1121–4 (Munich and Vienna, 1992–5) [W i–iv]
Claudio Merulo: Il primo libro de’ madrigali a cinque voci (Venice, 1566), ed. J.A. Owens, SCMad, xviii (1993) [O i]
Claudio Merulo: Il secondo libro de’ madrigali a cinque voci (Venice, 1604), ed. J.A. Owens, SCMad, xix (1994) [O ii]

Latin:
Missarum liber primus, 5vv (Venice, 1573) [1573]
Liber primus sacrarum cantionum, 5vv (Venice, 1578) [1578a]
Liber secundus sacrarum cantionum, 5vv (Venice, 1578) [1578b]
Il primo libro de mottetti, 6vv (Venice, 1583) [1583]
Il primo libro de mottetti a voci pari, 4vv (Venice, 1584) [1584]
Il secondo libro de mottetti, 6vv (Venice, 1593) [1593]
Sacrorum concentuum, 5, 6, 10, 12, 16vv (Venice, 1594) [1594]
Il terzo libro de mottetti, 6vv (Venice, 1605), inc. [1605]
Missae duae, 8, 12vv, org (Venice, 1609) [1609]
1585, 1590, 1593, 1599

Organ masses:
Messe d’intavolatura d’organo (Venice, 1568):
Missae Apostolorum, 4vv, J, W i;
Missae in Dominicis diebus, 4vv, J, W ii;
Missae Virginis Mariae, 4vv, J; W iii;
Credo in dominicis diebus, 4vv, J; W iv;
Credo Angelorum, 4vv, J; W iv;
Credo Cardinalium, 4vv, J; W iv

Mass:
Aspice domine, 5vv, 1573, B i;
Benedicam Dominum, 12vv, 1609, Bii;
Benedicta es, coelorum regina, 5vv, 1573, B i;
Cara la vita mia, 8vv, 1609, B ii;
Oncques amour, 5vv, 1573, B i;
Susanne un giour, 5vv, 1573, B i;
Kyrie quinti toni, 5vv, 1594, B vi;
Kyrie sexti toni, 8vv, 1594, B vi;
Kyrie sexti toni, 12vv, 1594, B vi;
Sanctus primi toni, 16vv, 1594, B vi;
Sanctus sexti toni, 8vv, 1594, B vi;
Sanctus sexti toni, 12vv, 1594, B vi

Other latin texted:
Adoramus te, Domine, 6vv, 1593, B iv;
Anima nostra sustinet Dominum, 8vv, 1594, B v;
Apparuit benignitas, 6vv, 1593, B iv;
Assumpsit Jesus Petrum, 6vv, 1583, B iv;
Ascendens Christus in altum, 5vv, 1578a, B iii;
Audi, Domine hymnum, 6vv, 1593, B iv;
Ave gratia plena, 8vv, 1594, B v;
Ave Maria, 5vv, 1578a, B iii;
Beata Elisabeth, 5vv, 1578a, B iii;
Beata es, Virgo Maria, 7vv, 1593, B iv;
Beata viscera, 6vv, 1593, B iv;
Beati qui custodiunt judicium, 4vv, 1584, B v;
Beati qui habitant in domo tua, 4vv, 1584, B v;
Benedicite, spiritus, 6vv, 1583, B iv;
Benedictus Dominus, 8vv, 1594, B v;
Bonum certamen certavi, 5vv, 1578a, B iii;
Bonum est confiteri, 7vv, 1593, B iv;
Cantabo Domino in vita mea, 4vv, 1584, B v;
Cantate Domino, 7vv, 1593, B iv;
Clamavi in toto corde meo, 4vv, 1584, B v
Cogitavi dies antiquos, 4vv, 1584, B v;
Confiteantur tibi populi, 8vv, 1594, B v;
Cumque beatissimus Marcus Evangelista, 5vv, 1578a, B iii;
Delicta juventutis meae, 6vv, 1583, B iv;
Deus noster refugium, 8vv, 1594, B v;
Domine, si adhuc populo, 5vv, 1578b, B iii;
Dominus dedit, 6vv, 1583, B iv;
Dominus illuminatio, 7vv, 1593, B iv;
Dominus regit me, 4vv, 1584, B v;
Dum illucescente, 4vv, 1584, B v;
Ecce Maria genuit, 7vv, 1593, B iv;
Ego sum panis vivus, 5vv, 1578a, B iii;
Eminente coeli dulcedine, 5vv, 1578b, B iii;
Exaudi, Domine, 7vv, 1593, B iv;
Exaudi me, Domine, 6vv, 1593, B iv;
Gaude, felix parens Hispania, 5vv, 1578b, B iii;
Gaude Maria Virgo, 10vv, 1594, B vi;
Gaude sponsa cara Dei, 6vv, 1583, B iv;
Haec est dies, 5vv, 1578a, B iii;
Haec est dies, 8vv, 15905, B v
Haec est domus Dei, 5vv, 1578b, B iii;
Haec est Virgo prudens, 5vv, 1578b, B iii;
Hei mihi! Domine, 7vv, 1593, B iv;
Hodie beata Virgo Maria, 5vv, 1578a, B iii;
Hodie Christus natus est, 10vv, 1594, B vi;
Hodie Spiritus Sanctus, 5vv, 1578a, B iii;
Homo Dei, 8vv, 1594, B v;
Inclina Domine aurem tuam, 4vv, 1584, B v;
In Deo laudabo, 7vv, 1593, B iv;
In Deo speravit, 6vv, 1583, B iv;
Indicabo tibi, homo, 8vv, 1594, B v;
Innocentes pro Christo, 5vv, 1578a, B iii;
In te Domine speravi, 6vv, 1583, B iv (arr. lute, 1599);
In tribulatione mea, 8vv, 1594, B v;
Iste est Joannes, 4vv, 1584, B v;
Iste Sanctus Theodorus, 4vv, 1584, B v;
Jesum quem quaeritis, 6vv, 1593, B iv;
Judica me, Domine, 6vv, 1593, B iv;
Jubilate Deo, 4vv, 1584, B v;
Jubilate Deo, 6vv, 1593, B iv;
Laetabimur, 6vv, 1593, B iv
Laudate Dominum, 8vv, 1594, B v;
Levita Laurentius, 5vv, 1578b, B iii;
Litaniae Beatae Mariae virginis, 8vv, 1609, B ii;
Lux fulgebit, 7vv, 1593, B iv;
Magna enim sunt, 6vv, 1583, B iv;
Magnificat primi toni, 8vv, 1594, B vi;
Magnificat primi toni, 12vv, 1594, B vi;
Magnificat quinti toni, 8vv, 1594, B vi;
Magnificat sexti toni, 8vv, 1594, B vi;
Magnum haereditatis mysterium, 8vv, 1594, B v;
Magnus Dominus, 7vv, 1593, B iv;
Maria Mater gratiae, 4vv, 1584, B v;
Maria unxit pedes Jesu, 5vv, 1578a, B iii;
Maria Virgo, 8vv, 1594, B v;
Maria Virgo assumpta est, 6vv, 1605, B vi (org. tablature, D-Mbs Mus.265);
Maria Virgo caelos ascendit, 5vv, 1578b, B iii;
Maximum hoc omnium, 5vv, 1578a, B iii;
Memento mei Deus, 4vv, 1584, B v;
Mirabiles elationes maris, 8vv, 1594, B v
Nativitatem hodiernam, 5vv, 1578b, B iii;
Ne projicias me, 4vv, 1584, B v;
Ne reminiscaris, 6vv, 1583, B iv;
O admirabile commercium, 5vv, 1578a, B iii;
O adoranda Trinitas, 5vv, 1578a, B iii;
O Alberte, norma munditiae, 5vv, 1578b, B iii;
O altitudo divitiarum, 6vv, 1583, B iv;
O altitudo divitiarum, 7vv, 1581, B iv;
O crux benedicta, 5vv, 1578b, B iii;
O Doctor optime, 5vv, 1578b, B iii;
O gloriosa Domina, 4vv, 1584, B v;
O quam gloriosum, 5vv, 1578b, B iii;
O quam suavis est, 6vv, 1593, B iv;
O Rex gentium, 6vv, 1583, B iv;
O rosa incorruptibilis, 8vv, 1594, B v;
O sacrum convivium, 6vv, 1583, B iv;
O virgo justa, 5vv, 1578b, B iii;
Pax vobis, ego sum, 5vv, 1578b, B iii;
Peccantem me quotidie, 6vv, 1583, B iv;
Peccavi super numerum, 6vv, 1583, B iv
Puellae saltanti, 5vv, 1578b, B iii;
Puer qui natus est, 5vv, 1578a, B iii;
Puer qui natus est nobis, 6vv, 1593, B iv;
Quae sunt in corde, 6vv, 1583, B iv;
Quantas ostendisti mihi, 6vv, 1593, B iv;
Qui manducat, 4vv, 1584, B v;
Qui me confessus fuerit, 5vv, 1578b, B iii (arr. lute, 1593);
Quis est homo, qui vivet?, 4vv, 1584, B v;
Regina caeli laetare, 8vv, 1594, B vi;
Repleatur os meum laude, 4vv, 1584, B v;
Respice, Francisce, 5vv, 1578b, B iii;
Sacerdos et Pontifex, 5vv, 1578b, B iii;
Salvum fac populum tuum, 12vv, 1594, B vi;
Sancta et immaculata virginitas, 4vv, 1584, B v;
Sancti et justi, 5vv, 1578a, B iii;
Salvator noster, dilectissimi, 5vv, 1578a, B iii;
Similabo eum, 5vv, 1578b, B iii;
Simile est regnum caelorum, 6vv, 1583, B iv;
Spiritus Sanctus, 7vv, 1593, B iv;
Stephanus autem plenus gratia, 5vv, 1578a, B iii;
Tanquam aurum in fornace, 5vv, 1578b, B iii
Tribuat tibi, 7vv, 1593, B iv;
Tribulationem et dolorem, 5vv, 1578b, B iii;
Tribus miraculis ornatum diem, 5vv, 1578a, B iii;
Tu es Petrus, 5vv, 1578a, B iii;
Ubi caritas, 6vv, 1583, B iv;
Ubi sunt misericordiae, 6vv, 1583, B iv;
Ure igne Sancti Spiritus, 6vv, 1583, B iv;
Veni Sancte Spiritus, 6vv, 1583, B iv;
Verbum iniquum, 6vv, 1583, B iv;
Vias tuas Domine, 4vv, 1584, B v;
Vias tuas Domine, 10vv, 1594, B vi;
Vigilate ergo, quia nescitis, 4vv, 1584, B v;
Vos qui reliquistis omnia, 5vv, 1578b, B iii

Instrumental:

Versetti:
all in I-Tn; ed S. dalla Libera (Padova, 1971)
Versetti del secondo tono;
Magnificat primi toni;
Messa Domenicale;
Messa degli Apostoli;
Versi del secondo tono;
Versi dell’ottavo tono;
Versi del primo tono (Magnificat primi toni);
Passo e mezzo

Ricercares:
Ricercari d’intavolatura d’organo … libro primo (Venice, 1567); ed. A. Marcon and A. Gaus, Musica antiqua nova arte scripta, ii (Zimmern ob Rottweil, 1995)
Il primo libro de ricercari da cantare, 4vv (Venice, 1574); B ix; IIM, v (1987)
Ricercari da cantare, libro secondo, 4vv (Venice, 1607); IIM, vi (1987)
Ricercari da cantare, libro terzo, 4vv (Venice, 1608); IIM, vii (1987)

Toccatas:
Toccate d’intavolatura d’organo, libro primo (Rome, 1598/R in Archivium musicum, xliii (Florence, 1982)); ed. S. dalla Libera (Milan, 1959/R)
Toccate d’intavolatura d’organo, libro secondo (Rome, 1604/R in Archivium musicum, xliii (Florence, 1982)); ed. S. dalla Libera (Milan, 1959/R)
2 toccatas, 1593, 1607

Canzonas:
Canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1592)
Libro secondo di canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1606)
Terzo libro de canzoni d’intavolatura d’organo fatte alla francese, 4vv (Venice, 1611)
Canzonas, insts, kbd, 1588, 1607, 1608, 1617, A-Wm, I-VEcap, Tn