compositores: Bononcini

Antonio Bononcini Stabat Mater,St John’s College Cambridge

 

Antonio Maria Bononcini ( Modena , 18 de junio de 1677 – Modena, 8 de julio de 1726) fue un violonchelista y compositor italiano. Hijo de Giovanni Maria Bononcini y hermano de Giovanni Bononcini , se formó inicialmente con su padre. Posteriormente, y en compañía de su hermano, estudió con GP Colonna a Bolonia. En 1690 entró a formar parte de la orquesta del cardenal Pamphili en un cargo que preservar hasta el 1693 y en un tiempo en que comenzó a componer forma regular. A partir del 1694 constar como violonchelista en Roma entrante, en 1696, en la Congregazione di Santa Cecilia . Alrededor de 1700 viajó a Viena donde trabajó conjuntamente con su hermano participando en diversas representaciones en toda Europa. En 1705 fue nombrado maestro de capilla al servicio del futuro Carlos IV en un periodo de gran actividad compositiva. En 1710, y gracias a los méritos alcanzados, el emperador Joseph I lo nombró ” compositor del emperador “. Sin embargo, la muerte repentina de su protector y la posterior coronación de Carlos IV provocó la suspensión de sus cargos. En 1713 volvió a Italia y se estableció definitivamente en Modena donde se retiró con su familia. Sin embargo, no dejó de componer música y fue publicando varias óperas muchas de las cuales se representaron en varias ciudades italianas. Alrededor de 1721 fue nombrado maestro de capilla de la corte de Modena en un hecho que despertó su interés por la música religiosa la que mereció los máximos elogios de un joven y aún desconocido Padre Martini . Antonio Maria Bononcini murió en Módena en julio de 1726.

BIOGRAFIA

OBRA:
music lost unless otherwise stated

Vocal secular:

Operas:
three-act drammi para música unless otherwise indicated
Tigrane, re de Armenia (P. Bernardoni), Vienna, Favorita, 25 July 1710, A-WGM, D-Meira
Y veri amici (after F. Silvani and D. Lalli), Naples, S Bartolomeo, 26 Nov / 26 Dec 1715
Il tiranno EROEI (after V. Cassani), Milan, Regio Ducal, 26 Dec 1715; arias, Lu
Sesostri, re di Egitto (after P. Pariati), Milan, Regio Ducal, 2 Feb 1.716, L, arias CZ-Pk
La conquista del vello de oro (after F. Parisetti), Reggio nell’Emilia, Pubblico , 29 April 1717; score, A-Wn, arias D-L
Astianatte (after A. Salvi), Venice, S Giovanni Grisostomo, carne. 1718, arias, DW
Griselda (after A. Zeno), Milan, Regio Ducal, 26 Dec 1718, A-WGM, D-BSB (facs. In IOB, xxi, 1977)
Nino (Act 3) (I. Zanelli), Reggio nell’Emilia, Pubblico, 29 May 1720, arias F-Pc and GB-Er [Act 1 by Capelli, Act 2 by F. Gasparini]
Merope (after Zeno), Rome, Pace, carne. 1721, arias, F-Pn
Endimione (pastorale in musica, 3, after F. de Lemene), Naples, S Bartolomeo, 14 May 1721, arias I-Mgallini
Rosiclea in Dania (melodrama, 3, after Silvani: El Oracolo in sogno), Naples, royal palace, 1 Oct 1721; S Bartolomeo, 4 Oct 1721, I-MC

Serenatas:
La fama Eroica por la gloria Immortale dell’antichissima y nobilísima casa Cornaro (G. Andriani), 2vv, Rome, 1698
Arminio (poemetto drammatico, P. Bernardoni), 6vv, Vienna , Favorita, 26 July 1706, A-Wn, D-L
la Fortuna, y Valore y la Giustitia (cantata,? Bernardoni), 3vv, Vienna, 4 Nov 1706, A-Wn
andromeda (poemetto drammatico, Bernardoni), 4vv, Vienna, 10 July 1707, D-L
La conquista delle Spagne di Scipione Africano y giovane (composturas drammatico, P. del Negro), 3vv, Vienna, 4 Nov 1707, A-Wn
La toma di Tebe (composturas para música, S. Stampiglia), 5vv, Vienna, 1 Oct 1708, Wn, D-L
Hippolito (poemetto drammatico, Bernardoni), 5vv, Vienna, 19 March 1710, A-WGM
Il trionfo dell’Aquila y del giglio (Introduzione para música en el Balletto, Zanelli), 5vv, Modena, 14 June 1720

Cantatas:
for soprano and continúo unless otherwise stated

Amo Dorinda y tanto, I-Mc;
Amo peno gioisco, Mc;
Amore ingannatore, A, 2 fl, bc, 1708, A-Wn;
Augelletti Ruscello, I-Nc;
Cagnoletto vezzosetto, Nc;
Che Faremo o corazón mio, S, fl, bc, F-Pc;
Clori dal colle al prato, S / A, bc, A-Wn (attrib. G. Bononcini), GB-Cfm, Er (attrib. G. Bononcini), LBL, I-Nc;
Clori perché de amore, A, bc, Nc;
Con non INTESA affanno, F-Pc;
Decir che sei il mio bene, S, 2 vn, bc, D-BSB, LEM, WD;
Ecco Amor che mi segue, S, 2 vn, va, bc, A-Wn;
E pure o Lidia y pure, A, bc, GB-Lam;
E pondrá vero o Filli, LCM, I-Nc;
Finché la bella Irene, A, bc, Nc;
Già che al partir t’astringe, F-Pn;
Già sobre margo del rio, A, bc, GB-LBL;
Idol mio bel tesoro, S, fl, bc, I-Nc;
In quelle luci care, S, B, bc, GB-LBL;
Mientras el novo Apparat (lontananza), A, 2 vn, bc, 1708, A-Wn;
Mientras canta el augelletto, I-Nc;
Mientras in placido Sonno, S, 2 fl, bc, 1708, A-Wn;
Mira o Fille nel prato, I-Nc (3 copias)
Nell’augusta cittade, S, 2 vn, bc, D-Hs;
Non anche avea naturaleza, S, B, 2 vn, va, bc, I-Bc;
Non è solo il tormento, B, c, D-Mbs, I-Bc;
Occhi del mio tesoro, D-SHS;
Occhi voi che Mirate, S, 2 fl, bc, 1708, A-Wn;
Quando Lieta saria, D-SHS;
Quando vedó a mille rose, A, 2 fl, bc, 1708, A-Wn;
Sans cese diciembre tourmens, A, c, I-Nc;
Se avessi in mezzo al petto, A, 2 fl, bc, 1708, A-Wn;
Selve Placide Selve, S / A, bc, I-Nc (2 copias);
Sopra el orme de Irene, A, 2 vn, bc, 1708, A-Wn;
Sul margine adorados, S, 2 vn, bc, 1708, A-Wn;
Tanto avezzo lo il core a piangere, A, 2 vn, bc, 1708, Wn;
Tortorella innamorato, I-Nc;
Troppo Rigo Clori, S, 2 vn, bc, 1708, A-Wn;
Toda Fiamme y tutta Ardo, S, 2 fl, bc, 1708, Wn;
Voi vino partite ed io resto fray mille angoscie, GB-LBL;
Vorrei Dirt addio, A, c, F-Pc, GB-LBL;
Vorrei Pupille belle, S, 2 vn, bc, 1708, A-Wn;
Zingaretti che predicado, S / A, bc, GB-LBL, I-Nc

Vocal religiosa:

Oratorios:
La Maddalena, Vienna, Real Casa di Spagna, 1705
Il trionfo della grazia, overo La Conversione di Maddalena (B. Pamphili), Vienna , emperor s chapel, Lento 1707, A-Wn
La decollazione di S Gio. Batista (G. Filippeschi), Vienna, emperor s chapel, Lento 1709, Wn
El interciso (N. Stampiglia), Vienna, emperor s chapel, Lento 1711, Wn

Other:
Laudate pueri, B, S, vc obbl, bc, 19 Feb 1693, I-BSP;
Salve regina, B, A, vc obbl, bc, D-WD (inc.);
Mass, g, 5vv, ORCH, I-Fc;
Stabat mater, c, 4vv, ORCH, Bc, Moe (attrib. AM paccionado), ed. P. Smith (Sevenoaks, Kent, 1974)

Instrumental:

15 sonatas, vc, c: 12 sonatas, c1693, F-Psg;
Sonata da camera Detta la comodines, D-WD;
Sinfonía para cámara, A-Wn, S-Uu;
Sonatta a vc solo del Sigra Bononcini, A-Wn; all ed. in RRMBE, LXXVII (1996)

compositores: Jose de Nebra

Amor aumenta el valor José de Nebra

José de Nebra – VENDADO ES AMOR, NO ES CIEGO

 

José de Nebra Blasco  ( Calatayud , 6 de enero de 1702 -  Madrid , 11 de julio de 1768) fue un compositor y organista español, considerado una de las figuras más notables de su tiempo. Se formó musicalmente con su padre  José Antonio Nebra , organista titular de la  Catedral de Santa María y San Julián  de Cuenca. A los 17 años recibió un primer encargo como primer organista del  Monasterio de las Descalzas Reales  de Madrid. Cinco años más tarde recibió el mismo nombramiento en la Capilla Real y tras el devastador incendio de 1734 del  Real Alcázar  de Madrid se encargó de recuperar y restaurar los fondos musical de la institución. Su contribución musical fue determinante a la hora de introducir reformas estéticas y formales en el seno de la escuela musical española del siglo XVIII. Fue principalmente autor de gran cantidad de obra religiosa así como secular, destacando las decenas de zarzuelas que escribió. Sus hermanos  Francisco Javier Nebra Blasco  y  Joaquín Ignacio Nebra Blasco  fueron también organistas y compositores. José de Nebra murió en Madrid en julio de 1768.

BIOGRAFIA

OBRA:

Vocal secular:

Operas, zarzuelas, comedias, bailes:
Las granaderas y Alondón (baile), EE
La libertad del cautivo (entremés), E
De los encatos de Amor la música es el mayor, ó De los hechizos de amor, la música es el mayor, y el asturiano-montañés en la corte (como, J. de Cañizares), Príncipe, 23 Oct 1725
A un tiempo monja y casada: S Francisca romana, ó la viuda romana (sacred como, Cañizares), Cruz , 25 Dec 1725
la venerable sor María de Jesús de Ágreda, Ia Parte (sacred como, MF de Armesto y Quiroga), Príncipe, 25 Dec 1725
A cual mejor, confesada y confesor, S Juan de la Cruz y S Teresa de Jesús ( sacred como, Cañizares), Cruz, 22 Oct 1727
S Brígida (sacred como, Cañizares), Cruz, 25 Dec 1727
Amor aumenta el valor [Acts 2 and 3, with Falconi] (opera, Cañizares), Lisbon, palace of Spanish ambassador , 18 Jan 1728, Mp [Act 1 by FACC]; ed. MS Alvarez Martínez (Zaragoza, 1996)
La presumida no casa subasta que un simple … folla armónica, Cruz, 25 July 1728
S Brígida, la estrella de Septentrión 2ª Parte (sacred como, Cañizares), Cruz, 25 Dec 1728
La sirena de Tinaco (como, D. de Córdoba y Figueroa), 1729 [Nebra wrote only music for the loa]
Las proezas de Esplandián y el valor deshace encantos (zar, Armesto), Cruz, 12 Feb 1729
La melodrama, o Las tres comedias en una (como, Cañizares), Príncipe, 12 Oct 1729
Hombre, demonio y mujer, Cruz, 14 Oct 1729 [Nebra wrote music only for the loa]
Música discreta y santa: S Matilde (sacred como, Cañizares), Cruz, 25 Dec 1729
la sacra esposa de Cristo y doctora de la iglesia, S Catalina, virgen y mártir (sacred como), Cruz, 21 Oct 1730
No siempre el Destino Vence si en super imperio Amor domina (como, J. Fernández de Bustamante), Príncipe, 24 Nov 1730
El sol de la fe en Marsella y conversión de la Francia: S María Magdalena (sacred como, BJ Reinoso y Quiñones), Cruz, 25 Dec 173 0
Venus y Adonis, melodrama, 1733, Padre Otaño s private collection, Loyola
Más gloria se triunfar de sí: Adriano en Siria (after P. Metastasio), Cruz, 30 May 1737 [in pay accounts called an opera]
Amor, acaso y valor y el invencible Amadis (zar), Cruz, 27 Nov 1739
la Madre Martina de los Angeles, religiosa dominica (como), Príncipe, 22 Oct 1739
Viento es la dicha de Amor (zar, A. de Zamora), Cruz, 28 Nov 1743, mm, revived Príncipe, 20 May 1748, con 1 new aria, mm
Nuestra Señora del Pilar de Zaragoza (sacred como), 21 Oct 1743
S Inés de Montepoliciano (sacred como, Armesto), Príncipe, 25 Dec 1743
Donde hay violencia , no hay culpa (zar, N. González Martínez), Medinaceli private theatre, 1744, Zac
Amor, encanto y fortuna restituyen a super dueño el cetro (como), 4 Feb 1744
vendado se Amor, no se ciego (zar, Cañizares) , 3 Aug 1744, Zac
No todo Indicio se verdad: Alejandro en Asia (González Martínez, after Metastasio), Cruz, 18 Sept 1744 [in pay accounts called an opera]
Cautelas contra cautelas y el rapto de Ganímedes (zar, Cañizares), Príncipe, 5 June 1745
El mayor blasón de España (sacred como), Príncipe, 25 Dec 1745
La colonia de Diana (zar, M. Vidal Salvador, rev. González Martínez), Príncipe, 7 Sept 1745 [rev. with 3 new arias and added tonadillas, Cruz, 29 April 1746], 1 aria, AS
El amante de María, venerable padre Fray Simón de Rojas (sacred como, rev. Cañizares), Príncipe, 25 Dec 1745
A falta de hechiceros el Quieren ser los gallegos y asombro de Salamanca, 1ª Parte (magical como, González Martínez), Cruz, 12 Feb 1746
El amante de María, venerable padre Fray Simón de Rojas, 2ª Parte (sacred como, González Martínez), Cruz, 29 May 1746
el Dómine Lucas (como, Cañizares), 1747, Mm [rev. Buen Retiro, 15 Feb 1764]
Para obsequio a la deidad nunca se culto la crueldad y Iphigenia en Tracia (zar, González Martínez), Cruz, 15 Jan 1747 [rev. with 4 new arias, 30 April 1749], E; ed. MS Alvarez Martínez (Zaragoza, 1997)
No hay perjurio sin castigo (zar, González Martínez), Medinaceli private theatre, 8 May 1747
Ni amor ni obligaciones, temor ni amigo, logran lo que el enemigo (como), 20 May 1747 [Nebra wrote music for only the sainetes]
Donde hay Sobras de hechiceros, el Quieres ser los gallegos: el asombro de Salamanca, 3ª Parte (magical como), 30 Nov 1747
Antes que celos y amor la piedad llama al valor y Achiles en Troya (González Martínez), Príncipe, 1747 [in pay accounts called an opera]
La mágica Cibeles, 2ª Parte (magical como), Cruz, 19 Oct 1748 [Nebra wrote music for only the sainetes]
Hay venganza que se clemencia (como, González Martínez) , Cruz, 30 Nov 1748
Púas consisten en dar gusto (bailete), 1749, E
Viva el cacique (bailete), 1749, E
el anillo de Giges y mágico rey de Lidia, 2ª Parte, 24 May 1749 [Nebra wrote music for 1 aria, 1 dúo and the sainetes]
el mágico de Ferrara (magical como, A. Merano y Guzmán), 6 Nov 1749
En vano el poder persigue, a quien la deidad protege y Primera parte del Mágico Apolonio (magical como, A. Flores), 25 Dec 1749
No hay magias en la invención como la de la diversión y Mágico de tres horas (magical como), 21 Jan 1750
En vano el poder persigue Cuando la deidad protege, Segunda parte del Mágico Apolonio (magical como, Merano), 25 Dec 1750
Duelas de Amor y Lealtad, Buen Retiro, 14 Feb 1764 [Nebra wrote music for the loa, the overture and a march]

Vocal religiosa :
(selective list)

Autos sacramentales: textos by P. Calderón de la Barca
la vida es sueño, Príncipe, 4 June 1723;
A Dios por razón de Estado, Cruz, 23 June 1.724 [Nebra wrote music for only the sainetes];
El año santo en Roma, Príncipe, 8 June 1725;
El pintor de su deshonra, 8 June 1725;
El católico Perseo S Jorge, mártir, Cruz, 18 Oct 1725;
El pastor Fido, Príncipe, 28 June 1 726;
La viña del Señor, Cruz, 28 June 1726, rev. Cruz, 21 June 1746;
El valle de la zarzuela, Príncipe, 20 June 1727;
El pleito matrimonial del Cuerpo y el Alma, Príncipe, 4 June 1728;
La semilla y la cizaña, Cruz, 24 June 1729;
La redención del cautivo, Príncipe, 28 June 1729
El cuidado y la Enfermedad, Príncipe, 16 June 1730, rev. † Cruz, 5 June 1739;
Andrómeda y Perseo, 12 June 1744;
El nuevo hospicio de los pobres, Cruz, 3 July 1 745;
Amar y ser amado y la divina Philotea, Principe, 3 July 1745, E-Zac;
La nave del mercader, 9 June 1747 [Nebra wrote music only for the sainetes];
Lo que va del hombre a Dios, Cruz, 21 June 1748, rev. 29 May 1761 with 1 new aria;
El laberinto del mundo, 13 June 1749 [Nebra wrote music only for 1 aria];
Primero y segundo Isaac, 13 June 1749;
La segunda esposa, triunfar muriendo, Cruz, 7 junio 1750;
El diablo mudo, Príncipe, 18 June 1751

Masas, for 8vv, obs, str, org, unless otherwise stated:
untitled (b), 1731 (inc.), E-CU;
untitled (D), 8vv, hns, str, org, 1738, GRcr;
In coena Dominio [Pange lingua], 8vv, obs, tpts, str, org, 1747;
Cantate Domino Canticum novum, 1748;
In vía pacis, 8vv, obs, harp, str, org, 1748, ed. MS Álvarez Martínez (Zaragoza, 1998);
Laudate Dominum de tierra, 8vv, fls, obs, hns, str, org, 1748;
Laudate eum in sono tubae, 8vv, obs, hns, str, org, 1748;
Laudate nomen Domini, 1748;
Pinguis este panis [Sacris solemniis], 8vv, obs, hns, tpts, str, org, 1748;
Cantate te Exsultate, 1751;
Jubilate in Conspectus Regis Dominio, 8vv, obs, tpts, hns, str, org, 1751;
Labia mea laudabunt té, 8vv, obs, hns, str, org, 1752;
untitled (D), 8vv, obs, tpts, str, org, 1753;
Servite Domino in laetitia, 1754;
Cantate te Exsultate, 8vv, obs, hns, tpts, str, org, 1755;
Te laudamus Deus, 8vv, obs, hns, str, org, 1756;
Dominio Exaudi vocem meam, 8vv, obs, hns, str, org, 1758;
Misa de requiem, 8vv, fls, obs, str, org, 1758, ed. H. Eslava, Lira sacro-hispana, IIa / y (Madrid, c1869);
Sic benedicam té, 8vv, obs, bn, str, org, 1.759;
Por singulos días Benedicamus té, 8vv, obs, bn, str, org, 1762;
Benedicamus Domino, 8vv, obs, bn, str, org, 1764;
De profundis ClamAV, 1766;
Sicut lilium inter spinas, 8vv, fls, obs, hns, str, org, URE;
untitled (D), 8vv, obs, tpts, str, org, ed in Capdepón (1992);
untitled, 8vv, obs, tpts, str, org, GCA-Gc;
untitled (g), 5vv (inc.), Gc; untitled (G), 7vv (inc.), Gc
Lamentations for Holy Week, with ORCH unless otherwise stated:
Te egressus este, S, T, 1752;
Manum suam, S, SATB, 1752;
Quomodo SEDET, S, S, A, T, SATB, 1752;
Cogitavit Dominus, S, A, T, B, SATB, 1753;
Ego vir videns, T, SATB, 1753;
Me atribuyen suis, S, T, 1753;
Misericordiae Dominio, S, A, T, B, SATB, 1753;
Quomodo obscuratum, S, T, 1754;
Recordare Domine, S, A, T, B, SATB, 1754;
Te egressus este, A, 1758;
Me atribuyen suis, S, 1759;
Te egressus este, S, 1761;
Manum suam, S, A, T, B, SATB, 1.761;
Quomodo SEDET, S, A, T, B, SATB, 1761;
Cogitavit Dominus, S, A, T, B, SATB, 1764;
Ego vir videns, SATB, SATB, SATB, UNACC., 1764;
Me atribuyen suis, S, 1764;
Misericordiae Dominio, S, A, T, B, SATB, 1764;
Quomodo obscuratum, S, 1764;
Recordare Domine, S, S, A, T, B, SATB, 1764

4 Vespers settings:
8vv, ORCH, org, 1749;
8vv, ORCH, org, 1749-50;
8vv, VNS, org, bc, 1751;
4vv, 1759; E-CU, Mp, MO, SC, SEG, VAC, VACP, Zac, I-Rvat

Others:
16 Salve regina, 3-8vv, ORCH, E-AS, CU, GU, Mdr, Mp, MA, Sc, SA , TE, GCA-Gc;
3 Compline settings, 8vv, ORCH, org, 1749, 1749, 1757;
22 hymns, 8vv, mosto with ORCH;
7 pss, E-CU, GU, Mp, Zac, F-Pn, GCA-Gc, Mexico, Archivo Cathedral; Mexico, Colegio de Santa Rosa de Santa María;
7 satélites, EE, GRcr, Mdr, Mp, MO, Sc, 1 ed. in Capdepón (1992);
21 Christmas and Epiphany respiro, CU, LPA, La Laguna, Cathedral, Mp, MO, ORL, OV, TE;
Ecce enim veritatem, S, S, bc, GCA-Gc;
Mago, 8vv (inc.), 1732, E-CU;
Domine ad adjuvandum, S, A, T, B, SATB, ORCH, 1.751;
Stabat mater, SSAT, ORCH, 1752, Ac;
Venite adoremus, B, SSAT, 1.752;
Circumdederunt me, S, S, A, T, 1758;
Parce mihi Domine, S, ORCH, 1758;
Regem cui omnia vivunt, B, SSAT, 1758;
Taedet animamos meam, S, A, T, B, SATB, ORCH, 1758;
Regem cui omnia vivunt, S, S, A, T, SATB, ORCH, 1.759;
Ecce enim veritatem, 8vv, fls, obs, VNS, 1761, GCA-Gc

Spanish vocal:
Cuatro villancicos y una cantada de José de Nebra (1702-1768), ed. MS Álvarez Martínez (Zaragoza, 1995) [AC]
Al arma discurso, villancico, SSAT, SATB, Mexico, Colegio de S Rosa de S Maria;
Aliento fervorosa, 1v, ob, VNS, hp, org, GCA-Gc;
A limar las Prisiones, SSAT, VNS, bc, Mexico, Durango Cathedral;
Al que en solio de rayos, 8vv, hns, VNS, Gc;
Al tierno esposos amante, sacred canto., 1v, VNS,? 1751 Gc;
Amor inmenso, SSAT, VNS, harp, bc, E-MO;
A navegar púas suena, villancico, SSAT, ORCH, 1750, ed. in AC;
Aplaude, blasona, celebra, a, S, VNS, bc, Bolivia, Sucre Cathedral;
A qué nos convocan (inc.), Villancico, SSAT, SATB, obs, VNS, VLE, org, CU;
Bella Aurora del Carmelo, canto., S, A, VNS, org, bc, CU, ed. in AC;
Bello pastor, sacred canto., 1v, obs, VNS, GCA-Gc;
Cierta que Tiene amor, villancico, SSAT, VNS, org, bc, 1750, E-CU;
Con júbilo en el orbe, 8vv, VNS, GCA-Gc;
Cuando el maná llovía, 1v, ob, VNS, 1734, Gc
De este amoroso (inc.), Villancico, SSAT, VNS, org, bc, E-CU;
De gala y aplauso, villancico, SSAT, SATB, VNS, org, bc, CU;
Del dócil pecho mio, aria, S, VNS, bc, Bolivia, Sucre Cathedral;
Dilata el orbe, villancico, SSAT, ORCH, 1750, ed. in AC;
Dulzura espiritual, 1v, ob, VNS, GCA-Gc;
El celeste combate, SSAT, VNS, Gc;
Grabe en mí pecho tu nombre santo, 1v, VNS, Gc;
Hermoso Cupido, SATB, VNS, harp, org, EJ;
Hoy Hacia el empíreo, villancico, SSAT, VNS, org, 1752, CU, ed. in AC;
La batalla, 1v, obs, tpts, hns, timp, VNS, GCA-Gc;
La que esparce, canto, S, ob, VNS, bc, 1733, EJ;
Las granaderas, SSST, hns, VNS, GCA-Gc;
Las maripositas, villancico, SSAT, VNS, org, bc, 1752, E-CU;
Llama, inflaman, villancico, 4vv, VNS, Mexico, Colegio de S Rosa de S Maria;
Legadas, legadas creyentes, 1v, VNS, GCA-Gc;
Oh, prodigio el mayor, villancico, SSSS, hns, VNS, bc, 1758, EE
Para un triunfo que el orbe festeja, 8vv, VNS, org, GCA-Gc;
Por esquivo parece, SSST, bc, D-Mbs;
Pues el destino, aria, 1v, VNS,? Lost, formerly GCA-Gc;
Pues el sol divino, bailete, SSAT, hns, VNS,? 1750, Gc;
Qué amante, qué benigno (inc.), Canto., EJ;
Que contrario Señor, sacred canto., S, VNS, GCA-Gc;
Robustas trompas, 8vv, tpts, VNS, Gc;
Rompan los vagos Espacios del viento, SSAT, VNS, org, Gc;
Salva clarines, villancico, SSAT, ORCH, 1750, ed. in AC;
Sonoras liras, cantada, 8vv, tpts, VNS, Gc;
Sudan, resuenen, villancico, SATB, VNS, TPT,? 1762, Gc;
Vámosle Buscando, SST, ob, VNS, Gc;
Venid almas creyentes, sacred canto.,? 1737? Lost, formerly Gc;
Voladizo suspiros, 1v, VNS, Gc;
Ya RASGO, la esfera, sacred aria, 1v, tpts, Gc

Instrumental:

Keyboard:
Batalla de clarines, D;
Fandango de España, d (Doubtful);
Grave, 8 ° tono;
Sonata, G (Doubtful):
Zárate Cólogan family s private collection, La orate, Tenerife, ed. R. Álvarez Martínez, José Herrando, Domenico Scarlatti, Francisco Courcelle, José de Nebra y Augustins Masa:
Obras inéditas para tecla (Madrid, 1984)
Grave, d (inc.);
Sonata, F;
2 tocatas, G, G;
Tocata, e: Morella, s María la Mayor, ed. R. Escalas, Joseph Nebra (1702-1768):
Tocatas y sonata para órgano ó clave (Zaragoza, 1987)
Sonata, E;
Sonata, F;
Tocata, 6 ° tono (inc.): Lothar Siemens s private collection, Las Palmas, Islas Canarias, ed. MS Álvarez Martínez, Obras inéditas para tecla de José de Nebra (1702-1768) (Zaragoza, 1995)
Paso en versos para la salmodia, g, EE; Sonata, G, La Laguna, Cathedral; Sonata, V;
4 sonatas, C, y, F, D, Zac;
7 sonatas (Doubtful), C, C, b, g, A, c, C (inc.), Zac;
2 tocatas, D, c, VACP;
10 versos, org, SC;
1 piece, org, D, VACP: ajo (except 10 versos) ed. MS Álvarez Martínez, Obras inéditas para tecla de José de Nebra (1702-1768) (Zaragoza, 1995)

pintores: Ainmiller

42662970765_c1806916bf_k

 

Maximilian Emanuel Ainmiller ( München , 14 de febrero de 1807 – München, 8 de diciembre de 1870) fue un pintor alemán. Se formó en pintura, arquitectura y diseño en la Academia de Bellas Artes de Múnich bajo la dirección de Friedrich von Gärtner . Finalizada su formación, comenzó a trabajar como decorador de la  Porzellanmanufaktur de Nymphenburg. Fue a partir de este trabajo que rápidamente mostró interés por el arte del vidrio del que se convirtió en uno de los máximos exponentes en toda Europa. En este sentido, fue autor de incontables vidrieras de toda Alemania y otros países como Inglaterra, España o Italia. Como pintor, aunque no centrar su actividad en este arte, fue autor de varias obras la mayoría de ellas con interiores de iglesias como temática principal. Maximilian Emanuel Ainmiller vivió en Munich toda su vida muriendo en esta ciudad en diciembre de 1870.

BIOGRAFIA

compositores: Erlebach

Erlebach – Cantata ‘Die Liebe Gottes ist ausgegossen’

BIOGRAFIA

OBRA:

Vocal secular:

Harmonische Freude musicalischer Freunde, vol.i (50 arias), 4vv, 2 vn, bc (Nuremberg, 1697, 2/1710); vol.ii (25 arias), 4vv, 2 vn, 2 va, 3 ob, bn, bc (Nuremberg, 1710); both vols. ed. in DDT, xlvi–xlvii (1914/R), 12 arias ed. in Organum, ii/8 (Leipzig, 1929), 7 in Friedlaender, others in Thomas, GMB, HAM, ii
Josephs neuer Kaiserthron: Serenade from Musicalia bei dem Actu homagiali Mulhusino, 28 Oct 1705, 4vv, 2 tpt, 2 vn, 2 va, timp, bc, holograph, D-MLHr

Vocal religiosa:

Cantatas, S, A, T, B, unless otherwise indicated:
Ach, dass ich Wassers genug hätte, 4vv, 2 ob, 2 vn, 2 va, bn, bc, 1699, D-Bsb, Dl
Ach Herr, strafe mich nicht, 4vv, 2 vn, 3 va, bn, bc, 1699, Dl
Christus ist mein Leben, 4vv, 2 vn, 2 va, bc, LEm, WRh
Da dieser Elende rief, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Da ich ein wenig vorüber kam, A/B, 2 vn, 2 va, bn, bc, WRh
Das ist das ewige Leben, 4vv, 2 vn, 2 va, bn, bc, F-Ssp
Das ist je gewisslich wahr, motet, 5vv, D-Dl
Das weiss ich fürwahr, 4vv, 2 vn, 3 va, bn, bc, LEm
Das Wort ward Fleisch, 4vv, 2 tpt, 2 vn, 2 va, bn, bc, 1698, F
Der Gerechte wird grünen, 4vv, 2 vn, 2 va, bc, WRh
Der Herr belohnet die wohl, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Der Herr erhöre dich, 4vv, 2 tpt, 2 vn, 3 va, timp, bc, Bsb
Der Herr hat offenbaret, 4vv, 2 vn, 2 va, bn, bc, 1700, F, Dl; ed. in Organum, i/33 (Leipzig, 1962)
Der Herr hat offenbaret sein Wort, 4vv, 2 vn, 2 va, bn, bc, WRh
Der Herr ist nahe allen, 4vv, 2 vn, 2 va, bc, 1701, Bsb; ed. O. von Steuber (Stuttgart, 1966)
Der Herr weiss die Gottseligen, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Der Name des Herrn ist ein festes Schloss, 4vv, 2 vn, 3 va, bc, Bsb
Der Ruhm der Gottlosen stehet nicht lang, 4vv, 2 vn, 2 va, bn, bc, 1701, Bsb (inst parts lost)
Die Liebe Gottes ist ausgegossen, 5vv, 2 vn, 3 va, bn, bc, 1699, Dl
Die mit Tränen säen, 4vv, 2 vn, 2 va, bn, bc, 1701, Bsb, Dl
Dies ist der Tag, motet, 4vv, RUS-KA; ed. in DDT, xlix–l (1915/R)
Die Welt will nur die Frommen hassen, 4vv, 2 vn, bn, bc, 1700, D-F
Die Zeit ist aus, 4vv, 2 vn, bn, bc, 1700, Dl
Er bricht herfür, 4vv, 2 tpt, 2 vn, 2 va, bn, bc, 1701, F
Exultemus, gaudeamus, laetemur, 4vv, chorus 4vv, 2 tpt, 2 vn, 2 va, bn, timp, bc, 1705, MLHr
Fürchtet euch nicht, 4vv, 2 tpt, 2 vn, 2 va, bn, timp, bc, 1700, F, LUC
Gelobet sei der Herr täglich, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Gelobet sei Gott der Herr, 4vv, 2 vn, bn, bc (frag.), 1700, Dl
Gott-geheiligte Sing-Stunde (C. Helm), 12 cants., 4vv, 2 vn, bc (Rudolstadt, 1704): Mein Herz bleibt Jesu stets getreu, A, T; Unruhige Gedanken, T; Betrübtes Herz, erfreue dich, A, B; Himmel, dir will ich vertrauen, S; Kehre wieder, armes Herz, S, A; Mein Geist ist nunmehr ganz genesen, A; Seele, lass endlich den Kummer verschwinden, T, B; Nun kann mich weder Kreuz noch Leiden, S; Ach mehr als zentnerschwere Last, S, A; Auf, mein Herz, entreisse dich, S; Ihr Augen, lasst euch nicht erschrecken, T, B; Lobe den Herrn meine Seele, T: RUl
Gott man lobet dich in der Stille, 4vv, 2 tpt, 3 vn, 2 va, bn, bc, Bsb
Gott will für alle seine Gaben (E. Neumeister), 4vv, 2 vn, 2 va, bn, bc, 1708, WRh
Gratias agimus, 5vv, 2 vn, 3 va, vc, bc, F-Ssp
Held, du hast den Feind gebunden, 4vv, 3 ob, bn, 2 vn, 2 va, db, harp, bc, 1700, D-Dl
Herr, ich rufe zu dir, 4vv, 2 vn, 2 va, bn, bc, Dl
Herr unser Herrscher, 4vv, tpt, 2 vn, 2 va, db, bc, Bsb
Herr, wenn Trübsal da ist, 4vv, 2 vn, 2 va, bn, bc, 1699, Dl
Herr, wer ist dir gleich, 4vv, 2 vn, 2 va, bn, bc, 1701, Bsb, Dl
Hütet euch, dass eure Herzen nicht beschweret werden, 4vv, 2 vn, 2 va, bn, bc, 1700, F, Dl
Ich bin mit meinem Gott zufrieden (Aemilie Juliane), 4vv, 2 vn, 3 va, bn, bc, Dl
Ich hebe meine Augen auf, 4vv, 2 vn, 2 va, bn, bc, Bsb
Ich will euch wiedersehen, 4vv, 2 tpt, 2 vn, 2 va, bn, timp, bc, 1701, Bsb, Dl, F
Ich will ihnen einen einigen Hirten erwecken, 4vv, 2 vn, 2 va, db, bc, 1701, Bsb
Ich will ihre Speise segnen, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Ich will mit Brandopfer gehen, 4vv, 2 vn, 2 va, bc, Bsb
Ich will Wasser giessen, 4vv, 2 vn, 2 va, bn, bc, Bsb; ed. O. von Steuber (Stuttgart, 1960)
Itzt sind angenehme Zeiten, 4vv, 2 vn, 2 va, bc, 1700, Bsb
Jesu amabilis, 4vv, 2 vn, 3 va, bn, bc, 1697, Bsb
Jesu segne du dies Jahr (Neumeister), 4vv, 2 vn, bc, 1708, Bsb
Missa: Kyrie eleison, 4vv, 2 vn, 2 va, bn, bc, Bsb
Lobe den Herrn meine Seele, 4vv, 2 vn, 2 va, bc, Bsb; ed. O. von Steuber (Kassel, 1960)
Lobe, lobe den Herrn, 4vv, tpt, 2 vn, 2 va, bc, MÜG
Lobt Gott in seinem Heiligtum, chorale, 4vv, 2 tpt, 2 vn, 2 va, bn, timp, bc, UDa
Mein Herz ist bereit, T, 2 vn, 2 va, bc, Bsb
Nun danket alle Gott, chorale, 4vv, 2 vn, 3 va, bn, bc (frag.), WRh
Scrutabor legem tuam, 5vv, 2 vn, 4 va, bc, Bsb
Seid barmherzig wie auch euer Vater, 4vv, 2 vn, 2 va, bn, bc, 1701, Dl
Selig sind die Friedfertigen, 4vv, 2 vn, 2 va, bn, bc, 1699, Dl
Siehe, ich verkündige euch grosse Freude, 4vv, 2 tpt, 2 vn, 2 va, bn, bc, 1698, Bsb; ed. O. von Steuber (Stuttgart, 1960)
Siehe, lobet den Herrn alle Knechte, 5vv, 2 tpt, 2 vn, 3 va, bn, bc, Bsb
Siehe, um Trost war uns sehr bange, 4vv, 2 vn, 2 va, bn, bc, 1699, Bsb, Dl
Unsere Missetat drücket uns hart, 4vv, 2 vn, bn, bc, 1699, Dl
Viderunt omnes fines terrae, motet, 5vv, F, MÜp
Was erhebet sich die arme Erde, 4vv, 2 vn, 2 va, bn, bc, 1699, Dl
Wer bin ich, Herr, motet, 5vv, RUS-KA; ed. in DDT, xlix–l (1915/R)
Wer sind diese mit weissen Kleidern, 4vv, 4 va, bc, 1688, D-Dl
Wie lieblich sind deine Wohnungen, 4vv, 3 vn, 2 va, bc, Bsb
Wohlan alle, die ihr durstig seid, 4vv, 2 vn, 2 va, bn, bc, 1699, Dl

Instrumental:

VI Ouvertures begleitet mit … Airs nach französischer Art, a 5, 6 (Nuremberg, 1693/R); 2 ed. in Organum, iii/15–16 (Leipzig, 1926)
VI Sonate, vn, va da gamba/vn, bc (Nuremberg, 1694); 1 ed. in Organum, iii/5 (Leipzig, 1924), 2 ed. in HM, cxvii–cxviii (1954)
March from Musicalia bei dem Actu homagiali Mulhusino, 1705, 2 tpt, 2 ob, 2 vn, 2 va, bc, holograph, D-MLHr

Lost works:
Sacred vocal:
24 masses;
Historia nativitatis;
Historia Passionis;
Historia Resurectionis;
Actus Pentecostalis;
Rudolstädtischer Neujahrsabend;
6 cantata cycles;
Wohlausgearbeitete … Chor-Arien, 5vv, 1708;
Chorus symphoniacus oder … Chorarien, 4vv, 1708;
c300 single pieces

Ops:
Die Plejades oder Das Siebengestirne (F.C. Bressand), 1693;
Die erfreuete Schäfer-Gesellschaft, 1702;
Die siegende Unschuld unter dem Beispiele Hunonis, Grafen zu Oldenburg, 1702;
Der wahrsagende Wunderbrunnen, 1704

Other secular vocal:
Streit der Famae und Verschwiegenheit über die Liebe, serenade, 1696;
Der entthronte Winter, serenade, 1699;
Das durch Gottes Gnade … beglückte Ratsfeld, ballet, 1700;
Das vierfache Alter, serenade, 1700;
Ballett, 1701;
Der mit Segen umwundene … Erntekranz, ballet, 1703;
Das schwarzburgische Brunnenfest, serenade, 1705;
Die schwarzburgische Glücks- und Freudenernte, serenade, 1705;
incidental music to Der durch Heirat wohlberatene Armenische Prinz Philotheus, 1692, Schauspiel von dem Leben und Tod Kaiser Günthers, 1696, Dettlieb und Caramine, 1704;
184 further cants. and arias

Instrumental:
c120 ovs., sonatas, etc., 1–13 insts

compositores: Michael Haydn

Michael Haydn, 1771: Schrattenbach-Requiem (MH155, Raphaël Pichon)

El hermano menor de Haydn, y gran amigo de Mozart,  un compositor recuperado….

BIOGRAFIA

OBRA:

Vocal religiosa:

Latin masas:
for S, A, T, B, SATB and orchestra unless otherwise stated

SS Trinitatis, st1 / KLI: 1, S, S, A, T, B, SATB, ORCH, 1754;
d, st2, c1754-7, frag .;
d, ST3 / KLI: 31a, c1754-7, frag .;
a, st18, c1754-7, frag .;
S Michaelis, st12 / kl1: 27, c1754-7; BVM, ST15, c1754-7, ed. CH Sherman (Stuttgart, 1994);
S Joseph, st16 / KLI: 7, c1754-7;
S Gabriel, st17 / 112 / KLI: 5, c1754-7, rev. 1768, ed. O. Biba (Altötting, 1990);
S Francisci Seraphici, st43 / 119 / KLI: 25, c1754-7, rev. by c1772; C, st42 / KLI: 35, c1754-7;
SS Cyrill te Methodii, st13 / KLI: 2, 1758;
SS Crucis, st56 / KLI: 16, SATB, org, 29 March 1762, ed. CH Sherman (Stuttgart, 1987)
Dolorum BVM, st57 / 552 / KLI: 3, 3 April 1762, lost, listed in Lang (c1804), rev. 1794 as Quadragesimalis, ed. CH Sherman (Stuttgart, 1995);
S Raphael, st87 / 111 / KLI: 6, by c1764, rev. 7 Nov 1768;
S Nicolai Tolentini, st109 / 154 / KLI: 4, 4b), 17 Sept 1768, rev. 14 Dec 1771;
Pro defunctis Archiepiscopo Sigismundo, st155 / KLI: 8, 31 Dec 1771, ed. CH Sherman (Stuttgart, 1991);
S Joannis Nepomuceno, st182 / KLI: 9, SATB, org, May 1772;
S Amandi, st229 / KLI: 10, 26 March 1776;
S Hieronymi, st254 / KLI: 11, 14 Sept 1777, ed. CH Sherman (Vienna, 1970);
S Aloysio, st257 / KLI: 12, S, S, A, SSA, ORCH, 21 Dec 1777, ed. W. Reinhard (Zürich, 1942)
S Ruperti, st322 / KLI: 13, 11 Aug 1782, ed. K. Jäger (Adliswil, 1994);
S Dominici, st419 / KLI: 14, 25 March 1786, ed. JF Doppelbauer (Altötting, 1988);
A due corion ‘Hispanica’, st422 / KLI: 17, 4 Ago 1786, S, A, T, B, SATB, ORCH, ed. CH Sherman (Salzburgo, 1966);
S Gotthard, st530 / KLI: 15, 19 Feb 1792;
Pro defunctis, c, st559, c1792-5, draft;
S Ursulae, st546 / KLI: 18, 5 Aug 1793, ed. in RRMCE, xii (1980);
Pro quadragesima, st551 / KLI: 20, SATB, org, 15 Feb 1794, ed. in DTO, xlv, Jg.xxii (1915 / R) and by CH Sherman (Stuttgart, 1995);
Tempore quadragesimae, st553 / KLI: 19, SATB, org, 31 March 1794, ed. in DENKmal liturgischer Tonkunst, xvi (Augsburgo, 1927) and by CH Sherman (Stuttgart, 1995)
Sotto il titulo di S Teresa, st796 / 797 / KLI: 22, 3 Aug 1801, rev. shortly after 1801;
Subtitulo S Francisci Seraphici, st826 / KLI: 23, 16 Aug 1803, ed. in DTO, xlv, Jg.xxii (1915 / R);
S Leopold, st837 / KLI: 24, S, S, A, SSA, ORCH, 22 Dec 1805, ed. W. Reinhart (Zürich, 1952);
Pro defunctis, B, st838 / KLI: 26, 10 Aug 1806, inc .;
Reworking of Gl from FJ Haydn s Misa brevis Sancti Joannis de Deo, B, h XXII: 7, 16 July 1795, ed. HCR Landon (Munich, 1958)

Doubtful:
Over 60 masas, attrib. ‘Haydn’;
Over 60 others, each attrib. both to M. Haydn oro only ‘Haydn’ and to another comp., incl .: KLI: 28, also attrib. G. Reutter (ii), KLI: 29, also attrib. L. Hofmann and Krottendorfer, KLI: 33, also attrib. Krottendorfer and Schneider, KLI: 34, also attrib. Schneider, KLI: 36, also attrib. Heimerich, KLI: 37, also attrib. Strasser, KLI: 38, also attrib. J. Haydn (h XXII: G1) and Diabelli

German masas:
A, st536 / klVI: 3, SATB, ORCH, by c1793;
B, st602 / klVI: 2, SSA, ORCH, 17 Aug 1795;
F, st611 / klVI: 4, SATB, ORCH, 11 Nov 1795;
E, st561 / klVI: 6b, F, st562 / klVI: 6a, both SSA,? C1795;
C, st629 / klVI: 5, SATB, ORCH, 23 March 1796;
B, st642 / klVI: 1, SATB, org, lost, listed in Lang (c1804);
st560, Doubtful

Mass próximo movimientos:
for SATB and orchestra unless otherwise stated

Spiritus Dominio, Veni Creator Spiritus, ST45, A, ORCH, c1754-7;
In omnem terram, st46 / klIII: 41, S, A, ORCH, c1754-7;
Ecce Virgo, st121, S, ORCH, c1754-7, lost, listed in Göttweig catalogue (1830);
Humiliavit semetipsum, S, ORCH, c1754-7;
Civitatem, Festina lente, st47, S, SATB, ORCH, c1754-7, lost, listed in Göttweig catalogue (1830);
Vidi civitatem, Caelestis inter caetus, st48, S, SATB, ORCH, c1754-7;
Christus factus est, st38, 18 March 1761, ed. CH Sherman (Stuttgart, 1987);
Veni Sancte Spiritus, st39, 22 March 1761, ed. CH Sherman (Stuttgart, 1989);
Iste confesor, ST40 / KLV: 16, SATB, ORCH, 26 June 1761
Deus tuorum militum, st158, S, ORCH, c1764-71, frag .;
Jesu corona, ST100, SATB, ORCH, c1764-71, ed. CH Sherman (Stuttgart, 1994);
Nos conservado, st122, S, A, T, B, SATB, ORCH, c1764-71;
O Maria Virgo spes, st165, S, ORCH, c1764-71;
Surrexit pastor, Plaudes plebe, st160, B, SATB, ORCH, c1764-71;
Tubae resonate, st124, S, SATB, ORCH, c1764-71;
Vexilla regis, st126, SATB, c1764-71;
Ave María, B, st72 / klIII: 21, S, SATB, ORCH, 1765, ed. CH Sherman (Stuttgart, 1991);
Urbe Jerusalén, st75, Invictus heros, st78, Jam hagas lictor, st79, ajo 1766
dedito mihi, st77, c1766;
INVENES David, st115, S, A, T, B, SATB, ORCH, Te bracchium meum, st116, both c1769, related to Completorium st114;
Tota pulchra es, st139, S, S, ORCH, c1770, related to orate st138;
Cantate Domino, y, st142 / klIII: 44, c1770, related to? Bailo, st141;
Sicut cervus, st143 / klIIb: 48, S, A, T, B, SATB, ORCH, c1770;
Anima nuestra, st146, S, S, S, A, SSSA, ORCH, 1771;
O María nuestra spes, st149 / klIII: 33, S, A, T, B, SATB, ORCH, c1771, related to tragedy Hermann st148
Tres sunt, st183 / klIIa: 40, S, A, T, B, SATB, ORCH , 7 junio 1772, ed. in KL;
Antiphonae ad stationes pro tribus diebus rogationun, ST201 / KLV: 10, SATB, org, c1773-5;
Egregie doctor Paule, st190, S, A, T, B, SATB, ORCH, c1774;
Lauda Sion, st215 / klIIa: 42,? 1775;
Quae est ista, st226, S, SATB, ORCH, by c1775;
In té mí Deus confidente st230, A, SATB, ORCH, 24 Sept 1776;
Alma Dei Creator, st221 / klIII: 2, B, SATB, ORCH, 1776;
INVENES David, st224 / klIII: 38, B, SATB, ORCH, 1776;
Deus refugium, st222 / klIII: 32, B, SATB, ORCH,? 1776;
Dignas me, st223, S, A, SATB, ORCH, by c1776
Justorum animae, st225 / klIII: 37, B, SATB, ORCH, by c1776;
Laeta quias, st253 / klIIb: 17a, 11 March 1777;
Timete Dominum, st256, S, A, T, B, SATB, ORCH, 29 Oct 1777, ed. R. Pauly (New York, 1964);
Sub vestrum praesidium, st275 / klIII: 34, 15 March 1778;
Ad festum S Augustini, st280 / klIIb: 16, S, A, SATB, ORCH, 26 Aug 1778;
Diffusa este gratia, st281 / klIII: 18, S, S, ORCH, 16 Nov 1778;
Canta Jerusalén, st269 / klIII: 19, 1778;
Justorum animae, st286, B, SATB, ORCH, c1778-80, related to Spl Der englische Patriot st285
Eja cuerda Exsultate, st290 / klIII: 39, S, S, SATB, ORCH, O caeli luminaria, st291 / klIII: 8, T, B, ORCH;
Quien nunc laeti, st292 / klIII: 35, S, A, ORCH, Unitis cordibus, st293, Tu digna amore, S, A, ORCH, ajo c1780, related to applausus st289;
Quicunque manducaverit, st259 / klIII: 9, by c1789;
Salvete flores, st307 / klIV: 2b, 3vv, ORCH, 29 Nov 1781;
Veni Creator Spiritus, st326 / klIIa: 39b, 26 Aug 1782;
Jesu redentor omnium, st329 / KLV: 25b, Sancti Dei omnes, st328 / KLV: 25a, Surgite sancti, st327 / KLV: 9f, ajo SATB, 27 Aug 1782, all ed. CH Sherman (Stuttgart, 1986)
Ex ore infantium, st331 / KLI: 30, SSA, org, 26 Dec 1782;
In adoratione nuestra, st324 / klIII: 6, S, A, A, T, B, SATB, ORCH, Cantate Domino, E, st325, S, A, A, T, B, SATB, ORCH, Clangite buccina, Nec alacrior , S, A, ORCH, ajo c1782, related to orate st323;
Viderunt omnes, st341 / klIIa: 8, 6 Dic 1783, ed. O. Biba (Hilversum, 1971);
Alleluia! Laudate pueri, st342 / klIIa: 11, S, S, A, ORCH, 12 Dec 1783, ed. I. Sulyok (Kassel, 1978);
Sederunt principes, st343 / klIIa: 9, 17 Dec 1783;
Hic est discipulus, st344 / klIIa: 10, 21 Dec 1783;
Ecce sacerdos, st345 / klIIb: 42, 24 Dec 1783;
Alme Deus, st332 / klIII: 29, B, SATB, ORCH, by c1783
Omnes de Saba, st350 / klIIa: 13, 2 Jan 1784;
Salvos fac nos, st351 / klIIb: 2, 8 Jan 1784;
Gloriosus Deus, st352 / klIIb: 14, 12 Jan 1784;
Tu es vas electionis, st353 / klIIb: 10, 16 Jan 1784;
Nunc dimittis, st355 / klIIb: 1, 29 Jan 1784, ed. M. Eckhardt (Kassel, 1976);
Ab ortu solis, st356 / klIIa: 45, 5 Feb 1784;
Audi filia, st357 / klIIb: 31, 27 Feb 1784;
Domine praevenisti, st359 / klIIb: 46, 16 March 1784;
Dolorosa te lacrymabilis se, st360 / klIIa: 26, 24 March 1784;
Victimae paschali laudes, st361 / klIIa: 29, 5 April 1784, ed. O. Biba (Hilversum, 1970)
Alleluia! In die Resurrection, st362 / klIIa: 30, 8 April 1784;
Alleluia! Confitebuntur, st363 / klIIb: 20, 16 April 1784;
Dicite in gentibus, st364 / klIIb: 22, 22 April 1784;
Alleluia! Ascendido Deus, st365 / klIIa: 37, 9 May 1784;
Veni Sancte Spiritus, st366 / klIIa: 39, 13 May 1784, ed. H. Graf (Zürich, 1966);
Benedictus se Domine, st369 / klIIa: 41, 3 June 1784;
Exultabunt sancti, st370 / klIIb: 13, 6 June 1784;
Priusquam te formaremos, st372 / klIIb: 8, 21 June 1784;
Constituya cuerpo principes, st373 / klIII: 7, 24 June 1.784;
Benedicta et venerabilis se, st374 / klIIb: 29, 28 June 1.784;
Adjuvabit eam Deus, st375 / klIIb: 47, 7 July 1784
Dilexisti justitiam, st376 / klIIb: 23, 11 July 1784;
Speciosus forma, st377 / klIIb: 24, 24 July 1784;
Probasti Domine, st378 / klIIb: 39, 30 July 1784;
Felix se sacra, st379 / klIIb: 11, 11 Aug 1784;
Nimios Honorato sunt, st380 / klIII: 16, 17 Aug 1784;
Benedicite Dominum, st381 / klIIb: 12, 24 Aug 1784;
Juraban Dominus, st382 / klIIb: 41, 4 Sept 1784;
Locus iste, st383 / klIIb: 25, 9 Sept 1784;
Timete Dominum, st385 / klIII: 14, 27 Oct 1784;
Dilectus míos, st386 / klIIb: 7, 12 Nov 1784;
Tollite puertas, st387 / klIIb: 28, 19 Nov 1783;
Ave María, st388 / klIIb: 30, 26 Nov 1784, ed. CH Sherman (Stuttgart, 1990)
Justus ut palma, st389 / klIIb: 45, 29 Nov 1784;
Tecum principium, st390 / klIIa: 6, 5 Dec 1784;
Benedictus quien venit, st391 / klIIa: 7, 7 Dec 1784;
Effuderunt sanguíneo, st392 / klIIa: 12, 11 Dec 1784;
Tu es Petrus, st397 / klIIb: 9, 12 Feb 1785;
Beatus vir, st398 / klIIb: 43, 19 Feb 1785;
Laeta quias, ST400 / klIIb: 17b, 30 March 1785;
Oculi omnium, st401 / klIII: 43, 14 April 1785;
Alleluia! Confitemini Dominio, st402 / klIIa: 38, 1 May 1.785;
Domine, quis habitabilidad, st403 / klIIb: 3, 8 May 1785
Ecce Virgo concipiet, st408 / klIIb: 6, 24 Nov 1785;
Ne timeas María, st409 / klIII: 1, 29 Nov 1785;
Beatus vir, quien suffert tenta, st410 / klIIa: 44, 1 Dec 1785;
Miraculorum patrator, st426 / klIIb: 18, 18 Dec 1.786;
EMIC meridies, st437 / klIIb: 4, 4 Jan 1787;
Uni, quien tiene exspectant, st442 / klIIa: 1, 26 Aug 1787, ed. in KL;
Ex Sion species, st443 / klIIa: 2, 7 July 1787, ed. in KL;
Quien sedas, Domine, st444 / klIIa: 3, 1 Sept 1787, ed. in KL;
Prope est Dominus, st445 / klIIa: 4, 5 Sept 1787, ed. in KL
Adjutori in opportunitatibus, st446 / klIIa: 18, 9 Sept 1787;
Sciant gentes, st447; klIIa: 19, 14 Sept 1787;
Tu es Deus, st448 / klIIa: 20, 20 Sept 1787;
Angelis suis, st451 / klIIa: 21, 27 Oct 1787, ed. in KL;
Anima nuestra, st452 / klIII: 13, 12 Nov 1787, ed. O. Biba (Hilversum, 1973);
Tribulaciones cordis mei, st453 / klIIa: 22, 23 Nov 1787, ed. in KL;
Deus in adjutorium, st454 / klIV: 1, SSA, org, 29 Nov 1787;
Libera me, st431, c1787;
Exsurge Domine, st479 / klIIa: 23, 20 Feb 1788, ed. in KL;
Laetatus sum, st480 / klIIa: 24, 26 Feb 1788, ed. in KL;
Eripe me, st481 / klIIa: 25, 1 March 1788, ed. in KL
Alleluia! Cognoverunt, st482 / klIIa: 31, 8 March 1788;
Alleluia! Redemption Misiti, st483 / klIIa: 32, 14 March 1788;
Alleluia! Dextera Dominio, st484 / klIIa: 33, 26 March 1788;
Alleluia! Surrexit Christus, st485 / klIIa: 34, 11 April 1788;
Alleluia! Regnavit Dominus, st486 / klIIa: 35, 23 April 1788;
Ad Dominum, dum tribularer, st487 / klIIa: 46, 29 April 1788;
Jacta cogitatum tuum, st488 / klIIa: 47, 7 May 1788;
Propitius esto Domine, st489 / klIIa: 48, 17 May 1788;
Convertere Domine, st490 / klIIa: 50, 29 May 1788;
Domine, Dominus noster, st491 / klIIa: 53, 7 junio 1788
Benedicam Dominum, st492 / klIIa: 56, 19 June 1788;
De produndis, st494 / klIIa: 67, 20 Nov 1788;
Benedictus Dominus Deus Israel, st495 / klIIa: 14, 29 Nov 1788;
Misiti Dominus verbum suum, st496 / klIIa: 15, 10 Dec 1788;
Timebunt gentes, st497 / klIIa: 16, 20 Dec 1788;
Dominus regnavit, st498 / klIIa: 17, 29 Dec 1788;
Protector noster, st501 / klIIa: 49, 12 Feb 1789;
Venite filii, st502 / klIIa: 51, 1 March 1789;
Esto mihi in Deum, st503 / klIIa: 52, 19 March 1789;
Custodio me Domine, st504 / klIIa: 54, 4 April 1789;
In Deo speravit corazón meum, st505 / klIIa: 55, 23 April 1789
respice Domine, ST506 / klIIa: 57, 12 May 1789;
Bonum est CONFIDE, st509 / klIIa: 58, 2 Aug 1789;
Bonum est confiteros Domino, st510 / klIIa: 59, 22 Aug 1789;
Beata nada, st511 / klIIa: 60, 3 Sept 1789;
Laetatus sum, st519 / klIIa: 61, 14 Sept 1790;
Dirigatur oratio mea, st520 / klIIa: 62, 23 Sept 1790;
Domine refugium, st521 / klIIa: 64, 14 Oct 1790;
Ecce quam bonum, st522 / klIIa: 65, 21 Oct 1790;
Liberasti nos, st523 / klIIa: 66, 28 Oct 1790;
Paratum corazón meum, st524 / klIIa: 63, 20 Nov 1790;
In omnem terram, st525 / klIII: 17, 14 Dec 1790
Gloria et Honore, st526 / klIIb: 38, 25 Dec 1790;
Caro mea vere, st513 / klIIb: 44, c1790;
Post partum Virgo, st528 / klIIb: 26, 25 Jan 1791;
Ad té, Domine, st531 / klIII: 3, B, SATB, ORCH, 29 Feb 1.792;
Antiphonarium romanum, st533 / klIV: 8, 27 May 1792;
Exaltabo té, st547 / klIII: 25, S, SATB, ORCH, 9 Aug 1793;
Os estis, st554 / klIIb: 37, 28 May 1794;
Perfice gressus meos, st557 / klIII: 27, S, ORCH, 27 Aug 1794;
Laudibus mundos, st556 / klIIb: 19, 30 Aug 1794;
Iam solo recedit Igneus, st595 / KLV: 17, SATB, org, 29 May 1795
Christus factus est, klIIa: 28, Dextera Dominio, klIII: 11, Non autem, a, ajo 7 March 1796;
Communion, B klIII: 12, 7 March 1796;
Virgo prudentísima, st635 / KLV: 23, 5 Aug 1,796;
Gaude Virgo, st638 / KLV: 22b, 24 Nov 1796;
Se amator, st640, T, B, ORCH, c1795-7;
Germinavit radix Jesse, st651 / KLV: 22a, 27 Jan 1797;
Ecce ancilla Domini, st653 / klIIb: 5, 23 Feb 1797;
Sub tuum praesidium st654 / klIIb: 33, 24 Feb 1797;
Dominus firmamentum, st655 / klIII: 27, 4 April 1797;
Hodie scietis, st656 / klIIa: 5, 12 May 1797;
Tenuisti manum, st695 / klIIa: 27, 4 April 1798, ed. in KL
Alleluia! Confitemini quoniam, st696 / klIIa: 36, 17 April 1798, ed. H. Graf (Zürich, nd);
Laudate populi, st792 / klIII: 4, S, A, T, B, SATB, ORCH, 7 Dic 1800, ed. O. Biba (Wiesbaden, 1971);
Debitam morti, B, st793 / klIII: 20, S, A, T, B, SATB, ORCH, 29 Jan 1801;
Petite et accipietis, st798 / klIIb: 35, 8 Aug 1801;
Magnus Dominus, st799 / klIII: 23, 11 Aug 1801;
Alleluia! Confitebuntur, st810, 4 April 1802;
Domine Deus salutis, st827 / klIII: 22, S, A, T, B, SATB, ORCH, 23 Aug 1803, ed. F. Jode (Wolfenbüttel, 1925);
Cantate Domino, A, st828 / klIIb: 36, 30 Aug 1803

Inc .:
stAppx., 2 / klIII: 36, klIIa: 43, klIIb: 27, 32, 40, klIII: 40 and 42
Doubtful:
st96, st97, st101 , st113, st131, st161, st248, klIII: 15, st260, klIII: 31, st261, st346, st348, st456, st670, klIIb: 49, st688

Other latín sacred:
for S, A, T, B, SATB and orchestra unless otherwise stated

Alma Redemptoris mater: E, st270 / KLV: 19b, B, ORCH,? c1778; D, st637 / KLV: 19a, SATB, ORCH, 16 Nov 1796; st92, 113, 163, 164, ajo Doubtful
Ave regina: a, st140 / KLV: 14a, 23 March 1770, ed. CH Sherman (Stuttgart, 1987); G, st650 / KLV: 14b, SATB, ORCH, 21 Jan 1797; st14, 127, 227, 457, ajo Doubtful
Asperger me: B, st98, SATB, org, c1764-72, ed. CH Sherman (Stuttgart, 1995); F, st572 / KLV: 7ª, F, st573 / KLV: 7b, both SATB, org,? 1.795
Completorium: C, st815 / klIV: 7ª, 23 July 1802, ed. MP Eckhardt (Zürich, 1979); A, st114 / klIV: 7b, c1769,? rev. as / of Doubtful Vespers st58 / klIV: 4

Lits:
De venerabilis sacramento, d, st66 / klIV: 14, 8 April 1764;
BVM, C, ST120 / klIV: 17b, by c1764;
Lauretanae, C, st71 / klIV: 11, S, SATB, ORCH, by c1764;
Lauretanae, B, st74 / 88 / klIV: 9, S, S, S, A, SSSA, ORCH, 6 Dic 1765, rev. 1768;
De SS nominis Jesu, st110 / klIV: 10, 10 Dec 1768; BVM, C, st157 / klIV: 16,? C1770-72;
Lauretanae, C, st212, by c1775;
De venerabilis sacramento, st228 / klIV: 13, 26 March 1776; BVM, F, st282, c1779;
Della Madonna, st330 / klIV: 12, S, S, A, SSA, ORCH, 24 Dec 1782;
De venerabilis sacramento, B, st532 / klIV: 15, 25 March 1792; BVM, A, st258, S, S, A, org;
st89, 156, both Doubtful

Psalms:
Momento Domine David, ST200 / klIV: 2ª, 8 Dic 1774, S, S, ORCH;
A, C, E, st304 / klIV: 1, SSA, ORCH, 20 Nov 1781;
D, D, B, G, st809 / klIV: 3, 27 Jan 1802; st102, Doubtful

Regina caeli:
C, st22, SATB, ORCH, by c1764, frag .;
E, st93 / KLV: 15d, S, B, ORCH, by c1764;
C, ST80 / KLV: 15ª, 15 May 1766;
B, st191, S, S, SSATB, ORCH, by c1774;
st94, 263, 264, ajo Doubtful

Responsoria:
In festo SS corporis Christi, st213 / KLV: 11, SATB, org,? c1775;
In coena Dominio, st276 / KLV: 9a, In Parasceve, st277 / KLV: 9b, In Sabbats sancto, st278 / KLV: 9c, ajo SATB, org, 4 April 1778;
In festo Resurrection Dominio, st669 / KLV: 9d, SATB, ORCH, c1795-8;
Ad matutinum in nativitate Dominio, st639 / KLV: 9e, SATB, ORCH, 9 Dic 1796

Salve regina:
C, st29 / KLV: 13b1, SATB, ORCH, 11 Aug 1760;
D, ST30 / KLV: 13b2, S, SATB, ORCH, 12 Aug 1760;
b, st32 / KLV: 13b4, SATB, ORCH, 16 Aug 1760;
B, st31 / KLV: 13b3, SATB, ORCH, 17 Aug 1760;
D, st33 / KLV: 13b5, B, SATB, ORCH, 11 Sept 1760;
C, st34 / KLV: 13b6, SATB, ORCH, 13 Sept 1.760;
B, ST90, B, SATB, ORCH, by c1764;
B, st283 / KLV: 13 [a] a,? C1779;
A, st634 / KLV: 13 [a] d, SATB, ORCH, 1 Ago 1796, ed. TC Pumberger (Stuttgart, 1994);
st19, 20, 21, 91, 129, 231, 347, ajo Doubtful

Stella caeli:
F, st306 / KLV: 18 [2] a, SSA, org, 27 Nov 1781;
F, st394 / KLV: 18, SATB, ORCH, c1783-4;
F, st830 / KLV: 18b, SATB, org, 28 Sept 1803

Tantum ergo:
d, st130 / KLV: 12d, SATB, org,? C1768-70;
C, st249, S, A, SATB, ORCH, by c1777;
C, st404 / KLV: 12e, SATB, ORCH, 10 May 1785;
C, st460 / KLV: 12I, SATB, ORCH,? C1786-8;
C, st772 / KLV: 12a, SATB, ORCH, 20 March 1799;
y, st773 / KLV: 12b, SATB, ORCH, 25 March 1799;
st265, 396, both Doubtful

Tedeum:
C, st28 / KLV: 1, SATB, ORCH, 1 April 1760;
C, st145 / KLV: 2, 9 Dic 1770, ed. R. Pauly (New Haven, CT, 1961);
C, st415 / KLV: 6, 30 Jan 1786, ed. H. Graf (Zürich, nd);
D, st800 / KLV: 4, 21 Aug 1801, ed. L. dichas (Vienna, 1946);
D. st829 / KLV: 5, 20 Sept 1803, ed. CH Sherman (Stuttgart, 1990)

Tenebrae:
a, st125, SATB, org,? C1768-70;
E, st162 / KLV: 8c, SATB, ORCH, by c1780, ed. TD Thomas (New York, 1962);
B, st305 / KLV: 8ª, SSA, org, 24 Nov 1781;
a, st824 / KLV: 8b, SATB, ORCH, 25 June 1803

Vespers:
F, st294 / klIV: 1ª, SSA, 3vv, ORCH, 22 Dec 1780;
De Dominica, st321 / klIV: 6, 22 July 1782, ed. TC Pumberger (Stuttgart, 1994);
Pro festo SS Innocentium, st548 / klIV: 5, S, S, A, SSA, 8 Dic 1793, ed. H. Graf (Zürich, 1971);
st58, 214, both Doubtful

Other works:
Ave maris stella, G, st49, SATB, ORCH, by c1764;
Vidi aquam, y, st99, SATB, org, c1764-72, ed. CH Sherman (Stuttgart, 1995);
Pange lingua, C, st395 / KLV: 12c,? C1783-5

Other german sacred works:
for S, A, T, B, SATB and orchestra unless otherwise stated

O glorreiche Himmelssonne, st168, S, ORCH,? C1770-72;
Grosse Fraude, wir rufen Dich, st169, S, ORCH,? C1770-72;
Erhebet euch ihr Augenlider, st167, S, S, ORCH,? C1770-72;
Dank dem Geber, Dank !, st178, S, S, S, B, SATB,? C1770-72;
Kommt her, ihr Menschen, st180, S, ORCH, 13 Jan 1772;
Leget alle Trauer nieder, st203, S, S, ORCH,? C1773-5;
Sehet den Reichtum, st194, SATB, ORCH, c1774;
Mutter der Gnaden, st195, S, A, ORCH, c1774, related to st84;
Ein trago Berg, st196, S, A, ORCH, c1774;
Deutsche Lauda Sion, SATB, ORCH, c1775, related to st215
gibt acht ihr Hirt, SATB, ORCH, c1775, ed. A. Kircher (Vienna, 1995);
Lauft ihr Hirt allzugleich, st217, S, SATB, ORCH, c1775, ed. R. Ewerhart (LAAB, 1985);
Stimmet ihr Männer, SATB, ORCH, Sonido wie der Hirsch läuft, both? C1775, related to Cantate Domino st142 / klIII: 44;
Auf! Ihr Christen, st267 / klVI: 20, SATB, ORCH, c1775-8;
Gerechter Herr, st219, B, ORCH,? C1776;
Aria funebris, st303, c 14 Nov 1781;
Dicho grüssen wir, st301 / 300, S, SATB, ORCH, c1781, related to st300;
Bei Jubela und wünchenden Tonneins, st295, A, T, B, SATB, ORCH,? C1781;
Erhebet euch, Christen, st368 / klVI: 9, SATB, ORCH, 29 May 1784
Weint auch ihr, st371, S, S, ORCH, 17 June 1784;
Heiligste Nacht, st427 / 429 / klVI: 28a, SA, ORCH, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Heiligste Nacht, st428 / 430 / klVI: 28b, SA, ORCH, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Deutsches Dixit et Magnificat, st517 / klVI: 23D, b, S, S, SS, ORCH, 24 Aug 1790;
Ewiger Wesen, st542, S, A, ORCH,? 28 Feb 1793, related to st107;
Am Kirchenweifest, st543, SATB, ORCH, 25 June 1793;
Wir Betten año, SSB, c1793, related to st73 and 539;
Mutter diciembre Lebens, st555 / klVI: 21, S / T, ORCH, 25 July 1794
Deutsches Miserere, F, st592 / 811 / klVI: 18, S, S, SS, org, 25 March 1795, rev. 12 April 1802;
Deutsches Tenebrae, E, st610, SATB, org,? 11 Nov 1795, lost, listed in catalogue of St Peter s abbey (1822), related to st162;
Wenn ich, o Schopf, st567, S, S, ORCH,? C1795;
Aves Davids Psalm und biblischen Gesänge, st575, SATB, org,? C1795;
Zu Dir ruft, st576, SS, ORCH,? C1795;
Deutsches Magnificat, F, st673 / klVI: 23, S, S, SS, ORCH,? C1795-8, related to orate st323;
Segenlied, B, st680, SSB, org, c1795-8, related to Ger. Mass st602
Auf die Auferstehung, st684, SSA, ORCH,? C1795-8;
Deutsche Fastenvesper, G, st674, SS, org,? C1795-8;
Deutscher Segenlied, C, st678, SSB, ORCH,? C1795-8;
Deutscher Segenlied, C, st679, SSB, ORCH,? C1795-8;
Deutsches Alma Redemptoris mater, G, st676, SSB, ORCH,? C1795-8;
Deutsches Ave maris stella, G, st677, S, S, ORCH,? C1795-8;
Deutsches Salve regina, B, st675, SSB, ORCH,? C1795-8;
Deutsches Te Deum, C, st672, SAB, ORCH,? C1795-8;
Gekrönte Himmelskönigin, st687, SSB, ORCH,? C1795-8;
Komm, Heiliger Geist, st685, SSB, ORCH,? C1795-8
Lobegesang de venerabilis sacramento, C, st681 / klVI: 8ª, S, S, SS, ORCH,? 1795-8;
Stern auf días Lebensmeere, st686, SSB, ORCH,? C1795-8;
Wer nur den lieben Gott, st682 / klVI: 26, S, S, ORCH,? C1795-8;
Wie lieblich ist doch, Herr, st683, SS, org,? C1795-8;
Dankesempfindung, st630, SATB, org, 23 March 1796;
Grabet mit fleissigen Hand, st636 / klVI: 22, TTBB, ORCH, 30 Oct 1796;
Segenlied, D, st643 / klVI: 24d, SSSB, ORCH, 1797;
Deutsches Regina caeli, F, st694 / klVI: 25, S, S, SS, ORCH, 30 March 1798;
Deutsches Te Deum, C, st836 / klVI: 19, SATB, ORCH, 5 June 1805

Doubtful:
st131, 166, 170, 514, 680

Oratorios:
Oratorium de Passione Dominio nostri Jesu Christi, st202,? C1773-5
Figura: Canticum in tono peregrino (orado), st323, 24 Aug 1782

Vocal secular:

Dramatic:
Rebekka los Braut (Spl, after PF Reichssiegel: Eliezer), st76, 10 April 1766, entrada ed. in DM, no.144 (1968)
Der Traum (Pantomime, 2, secuelas to Reichssiegel: Pietas in Host), st84, 7 Feb 1767
Die Schuldigkeit des ersten Gebots, pt ii (sacred drama, IA Weiser), st85, before 12 March 1767, lost, pt y by WA Mozart, pt iii by AC Adlgasser
der Kampf der Busse und Bekehrung, pt ii (orado), st106, 21 Feb 1768
Die Hochzeit auf der Alm (dramatisches Schäfergedicht, 2, secuelas to Reichssiegel: Pietas conyugal in Sigismundo te Maria), st107 / 218, 6 May 1768, rev. c1776
Kaiser Constantin I. Feldzug und Sieg, pt iii (orado), st117, 20 Feb 1769, pt y by Adlgasser, pt ii by JG Scheicher
Die Wahrheit der Natur (Spl, secuelas to Reichssiegel: Pietas in impium), st118, 7 July 1769
Der reumütige Petrus (orado, Reichssiegel), st138, 11 March 1770, part of Drey Beispiele wahrhafter Busse, incl. Adlgasser: Die gereinigte Magdalena, and J. Krinner: Der veränderte Joseph von Arimathia
? Bailo, st141, 15/16 July 1770
Der büssende Sünder (orado), st147, 15 Feb 1771, Introduzione ed. in DM, no.145 (1968);
pt ii of Die menschliche Wanderschaft (Schachtner), incl. Adlgasser: Der Laue Christ (pt i), and Krinner: Der sterbende Fromme (pt iii)
Hermann, ein Beyspiel der Liebe zum Vaterlande (tragedy, trans. Of Reichssiegel: Pietas in patriam), st148, 1773
Der Schulmeister (Spl, F . Angerer), st204,? c1773-5
Titus, der standhafte Christ (tragedy, trans. of Reichssiegel: Pietas christiana), before 31 Aug 1774, music lost
der Bassgeiger zu Wörgl (Spl), st205, c1775-7
Zaire (incidencia music, Voltaire), st255 / p13, 29 Sept 1777, ed. in DM, no.577 (1981)
Abels Tod (Spl, FG Klopstock, after JS Patzke), st271, c1778
Der englische Patriot (Spl), st285, c1779
Andromeda y Perseo (hueso, GB Varesco), st438, 14 March 1787 , sinfonía (p25) ed. in DM, no.185 (1968)
Die Ährenleserin (Spl, CF Weisse), st493, 2 July 1788

Other vocal works with instrumentos:
for 4 solo voices, SATB and orchestra unless otherwise stated

Attalea te Erimene (canto.), st11, A, T, B, SATB, ORCH, c1754-7, frag .;
Ah ingrato m’inganni nel armas speranza (aria), ST70, 16 Dec 1764, lost, listed in Lang (c1804);
Ninfe in belli (canto.), St73, S, T, SATB, ORCH, 15 Jan 1765;
Quid video superiale (applausus), st144, T, B, SATB, ORCH, 14 Nov 1770, sinfonía ed. in DM, no.138 (1968);
Der gute Hirt (canto.), St181, 3 S, SATB, ORCH, 4 April 1772;
Endimione (serenata), st186, 4 S, SATB, ORCH, c1773;
Ein trago Berg (lied), st196, S, A, ORCH, 1774;
An sueño? Anne Vigilio? (applicatio), st279, 7 junio 1778;
Amor subditorum (applausus), st289, 19 July 1780;
Lied der reclutar, st296, T, B, TB, ORCH, c1781;
Liedchen für den Feldwebel, st297, T, ORCH,? C1781
Morgenlied der Bauern, st298, A, B, ORCH,? C1781;
Auch die sprödeste der Schönen (lied), st462, S, S, kbd, before 1784, also attrib. J. Haydn (h XXVII: 18) (Vienna, 1784, attrib. J. Haydn);
Die Jubelfeyer, st449, 30 Sept 1787;
Schäffer-Kantate, st455, 28 Dec 1787;
Der deutsche Kaiser Joseph lebe Gesund, st512, SATB, ORCH, 19 Oct 1798;
Der Fröhliche Wiederschein (applausus), st527, SATB, ORCH, 1791;
Hochzeitslied, st607, S, S, STB, ORCH, 7 Sept 1795, also in applicatio st279;
Patritius, Gelegenheits-Cantate, st668, S, B, SATB, ORCH, 26 Sept 1797;
Frohlocke Helfenburg hoch! An Ferdinand Churfürst zu Salzburgo, st821, 1 March 1803, lost, listed in Rettensteiner (1814);
Der Christ auf Gólgota, st831 / klVI: 15, 15 March 1804

Partsongs for male voices:
mosto for 4 solo male voices; many also in versiones for solo voice and keyboard

Feuer zu werden, st450,? c30 Sept 1787, related to Die Jubelfeyer st449;
Mit Fromm Eifer, st539 / 538,? C1793, related to canto. st73;
Was ists dass ich mich Quale? st540 / 541,? c1793;
Commercelied, st558 / 822, 1 Sept 1794, rev. 21 April 1803;
Hymne an Gott, st588, 7 Jan 1795;
Trinklied im Winter, st590, 31 Jan 1795;
Verwandlung, st591, 5 Feb 1795;
Ständchen, st593 / 594,? c18 April 1795;
Einweihung, st597 / 606, 23 July 1795;
Auf den Tod diciembre Herrn Schachtners, st598, 24 July 1795;
An Ignatia, st599 / 566, 28 July 1795;
An unsern Garten, st604 / 605, 2 Sept 1795;
Lied der Freiheit, st608 / 609, 6 Nov 1795;
Das Liedchen von der Ruh, st579 / 587, Glückwunsch, st578, Tischlied, ST585i / 626, ajo 1795;
Die Unschuld, st580, Der frühe Bund, st, both? 1795;
Die alten und heutigen Sitten, st564 / 563, c1795
Abendempfindung, st728, An die Sonne, st730, Der Arme, st731 / 732, Die biene, st733, Der Bund, st734, Dankt dem Herrn, st735, Eintracht, st737, Freundschaft! Wie Heilig, st74, Grabe, Spada !, st743, Herbstlied, st744, Jugendglück, st748, Das Kammerfenster, st749 (formerly attrib. WA Mozart, k441c / C9.04, as Liebes Mädchen), Lebensweisheit, st752, Ein Lied von der Behutsamkeit, st753, Ein Lied von der Geduld, st755, Ein Lied zur Prüfung, st754, Meine Grille, st756, der Morgen im Lenz, st758, Pein der Liebe, st761, Die Rose, st762, Scherzend unter Necktar-Kusa, st764, der Tanzbär, st767, der Wechsel, st770, ajo? c1795-9
Das Gebet, st627, 12 Feb 1796;
Sagt, wo sind die Veichen hin, st632 / 631, 23 July 1796;
An Decin, st613, Ehrenlied, st624, Freundschaftslied, st615 / 616, Frühlingslied, st620 / 621, Meiner Freunde Gesinnungen, st614, Trinklied, st622 / 623, Schon grünen die Hecker, st633, ajo 1796; Sehnsucht nach Liebe, st648, Türkisches Kriegslied, st649 / 664, both 3 Jan 1797;
Monsieur Hans, st657 / 658, 7 junio 1797;
Lied im Grünen, st659 / 660, 24 June 1797;
Trinklied, st661 / 662, 11 July 1797;
Friedenslied, st644 / 647, Rundgesang für eine Gesellschaft Studierender, st645, both 1797;
Rundgesang, st646,? 1797
Der Obersulzer Wein, st697, 16 June 1798;
Die Schweitzer, st692, 1798;
Der Invalid an seinen Fleischtopf, st774, An alle Deutsche, st775, both 10 June 1799;
Zu ihr! zu ihr! st776, 11 June 1799;
Ständchen, st777-9, 23 June 1799;
Bierlied, st780, 7 July 1799;
Von ihr !, st781, 26 Oct 1799;
Das Landleben, st782, 24 Nov 1799;
Abendlied, st784, 20 Jan 1800;
Der Sänger, st785 / 786, 11 April 1800;
Rundgesang beim Abschied herramientas Biedermann, st787, 5 June 1800;
Josephe, st788 / 789, 25 June 1800;
Trinklied im Freien, st790, 8 Sept 1800;
Die Seligkeit der Liebe, st783, 1800
Nach dem Abzuge der Franzosen, st795 / 647, 1 March 1801;
Freut euch diciembre Lebens, st816, 28 Oct 1802;
Auf den Tod herramientas Hündchens, st812 / 813, 18 April 1802;
Der couragierte Schneidergesell, st807, sauf, Du alter Gassenschlängel, st808, both? 1.802;
Der Invalid an sein Holzbein, st817, 4 Jan 1803;
Der verlassene Mutter am Strome, st818 / 819, 8 Jan 1803;
An den Hain zu Aigen, st832, 16 April 1804, ed. H. Graf (Zürich, 1959), V. Korda (Vienna, 1961);
Sehnsucht nach dem Landleben, st833, 25 Nov 1804;
An den Herrn von Moll, st834 / 835, 4 Feb 1805;
arroz. of Folksongs and works by others

Doubtful:
st537, 565, 727, 736, 738, 739, 741, 742, 745, 746, 747, 750, 751, 757, 759, 760, 763, 765, 766, 768, 769, Appx, 6

Cañones:
for 4 unaccompanied voices unless otherwise stated

Mailied, st589, 31 Jan 1795;
Se Packe Dich, st577, 5vv, c1795, formerly attrib. WA Mozart (kAnh.10.14);
Einladung in unsern Garten / Vom Glück sei alles, st581 / 619, c1795, rev. c1796;
Glück Fehler Dir / Frater Caspar Decin! St582 / 583,? C1795;
Wohlsein, Freunde / Frater fulgens, st584, 5vv,? C1795;
Adam hat sieben Sohn ‘, st699,? C1795-9;
Allegremente tutti, st232, 3vv,? C1795-9;
Der arme Sünder, ST700,? C1795-9, formerly attrib. Mozart (kAnh.C10.13);
Cánones voi volite, 3vv, st234,? C1795-9;
Che vivero vuoi contento, st235, Cominicio solo, st236, both 3vv,? C1795-9;
Ehr ‘sei dem Vater, 5vv, st704,? C1795-9;
Ich und Du, st708, Die Mässigkeit, st709, both? C1795-9;
Mein dama, mein finge, mein Ellebog’n, st710,? C1795-9
Perche Vezzosi rayo, st242, Por ti, mio bien, st243, Questi son Canon, st244, se tú mi vuoi, st246, ajo 3vv,? C1795- 9;
Sintemal und all ‘die Weil, st641,? C1795-9;
Tausch año, mein Lieber Schiffmann, st718, 5vv,? C1795-9;
A partir dolci y cari nominal, st247, 3vv,? C1795-9;
Vinum latificat corazón hominis, st721,? C1795-9;
Vorgetan und nachgedacht, st722, Wer nicht liebt Wien, st725, both 5vv,? C1795-9;
Wer reinas Herzens ist, st726,? C1795-9;
Se lebe Taddeo, st617, Die Gans bebrüht das Gansch, st612, Herzige Nani! St618, ajo 1796;
Ecce quam bonum, st698a / 814, 8vv, 16 Oct 1798, orig. lost, rev. 1 July 1802;
Elle avoit une beauté, st803 / 804,? C1801-2, 2 versiones;
Le vino blanco, st805,? C1802-2

Doubtful:
st206, 233, 237, 238, 239, 240, 241, 245, 701, 702, 703, 705, 706, 707, 711, 712, 713, 714, 715, 716, 717, 719, 720, 723, 724, 804

Instrumental:

Symphonies
for 2 oboes, 2 horns, 2 Bassoon and strings unless otherwise stated

C, st23 / p35, 2 ob, 2 hn, 2 TPT, timp, str, c1757 -64, ed. CH Sherman (Vienna, 1975);
G, st25, 2 ob, 2 hn, str, c1757-64, ed. CH Sherman (Vienna, 1975);
G, st26, 2 ob, 2 hn, str, c1757-64, ed. in DM, no.564 (1981);
D, ST50 / P36, 2 ob, 2 hn, str, c1757-64;
F, st51 / p45, c1757-64;
G, st108 / p7, 2 fl, 2 ob, 2 hn, str, c1757-64, related to Spl Die Hochzeit auf der Alm st107 / 218;
D, st132 / p37, fl, 2 ob, 2 hn, 2 TPT, timp, 2 solo vn, str, c1757-64;
B, st133 / P52, 2 ob, 2 hn, str, c1757-64, 2nd MOVT = Andantino st175 / P136, 4th MOVT uncatalogued;
E, ‘Partitta 5ta’, st35 / p1, 2 ob, 2 hn, str, 20 Nov 1760
C, st37 / p2, 2 ob, 2 hn, 2 TPT, str, 16 Feb 1761;
B, La confidenza ‘, st62 / p51, 7 Dic 1763, ed. in DM, no.353 (1976) and S;
A, st63 / p3, 2 ob, 2 hn, str, 29 Dec 1763, ed. in DM, no.345 (1989);
C, st64 / p4, 2 ob, 2 hn, str, 14 Jan 1764, ed. in DM, no.346 (1977);
E, st65 / p5, fl, 2 ob, 2 hn, str, 25 Jan 1764, ed. in DM, no.347 (1989);
D, ST69 / p38, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, c1764-72;
B, st82 / p9, 2 ob, 2 hn, str, 27 Sept 1766, with 2 different finales, one later rev. J. Haydn in h I: 59, the other Paired by M. Haydn with MOVT st184, 15 June 1772
D, 2 ob, 2 hn, str, c 10 Aug 1767, related to Serenata, ORCH, st86;
F, P46, 2 ob, 2 hn, str, c 7 July 1769, related to Spl Die Wahrheit der Natur, st118;
G, st173a,? Winds, str,? C1770-72,? arr. of otherwise unknown sym .;
D, st150 / p41 + 84, 2 fl, 2 ob, 2 hn, str, c 1 Aug 1771, ed. in DM, no.365 (1986), partially based on music for tragedy Hermann st148;
E, st151 / P44, 2 fl, 2 ob, 2 hn, 2 hn, str, c 1 Aug 1771, ed. in S, partially based on music for tragedy Hermann st148;
A, st152 / p6, 2 ob, 2 hn, str, c 1 Aug 1771, based on music for tragedy Hermann st148 and? Bailo st141, ed. in DM, no.974 (1990)
C, st188 / p10, 2 ob, 2 eng hn, 2 piffari, 3 hn, tam, str, 23 Aug 1773, ed. in DM, no.314 (1969);
D, st198 / p11, fl, 2 ob, 2 hn, str, 17 April 1774, ed. in DM, no.317 (1973);
C, st252 / p12, 2 ob, 2 hn, str, 2 March 1777, ed. in S;
D, st272 / p42, 2 ob, 2 hn, str, before 1772, ed. in DM, No.20 (1962);
F, st284 / p14, 22 Aug 1779, ed. in DM, no.348 (1996);
D, st287 / P43, before 1781, ed. in S, formerly attrib. WA Mozart (k291 / Anh.A52);
A, st302 / p15, 2 fl, 2 ob, post hn, 2 hn, str, 19 July 1781;
G, st334 / p16, fl, 2 ob, 2 bn, 2 hn, str, 23 May 1783, ed. in DM, no.341 (1971), formerly attrib. Mozart (k444 / Anh.A53)
E, st340 / p17, 14 Aug 1783, ed. in DM, no.342 (1972) and P;
B, st358 / p18, 12 March 1784 (Vienna, 1785), ed. in DM, no.350 (1987);
C, st384 / p19, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 28 Sept 1784 (Vienna, 1785), ed. in DM, no.351 (1988);
d, st393 / p20, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 30 Dec 1784 (Vienna, 1785), ed. J. Vecsey (Budapest, 1960);
D, st399 / p21, 10 March 1785, ed. in P;
F, st405 / p22, 2 ob, eng hn, 2 bn, 2 hn, vn solo, str, 30 May 1785, ed. in DM, no.343 (1981);
D, st420 / p23, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 30 May 1786, ed. in DM, no.318 (1972);
B, st425 / p24, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 28 Sept 1786, ed. H. Graf (Zürich, 1965)
E, st473 / p26, 2 Jan 1788, ed. in DM, no.319 (1970);
G, st474 / p27, 2 ob, 2 bn, 2 hn, str, 13 Jan 1788, ed. in DM, no.320 (1969);
B, st475 / p28, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 22 Jan 1788, ed. in DM, no.321 (1969);
D, st476 / p29, fl, 2 ob, 2 bn, 2 hn, str, 30 Jan 1788, ed. in DM, no.322 (1969);
F, st477 / p30, 10 Feb 1788, ed. in DM, no.352 (1988);
C, st478 / p31, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 19 Feb 1788, ed. in DM, no.143 (1966) and P;
F, st507 / p32, 15 July 1789, ed. in DM, no.356 (1991) and S;
A, st508 / p33, 26 July 1789, ed. in DM, no.184 (1968)

Inc .:
st133;
st251;
p8, ed. in DM, no.183 (1968);
p25;
P47

Doubtful:
st24, stAppx, 7, and h I: C19, d3, F16, G4 and B16, attrib. M. Haydn oro only ‘Haydn’;
over 25 others, each attrib. both to M. Haydn oro only ‘Haydn’ and to another comp., attrib. incl. p39 (? by JB Vanhal), p40 and 48 (? by FX Pokorny), p50 (? by GC Wagenseil)

Other orchestral:
Serenades (Finalmusik):
ST60 / 61 / P34, solo trbn, solo TPT, ORCH,? Aug 1763, frag., Probably orig. 2 trbn conc. MOVT, TPT conc. MOVT and an existing sym., MOVT ed. in DM, nos.344, 373 (1974);
D, st68 / p38 / 58, solo TPT, solo trbn, 2 fl, 2 ob, 2 hn, 2 bn, 2 TPT, str, 4 Ago 1764, ed. L. Kalmár (Budapest, 1965);
B, st133 / 104 / P52, solo TPT, 2 fl, 2 ob, 2 hn, str, c1764-72;
Serenata, D, st86 / p87, solo fl, hn, trbn, vn and vc, 2 ob, 2 bn, 2 hn, 2 TPT, str, 10 Aug 1767, ed. W. Rainer (Bad Reichenhall, 1987), incl. MOVT from Sym., D, Aug 1767;
Casatio, D, st171 / p89, 2 ob, 2 hn, 2 TPT, [timp,] str, c1771-85;
Serenata, D, st407 / p85, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 9 Sept 1785, ed. G. Darvas (Budapest, 1966);
p86 and 87, spurious, by FX Pokorny

Marches:
D, st211, 2 ob, 2 TPT, str, c1771-85;
D, ST220 / P68, 2 ob, 2 hn, 4 TPT, timp, str,? 1776;
D, st339 / p63, 2 ob, 2 hn, 2 TPT, str, 3 Aug 1783;
D, st439 / p60, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 28 May 1787;
C, st440 / P61, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 17 June 1787;
D, st441 / P62, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 7 July 1787, ed. in DM, no.557 (1971);
D, st432, 2 ob, bn, 2 hn, str,? C1787;
D, st515 / P64, 2 ob, 2 hn, str, 12 June 1790, ed. in DM, no.557 (1971);
Marcia tuchesca, C, st601 / p65, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 TPT, tambourine, 6 Aug 1795, ed. in P;
National-Marsch, C, st569 / P67,? C1795, lost kbd arr. in Sammlung historische Märsche (Vienna, 1897);
C, st823 / P66, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 TPT, timp, str, 22 April 1,803;
st67 / P56, st320, st421 / p59, all inc.

Minuetos:
[7] Menuetto, st210, vn, b, c1764-72;
[6] Menuetto, fl, 2 ob, 2 hn, 2 vn, b, c1764-72, formerly attrib. WA Mozart (k104 / 61º);
[12] Menuetto, st135 / p79, fl, 2 ob, piffaro, bn, 2 hn, 2 TPT, timp, 2 vn, b, before c1771, nos.1 and 3 = nos.1 and 2 of the preceding;
[6] Menuetto, piffaro, post hn, 2 ob, 2 hn, 2 TPT, timp, tambourine, 2 vn, b, before c1771;
[6] Menuetto, 2 ob, 2 hn, 2 vn, b, before c1771, formerly attrib. Mozart (kAnh.C13.03);
[6] Menuetto, fl, 2 hn, 2 vn, b, before c1771;
[12] Menuetto, st136, fl, 2 ob, bn, 2 hn, 2 vn, b, before c1771;
[12] Menuetto, st197, 2 fl, 2 ob, 2 cl, bn, 2 hn, 2 vn, b, 1774
[12] Menuetto, st193 / P81, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1775;
[6] Menuetto, st137, fl, 2 ob, bn, 2 hn, 2 vn, b, 1776;
[12] Menuetto, st250, fl, 2 ob, bn, 2 hn, 2 vn, b, 1777;
[12] Menuetto, st274 / P80, 2 ob, bn, 2 hn, 2 vn, b, 1778;
[6] Menuetto, st333 / P69, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1783;
[6] Menuetto, st354 / p70, fl, 2 ob, bn, 2 hn, 2 vn, b, 1784, ed. in DM, no.806 (1987);
[6] Menuetto, st413, 2 ob, bn, 2 hn, 2 vn, b, 1785; [6] Menuetto, st414 / P71, fl, 2 ob, cl, 2 bn, 2 hn, post hn, 2 vn, b, 19 Jan 1786;
[6] Menuettini Tedeschi, st416 / P72, 2 ob, 2 bn, 2 hn, tambourine, 2 vn, b, 12 Feb 1786, ed. in DM, no.1137 (1989), nos.3-6 incorrectly ordered
[6] Menuetto, st423 / p73, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, 2 vn, va, b, 20 Aug 1786;
[6] Menuettini Tedeschi, st424 / P74, fl, 2 ob, 2 bn, 2 hn, 2 TPT, 2 vn, b, 22 Aug 1786;
[6] Menuettini Tedeschi, fl, 2 ob, bn, 2 hn, 2 vn, b,? C Feb 1.786;
[6] Menuetto, st499 / p75, 2 ob, 2 bn, 2 hn, timp, 2 vn, b, 15 Jan 1789;
[6] Menuetto Tedeschi, st417 / P76, 17 Jan 1789;
[12] Menuetto, ST550 / P77, 16 Jan 1794;
[12] Menuetto, st693 / P78, fl, 2 ob, cl, 2 bn, 2 hn, 2 TPT, timp, 2 vn, b, 28 Jan 1798

Other works:
Pastorello, st83 / P91, 4 TPT, timp, str , org, 23 Dec 1766, ed. G. Schünemann (Leipzig, 1940);
Inglese, st529 / P83, 2 ob, 2 hn, 2 bn, 2 TPT, timp, str, 7 March 1791;
Notturno, st153, incl. MOVT from music to stage works st141, 148, Doubtful

conciso. (only solo instante listed):
Vn, B, st36 / p53, 20 Dec 1760, ed. in DM, no.3 (1960);
Vn, G, ST52, c1757-64, 2nd MOVT rev. with TPT solo in Serenade ST60 / 61 / P34;
Org / HPD, va, C, st41 / p55, 19 Dec? 1761, ed. in DM, no.182 (1970);
Fl, D, st81 / p54, 19 Sept 1766, ed. J. Vecsey (Budapest, 1957);
Fl, D, st105 / P56, c1771-85, ed. HCR Landon (Salzburgo, 1959);
HPD, F, st268 / P57, c1775-8, frag .; Vn, A, st207,? C1776, ed. in DM, no.194 (1968)

Chamber:
many works entitled ‘divertimento’

Str qnts (all for 2 vn, 2 va, b):
Notturno, C, st187 / p108, 17 Feb 1773, ed. H. Albrecht (Lippstadt, 1950);
Notturno, G, st189 / P109, 1 Dic 1773, ed. H. Albrecht (Leipzig, 1950);
B, st412 / P105, c1782-8, ed. in P;
F, st367 / P110, 27 May 1784, ed. in Denkmal der Musik in Salzburg, vii (Bad Reichenhall, 1991);
F, st411 / 421 / P112 / 59, 30 June 1786, ed. H. Albrecht (Lippstadt, 1950);
p114, Doubtful, also attrib. J. Haydn (h II: G1);
p113, spurious, by J. Haydn (h II: 9)

Str qts (2 vn, va, b):
B, st316 / P125,? c1780-82, ed. in DM, no.667 (1980);
D, st319 / p93, 27 May 1781, ed. W. Upmeyer (Hanover, 1927);
A, st299 / p121,? C1781, ed. in DM, no.666 (1980);
st174, 175, both inc .;
st172 / p104 Doubtful;
st308 / p124, st309 / P118, st310 / p122, st311 / P120, st312 / p119, ajo ed. in DM, nos.331-5 (1971-2), Doubtful;
st313 / P116, ed. in DM, no.595 (1972), Doubtful;
st314, Doubtful; st209 / P123 (attrib. J. Haydn and G. Pugnani), st315 (attrib. J. Hafeneder), both probably spurious

Str tríos (for 2 vn, b, unless otherwise stated):
D, ST5 / P101, G, ST6 / P103, E, ST7, A, ST8, Variazione, E, st9, B, ST10, ajo? c1754-7, ed. CH Sherman (Stuttgart, 1987);
C, st27,? C1764-70, vn, vc, b, ed. CH Sherman (Stuttgart, 1978);
P102, Doubtful

4 dúos, vn, va, C, D, E, F, st335-8 / p127-30, 1783 (Vienna, 1788), ed. CH Sherman (Bellingham, WA, 1985) set completed by WA Mozart, k423, 424

Other chbr:
Partita, F, st59 / p107, 2 cl, 2 hn, bn, 22 Dec 1762, lost, listed in Lang (c1804);
Divertimento, C, st179 / P98, fl, va, b, before 1772;
Notturno, F, st185 / p106, 2 hn, 2 vn, va, b, 21 Dec 1772, ed. in DM, No.26 (1963);
Divertimento, B, st199 / P92, ob, bn, vn, va, b, 18 Sept 1774, ed in DM, no.24 (1962);
Divertimento, G, st406 / P94, fl, bn, hn, bn, va, 17 June 1785, ed. in DM, no.25 (1962);
Divertimento, D, st418 / p95, 2 ob, 2 bn, 2 hn, 9 March 1786, ed. in DM, no.312 (1969);
Divertimento, E, st516 / p111, cl, bn, hn, vn, va, 4 July 1790;
Divertimento, G, st518 / P96, ob, bn, 2 hn, va, b, 4 Sept 1790, ed. in DM, no.275 (1969);
Divertimento, C, ST600 / P115, eng hn, vn, va, b,? 3 Aug 1795/8 June 1790;
Divertimento, C, stAppx, 8 / p97, 4 hn, bn, Sonata, stAppx, 9 / p126, 2 vn, org, both lost, listed in Lang (1804);
Romanze, F, st806, hn, str,? C1802 (Vienna, nd), arr., Attrib. Haydn, of Larghetto from WA Mozart s Hn Conc. k447; st54, 55, st208 / p90, st173, 463, 464, ajo Doubtful;
p117, spurious, probably by JB Davaux

Literatura:

Partiturundament  A-Sca, MS, SSP, ed. M. Bischofreiter (Salzburgo, 1833)
50 kleine Orgelstücke zu nützlichen Übung für angehende Orgelspieler, bestehend aves Praeludien, Versetten und Cadenza  (MS, D-Mbs); edns (Linz, c1830), (Paris, c1960)

pintores: Schalcken

2781

Françoise van Diemen, by Godfried Schalcken

Godfried_Schalcken_-_Artist_and_Model_Looking_at_an_Ancient_Statue_by_Lamplight_-_WGA20946

Godfried Schalcken  ( 1643 -  1706) fue un pintor holandés. Nació en el seno de una familia de clérigos protestantes. Su padre, Cornelis Schalcken, fue el propietario de la canonjía de Made, y su madre, Alletta Lydius, fue también hija de un clérigo protestante. En 1654 su padre fue nombrado director de la escuela latina de Dordrecht, ciudad en Godfried inició su formación como pintor en el taller de  Samuel von Hoogstraten . Seis años después, en 1656, se trasladó a Leiden para trabajar como aprendiz en el taller de  Gerrit Dou. Finalizada su formación, en 1665 volvió a Dordrecht, donde en octubre de 1679 contrajo matrimonio con Françoise van Diemen, hija de un oficial de Breda. Tuvieron siete hijos, de los que sólo sobrevivió uno. A partir de 1680 comenzó a ser reconocido y muy apreciado en toda Europa y, al parecer, llegó a dirigir un importante taller. En Holanda figuraban entre sus clientes los miembros de la corte de La Haya. De hecho, a pesar de residir en Dordrecht, en 1691 fue aceptado en la asociación “Pictura”, importante foco de intercambio cultural en La Haya, de la que formaban parte tanto pintores como aficionados y  connoisseurs , muchos de ellos destacados col coleccionistas y mecenas. Entre el 1692 y el 1698 trabajó en Londres como retratista para el rey  Guillermo III de Orange  y por la aristocracia. En 1698 volvió a Holanda y se instaló definitivamente en La Haya

Biografia

La política es el arte de buscar problemas, encontrarlos, hacer un diagnóstico falso y aplicar después los remedios equivocados