Michael Haydn, 1771: Schrattenbach-Requiem (MH155, Raphaël Pichon)

El hermano menor de Haydn, y gran amigo de Mozart,  un compositor recuperado….

BIOGRAFIA

OBRA:

Vocal religiosa:

Latin masas:
for S, A, T, B, SATB and orchestra unless otherwise stated

SS Trinitatis, st1 / KLI: 1, S, S, A, T, B, SATB, ORCH, 1754;
d, st2, c1754-7, frag .;
d, ST3 / KLI: 31a, c1754-7, frag .;
a, st18, c1754-7, frag .;
S Michaelis, st12 / kl1: 27, c1754-7; BVM, ST15, c1754-7, ed. CH Sherman (Stuttgart, 1994);
S Joseph, st16 / KLI: 7, c1754-7;
S Gabriel, st17 / 112 / KLI: 5, c1754-7, rev. 1768, ed. O. Biba (Altötting, 1990);
S Francisci Seraphici, st43 / 119 / KLI: 25, c1754-7, rev. by c1772; C, st42 / KLI: 35, c1754-7;
SS Cyrill te Methodii, st13 / KLI: 2, 1758;
SS Crucis, st56 / KLI: 16, SATB, org, 29 March 1762, ed. CH Sherman (Stuttgart, 1987)
Dolorum BVM, st57 / 552 / KLI: 3, 3 April 1762, lost, listed in Lang (c1804), rev. 1794 as Quadragesimalis, ed. CH Sherman (Stuttgart, 1995);
S Raphael, st87 / 111 / KLI: 6, by c1764, rev. 7 Nov 1768;
S Nicolai Tolentini, st109 / 154 / KLI: 4, 4b), 17 Sept 1768, rev. 14 Dec 1771;
Pro defunctis Archiepiscopo Sigismundo, st155 / KLI: 8, 31 Dec 1771, ed. CH Sherman (Stuttgart, 1991);
S Joannis Nepomuceno, st182 / KLI: 9, SATB, org, May 1772;
S Amandi, st229 / KLI: 10, 26 March 1776;
S Hieronymi, st254 / KLI: 11, 14 Sept 1777, ed. CH Sherman (Vienna, 1970);
S Aloysio, st257 / KLI: 12, S, S, A, SSA, ORCH, 21 Dec 1777, ed. W. Reinhard (Zürich, 1942)
S Ruperti, st322 / KLI: 13, 11 Aug 1782, ed. K. Jäger (Adliswil, 1994);
S Dominici, st419 / KLI: 14, 25 March 1786, ed. JF Doppelbauer (Altötting, 1988);
A due corion ‘Hispanica’, st422 / KLI: 17, 4 Ago 1786, S, A, T, B, SATB, ORCH, ed. CH Sherman (Salzburgo, 1966);
S Gotthard, st530 / KLI: 15, 19 Feb 1792;
Pro defunctis, c, st559, c1792-5, draft;
S Ursulae, st546 / KLI: 18, 5 Aug 1793, ed. in RRMCE, xii (1980);
Pro quadragesima, st551 / KLI: 20, SATB, org, 15 Feb 1794, ed. in DTO, xlv, Jg.xxii (1915 / R) and by CH Sherman (Stuttgart, 1995);
Tempore quadragesimae, st553 / KLI: 19, SATB, org, 31 March 1794, ed. in DENKmal liturgischer Tonkunst, xvi (Augsburgo, 1927) and by CH Sherman (Stuttgart, 1995)
Sotto il titulo di S Teresa, st796 / 797 / KLI: 22, 3 Aug 1801, rev. shortly after 1801;
Subtitulo S Francisci Seraphici, st826 / KLI: 23, 16 Aug 1803, ed. in DTO, xlv, Jg.xxii (1915 / R);
S Leopold, st837 / KLI: 24, S, S, A, SSA, ORCH, 22 Dec 1805, ed. W. Reinhart (Zürich, 1952);
Pro defunctis, B, st838 / KLI: 26, 10 Aug 1806, inc .;
Reworking of Gl from FJ Haydn s Misa brevis Sancti Joannis de Deo, B, h XXII: 7, 16 July 1795, ed. HCR Landon (Munich, 1958)

Doubtful:
Over 60 masas, attrib. ‘Haydn’;
Over 60 others, each attrib. both to M. Haydn oro only ‘Haydn’ and to another comp., incl .: KLI: 28, also attrib. G. Reutter (ii), KLI: 29, also attrib. L. Hofmann and Krottendorfer, KLI: 33, also attrib. Krottendorfer and Schneider, KLI: 34, also attrib. Schneider, KLI: 36, also attrib. Heimerich, KLI: 37, also attrib. Strasser, KLI: 38, also attrib. J. Haydn (h XXII: G1) and Diabelli

German masas:
A, st536 / klVI: 3, SATB, ORCH, by c1793;
B, st602 / klVI: 2, SSA, ORCH, 17 Aug 1795;
F, st611 / klVI: 4, SATB, ORCH, 11 Nov 1795;
E, st561 / klVI: 6b, F, st562 / klVI: 6a, both SSA,? C1795;
C, st629 / klVI: 5, SATB, ORCH, 23 March 1796;
B, st642 / klVI: 1, SATB, org, lost, listed in Lang (c1804);
st560, Doubtful

Mass próximo movimientos:
for SATB and orchestra unless otherwise stated

Spiritus Dominio, Veni Creator Spiritus, ST45, A, ORCH, c1754-7;
In omnem terram, st46 / klIII: 41, S, A, ORCH, c1754-7;
Ecce Virgo, st121, S, ORCH, c1754-7, lost, listed in Göttweig catalogue (1830);
Humiliavit semetipsum, S, ORCH, c1754-7;
Civitatem, Festina lente, st47, S, SATB, ORCH, c1754-7, lost, listed in Göttweig catalogue (1830);
Vidi civitatem, Caelestis inter caetus, st48, S, SATB, ORCH, c1754-7;
Christus factus est, st38, 18 March 1761, ed. CH Sherman (Stuttgart, 1987);
Veni Sancte Spiritus, st39, 22 March 1761, ed. CH Sherman (Stuttgart, 1989);
Iste confesor, ST40 / KLV: 16, SATB, ORCH, 26 June 1761
Deus tuorum militum, st158, S, ORCH, c1764-71, frag .;
Jesu corona, ST100, SATB, ORCH, c1764-71, ed. CH Sherman (Stuttgart, 1994);
Nos conservado, st122, S, A, T, B, SATB, ORCH, c1764-71;
O Maria Virgo spes, st165, S, ORCH, c1764-71;
Surrexit pastor, Plaudes plebe, st160, B, SATB, ORCH, c1764-71;
Tubae resonate, st124, S, SATB, ORCH, c1764-71;
Vexilla regis, st126, SATB, c1764-71;
Ave María, B, st72 / klIII: 21, S, SATB, ORCH, 1765, ed. CH Sherman (Stuttgart, 1991);
Urbe Jerusalén, st75, Invictus heros, st78, Jam hagas lictor, st79, ajo 1766
dedito mihi, st77, c1766;
INVENES David, st115, S, A, T, B, SATB, ORCH, Te bracchium meum, st116, both c1769, related to Completorium st114;
Tota pulchra es, st139, S, S, ORCH, c1770, related to orate st138;
Cantate Domino, y, st142 / klIII: 44, c1770, related to? Bailo, st141;
Sicut cervus, st143 / klIIb: 48, S, A, T, B, SATB, ORCH, c1770;
Anima nuestra, st146, S, S, S, A, SSSA, ORCH, 1771;
O María nuestra spes, st149 / klIII: 33, S, A, T, B, SATB, ORCH, c1771, related to tragedy Hermann st148
Tres sunt, st183 / klIIa: 40, S, A, T, B, SATB, ORCH , 7 junio 1772, ed. in KL;
Antiphonae ad stationes pro tribus diebus rogationun, ST201 / KLV: 10, SATB, org, c1773-5;
Egregie doctor Paule, st190, S, A, T, B, SATB, ORCH, c1774;
Lauda Sion, st215 / klIIa: 42,? 1775;
Quae est ista, st226, S, SATB, ORCH, by c1775;
In té mí Deus confidente st230, A, SATB, ORCH, 24 Sept 1776;
Alma Dei Creator, st221 / klIII: 2, B, SATB, ORCH, 1776;
INVENES David, st224 / klIII: 38, B, SATB, ORCH, 1776;
Deus refugium, st222 / klIII: 32, B, SATB, ORCH,? 1776;
Dignas me, st223, S, A, SATB, ORCH, by c1776
Justorum animae, st225 / klIII: 37, B, SATB, ORCH, by c1776;
Laeta quias, st253 / klIIb: 17a, 11 March 1777;
Timete Dominum, st256, S, A, T, B, SATB, ORCH, 29 Oct 1777, ed. R. Pauly (New York, 1964);
Sub vestrum praesidium, st275 / klIII: 34, 15 March 1778;
Ad festum S Augustini, st280 / klIIb: 16, S, A, SATB, ORCH, 26 Aug 1778;
Diffusa este gratia, st281 / klIII: 18, S, S, ORCH, 16 Nov 1778;
Canta Jerusalén, st269 / klIII: 19, 1778;
Justorum animae, st286, B, SATB, ORCH, c1778-80, related to Spl Der englische Patriot st285
Eja cuerda Exsultate, st290 / klIII: 39, S, S, SATB, ORCH, O caeli luminaria, st291 / klIII: 8, T, B, ORCH;
Quien nunc laeti, st292 / klIII: 35, S, A, ORCH, Unitis cordibus, st293, Tu digna amore, S, A, ORCH, ajo c1780, related to applausus st289;
Quicunque manducaverit, st259 / klIII: 9, by c1789;
Salvete flores, st307 / klIV: 2b, 3vv, ORCH, 29 Nov 1781;
Veni Creator Spiritus, st326 / klIIa: 39b, 26 Aug 1782;
Jesu redentor omnium, st329 / KLV: 25b, Sancti Dei omnes, st328 / KLV: 25a, Surgite sancti, st327 / KLV: 9f, ajo SATB, 27 Aug 1782, all ed. CH Sherman (Stuttgart, 1986)
Ex ore infantium, st331 / KLI: 30, SSA, org, 26 Dec 1782;
In adoratione nuestra, st324 / klIII: 6, S, A, A, T, B, SATB, ORCH, Cantate Domino, E, st325, S, A, A, T, B, SATB, ORCH, Clangite buccina, Nec alacrior , S, A, ORCH, ajo c1782, related to orate st323;
Viderunt omnes, st341 / klIIa: 8, 6 Dic 1783, ed. O. Biba (Hilversum, 1971);
Alleluia! Laudate pueri, st342 / klIIa: 11, S, S, A, ORCH, 12 Dec 1783, ed. I. Sulyok (Kassel, 1978);
Sederunt principes, st343 / klIIa: 9, 17 Dec 1783;
Hic est discipulus, st344 / klIIa: 10, 21 Dec 1783;
Ecce sacerdos, st345 / klIIb: 42, 24 Dec 1783;
Alme Deus, st332 / klIII: 29, B, SATB, ORCH, by c1783
Omnes de Saba, st350 / klIIa: 13, 2 Jan 1784;
Salvos fac nos, st351 / klIIb: 2, 8 Jan 1784;
Gloriosus Deus, st352 / klIIb: 14, 12 Jan 1784;
Tu es vas electionis, st353 / klIIb: 10, 16 Jan 1784;
Nunc dimittis, st355 / klIIb: 1, 29 Jan 1784, ed. M. Eckhardt (Kassel, 1976);
Ab ortu solis, st356 / klIIa: 45, 5 Feb 1784;
Audi filia, st357 / klIIb: 31, 27 Feb 1784;
Domine praevenisti, st359 / klIIb: 46, 16 March 1784;
Dolorosa te lacrymabilis se, st360 / klIIa: 26, 24 March 1784;
Victimae paschali laudes, st361 / klIIa: 29, 5 April 1784, ed. O. Biba (Hilversum, 1970)
Alleluia! In die Resurrection, st362 / klIIa: 30, 8 April 1784;
Alleluia! Confitebuntur, st363 / klIIb: 20, 16 April 1784;
Dicite in gentibus, st364 / klIIb: 22, 22 April 1784;
Alleluia! Ascendido Deus, st365 / klIIa: 37, 9 May 1784;
Veni Sancte Spiritus, st366 / klIIa: 39, 13 May 1784, ed. H. Graf (Zürich, 1966);
Benedictus se Domine, st369 / klIIa: 41, 3 June 1784;
Exultabunt sancti, st370 / klIIb: 13, 6 June 1784;
Priusquam te formaremos, st372 / klIIb: 8, 21 June 1784;
Constituya cuerpo principes, st373 / klIII: 7, 24 June 1.784;
Benedicta et venerabilis se, st374 / klIIb: 29, 28 June 1.784;
Adjuvabit eam Deus, st375 / klIIb: 47, 7 July 1784
Dilexisti justitiam, st376 / klIIb: 23, 11 July 1784;
Speciosus forma, st377 / klIIb: 24, 24 July 1784;
Probasti Domine, st378 / klIIb: 39, 30 July 1784;
Felix se sacra, st379 / klIIb: 11, 11 Aug 1784;
Nimios Honorato sunt, st380 / klIII: 16, 17 Aug 1784;
Benedicite Dominum, st381 / klIIb: 12, 24 Aug 1784;
Juraban Dominus, st382 / klIIb: 41, 4 Sept 1784;
Locus iste, st383 / klIIb: 25, 9 Sept 1784;
Timete Dominum, st385 / klIII: 14, 27 Oct 1784;
Dilectus míos, st386 / klIIb: 7, 12 Nov 1784;
Tollite puertas, st387 / klIIb: 28, 19 Nov 1783;
Ave María, st388 / klIIb: 30, 26 Nov 1784, ed. CH Sherman (Stuttgart, 1990)
Justus ut palma, st389 / klIIb: 45, 29 Nov 1784;
Tecum principium, st390 / klIIa: 6, 5 Dec 1784;
Benedictus quien venit, st391 / klIIa: 7, 7 Dec 1784;
Effuderunt sanguíneo, st392 / klIIa: 12, 11 Dec 1784;
Tu es Petrus, st397 / klIIb: 9, 12 Feb 1785;
Beatus vir, st398 / klIIb: 43, 19 Feb 1785;
Laeta quias, ST400 / klIIb: 17b, 30 March 1785;
Oculi omnium, st401 / klIII: 43, 14 April 1785;
Alleluia! Confitemini Dominio, st402 / klIIa: 38, 1 May 1.785;
Domine, quis habitabilidad, st403 / klIIb: 3, 8 May 1785
Ecce Virgo concipiet, st408 / klIIb: 6, 24 Nov 1785;
Ne timeas María, st409 / klIII: 1, 29 Nov 1785;
Beatus vir, quien suffert tenta, st410 / klIIa: 44, 1 Dec 1785;
Miraculorum patrator, st426 / klIIb: 18, 18 Dec 1.786;
EMIC meridies, st437 / klIIb: 4, 4 Jan 1787;
Uni, quien tiene exspectant, st442 / klIIa: 1, 26 Aug 1787, ed. in KL;
Ex Sion species, st443 / klIIa: 2, 7 July 1787, ed. in KL;
Quien sedas, Domine, st444 / klIIa: 3, 1 Sept 1787, ed. in KL;
Prope est Dominus, st445 / klIIa: 4, 5 Sept 1787, ed. in KL
Adjutori in opportunitatibus, st446 / klIIa: 18, 9 Sept 1787;
Sciant gentes, st447; klIIa: 19, 14 Sept 1787;
Tu es Deus, st448 / klIIa: 20, 20 Sept 1787;
Angelis suis, st451 / klIIa: 21, 27 Oct 1787, ed. in KL;
Anima nuestra, st452 / klIII: 13, 12 Nov 1787, ed. O. Biba (Hilversum, 1973);
Tribulaciones cordis mei, st453 / klIIa: 22, 23 Nov 1787, ed. in KL;
Deus in adjutorium, st454 / klIV: 1, SSA, org, 29 Nov 1787;
Libera me, st431, c1787;
Exsurge Domine, st479 / klIIa: 23, 20 Feb 1788, ed. in KL;
Laetatus sum, st480 / klIIa: 24, 26 Feb 1788, ed. in KL;
Eripe me, st481 / klIIa: 25, 1 March 1788, ed. in KL
Alleluia! Cognoverunt, st482 / klIIa: 31, 8 March 1788;
Alleluia! Redemption Misiti, st483 / klIIa: 32, 14 March 1788;
Alleluia! Dextera Dominio, st484 / klIIa: 33, 26 March 1788;
Alleluia! Surrexit Christus, st485 / klIIa: 34, 11 April 1788;
Alleluia! Regnavit Dominus, st486 / klIIa: 35, 23 April 1788;
Ad Dominum, dum tribularer, st487 / klIIa: 46, 29 April 1788;
Jacta cogitatum tuum, st488 / klIIa: 47, 7 May 1788;
Propitius esto Domine, st489 / klIIa: 48, 17 May 1788;
Convertere Domine, st490 / klIIa: 50, 29 May 1788;
Domine, Dominus noster, st491 / klIIa: 53, 7 junio 1788
Benedicam Dominum, st492 / klIIa: 56, 19 June 1788;
De produndis, st494 / klIIa: 67, 20 Nov 1788;
Benedictus Dominus Deus Israel, st495 / klIIa: 14, 29 Nov 1788;
Misiti Dominus verbum suum, st496 / klIIa: 15, 10 Dec 1788;
Timebunt gentes, st497 / klIIa: 16, 20 Dec 1788;
Dominus regnavit, st498 / klIIa: 17, 29 Dec 1788;
Protector noster, st501 / klIIa: 49, 12 Feb 1789;
Venite filii, st502 / klIIa: 51, 1 March 1789;
Esto mihi in Deum, st503 / klIIa: 52, 19 March 1789;
Custodio me Domine, st504 / klIIa: 54, 4 April 1789;
In Deo speravit corazón meum, st505 / klIIa: 55, 23 April 1789
respice Domine, ST506 / klIIa: 57, 12 May 1789;
Bonum est CONFIDE, st509 / klIIa: 58, 2 Aug 1789;
Bonum est confiteros Domino, st510 / klIIa: 59, 22 Aug 1789;
Beata nada, st511 / klIIa: 60, 3 Sept 1789;
Laetatus sum, st519 / klIIa: 61, 14 Sept 1790;
Dirigatur oratio mea, st520 / klIIa: 62, 23 Sept 1790;
Domine refugium, st521 / klIIa: 64, 14 Oct 1790;
Ecce quam bonum, st522 / klIIa: 65, 21 Oct 1790;
Liberasti nos, st523 / klIIa: 66, 28 Oct 1790;
Paratum corazón meum, st524 / klIIa: 63, 20 Nov 1790;
In omnem terram, st525 / klIII: 17, 14 Dec 1790
Gloria et Honore, st526 / klIIb: 38, 25 Dec 1790;
Caro mea vere, st513 / klIIb: 44, c1790;
Post partum Virgo, st528 / klIIb: 26, 25 Jan 1791;
Ad té, Domine, st531 / klIII: 3, B, SATB, ORCH, 29 Feb 1.792;
Antiphonarium romanum, st533 / klIV: 8, 27 May 1792;
Exaltabo té, st547 / klIII: 25, S, SATB, ORCH, 9 Aug 1793;
Os estis, st554 / klIIb: 37, 28 May 1794;
Perfice gressus meos, st557 / klIII: 27, S, ORCH, 27 Aug 1794;
Laudibus mundos, st556 / klIIb: 19, 30 Aug 1794;
Iam solo recedit Igneus, st595 / KLV: 17, SATB, org, 29 May 1795
Christus factus est, klIIa: 28, Dextera Dominio, klIII: 11, Non autem, a, ajo 7 March 1796;
Communion, B klIII: 12, 7 March 1796;
Virgo prudentísima, st635 / KLV: 23, 5 Aug 1,796;
Gaude Virgo, st638 / KLV: 22b, 24 Nov 1796;
Se amator, st640, T, B, ORCH, c1795-7;
Germinavit radix Jesse, st651 / KLV: 22a, 27 Jan 1797;
Ecce ancilla Domini, st653 / klIIb: 5, 23 Feb 1797;
Sub tuum praesidium st654 / klIIb: 33, 24 Feb 1797;
Dominus firmamentum, st655 / klIII: 27, 4 April 1797;
Hodie scietis, st656 / klIIa: 5, 12 May 1797;
Tenuisti manum, st695 / klIIa: 27, 4 April 1798, ed. in KL
Alleluia! Confitemini quoniam, st696 / klIIa: 36, 17 April 1798, ed. H. Graf (Zürich, nd);
Laudate populi, st792 / klIII: 4, S, A, T, B, SATB, ORCH, 7 Dic 1800, ed. O. Biba (Wiesbaden, 1971);
Debitam morti, B, st793 / klIII: 20, S, A, T, B, SATB, ORCH, 29 Jan 1801;
Petite et accipietis, st798 / klIIb: 35, 8 Aug 1801;
Magnus Dominus, st799 / klIII: 23, 11 Aug 1801;
Alleluia! Confitebuntur, st810, 4 April 1802;
Domine Deus salutis, st827 / klIII: 22, S, A, T, B, SATB, ORCH, 23 Aug 1803, ed. F. Jode (Wolfenbüttel, 1925);
Cantate Domino, A, st828 / klIIb: 36, 30 Aug 1803

Inc .:
stAppx., 2 / klIII: 36, klIIa: 43, klIIb: 27, 32, 40, klIII: 40 and 42
Doubtful:
st96, st97, st101 , st113, st131, st161, st248, klIII: 15, st260, klIII: 31, st261, st346, st348, st456, st670, klIIb: 49, st688

Other latín sacred:
for S, A, T, B, SATB and orchestra unless otherwise stated

Alma Redemptoris mater: E, st270 / KLV: 19b, B, ORCH,? c1778; D, st637 / KLV: 19a, SATB, ORCH, 16 Nov 1796; st92, 113, 163, 164, ajo Doubtful
Ave regina: a, st140 / KLV: 14a, 23 March 1770, ed. CH Sherman (Stuttgart, 1987); G, st650 / KLV: 14b, SATB, ORCH, 21 Jan 1797; st14, 127, 227, 457, ajo Doubtful
Asperger me: B, st98, SATB, org, c1764-72, ed. CH Sherman (Stuttgart, 1995); F, st572 / KLV: 7ª, F, st573 / KLV: 7b, both SATB, org,? 1.795
Completorium: C, st815 / klIV: 7ª, 23 July 1802, ed. MP Eckhardt (Zürich, 1979); A, st114 / klIV: 7b, c1769,? rev. as / of Doubtful Vespers st58 / klIV: 4

Lits:
De venerabilis sacramento, d, st66 / klIV: 14, 8 April 1764;
BVM, C, ST120 / klIV: 17b, by c1764;
Lauretanae, C, st71 / klIV: 11, S, SATB, ORCH, by c1764;
Lauretanae, B, st74 / 88 / klIV: 9, S, S, S, A, SSSA, ORCH, 6 Dic 1765, rev. 1768;
De SS nominis Jesu, st110 / klIV: 10, 10 Dec 1768; BVM, C, st157 / klIV: 16,? C1770-72;
Lauretanae, C, st212, by c1775;
De venerabilis sacramento, st228 / klIV: 13, 26 March 1776; BVM, F, st282, c1779;
Della Madonna, st330 / klIV: 12, S, S, A, SSA, ORCH, 24 Dec 1782;
De venerabilis sacramento, B, st532 / klIV: 15, 25 March 1792; BVM, A, st258, S, S, A, org;
st89, 156, both Doubtful

Psalms:
Momento Domine David, ST200 / klIV: 2ª, 8 Dic 1774, S, S, ORCH;
A, C, E, st304 / klIV: 1, SSA, ORCH, 20 Nov 1781;
D, D, B, G, st809 / klIV: 3, 27 Jan 1802; st102, Doubtful

Regina caeli:
C, st22, SATB, ORCH, by c1764, frag .;
E, st93 / KLV: 15d, S, B, ORCH, by c1764;
C, ST80 / KLV: 15ª, 15 May 1766;
B, st191, S, S, SSATB, ORCH, by c1774;
st94, 263, 264, ajo Doubtful

Responsoria:
In festo SS corporis Christi, st213 / KLV: 11, SATB, org,? c1775;
In coena Dominio, st276 / KLV: 9a, In Parasceve, st277 / KLV: 9b, In Sabbats sancto, st278 / KLV: 9c, ajo SATB, org, 4 April 1778;
In festo Resurrection Dominio, st669 / KLV: 9d, SATB, ORCH, c1795-8;
Ad matutinum in nativitate Dominio, st639 / KLV: 9e, SATB, ORCH, 9 Dic 1796

Salve regina:
C, st29 / KLV: 13b1, SATB, ORCH, 11 Aug 1760;
D, ST30 / KLV: 13b2, S, SATB, ORCH, 12 Aug 1760;
b, st32 / KLV: 13b4, SATB, ORCH, 16 Aug 1760;
B, st31 / KLV: 13b3, SATB, ORCH, 17 Aug 1760;
D, st33 / KLV: 13b5, B, SATB, ORCH, 11 Sept 1760;
C, st34 / KLV: 13b6, SATB, ORCH, 13 Sept 1.760;
B, ST90, B, SATB, ORCH, by c1764;
B, st283 / KLV: 13 [a] a,? C1779;
A, st634 / KLV: 13 [a] d, SATB, ORCH, 1 Ago 1796, ed. TC Pumberger (Stuttgart, 1994);
st19, 20, 21, 91, 129, 231, 347, ajo Doubtful

Stella caeli:
F, st306 / KLV: 18 [2] a, SSA, org, 27 Nov 1781;
F, st394 / KLV: 18, SATB, ORCH, c1783-4;
F, st830 / KLV: 18b, SATB, org, 28 Sept 1803

Tantum ergo:
d, st130 / KLV: 12d, SATB, org,? C1768-70;
C, st249, S, A, SATB, ORCH, by c1777;
C, st404 / KLV: 12e, SATB, ORCH, 10 May 1785;
C, st460 / KLV: 12I, SATB, ORCH,? C1786-8;
C, st772 / KLV: 12a, SATB, ORCH, 20 March 1799;
y, st773 / KLV: 12b, SATB, ORCH, 25 March 1799;
st265, 396, both Doubtful

Tedeum:
C, st28 / KLV: 1, SATB, ORCH, 1 April 1760;
C, st145 / KLV: 2, 9 Dic 1770, ed. R. Pauly (New Haven, CT, 1961);
C, st415 / KLV: 6, 30 Jan 1786, ed. H. Graf (Zürich, nd);
D, st800 / KLV: 4, 21 Aug 1801, ed. L. dichas (Vienna, 1946);
D. st829 / KLV: 5, 20 Sept 1803, ed. CH Sherman (Stuttgart, 1990)

Tenebrae:
a, st125, SATB, org,? C1768-70;
E, st162 / KLV: 8c, SATB, ORCH, by c1780, ed. TD Thomas (New York, 1962);
B, st305 / KLV: 8ª, SSA, org, 24 Nov 1781;
a, st824 / KLV: 8b, SATB, ORCH, 25 June 1803

Vespers:
F, st294 / klIV: 1ª, SSA, 3vv, ORCH, 22 Dec 1780;
De Dominica, st321 / klIV: 6, 22 July 1782, ed. TC Pumberger (Stuttgart, 1994);
Pro festo SS Innocentium, st548 / klIV: 5, S, S, A, SSA, 8 Dic 1793, ed. H. Graf (Zürich, 1971);
st58, 214, both Doubtful

Other works:
Ave maris stella, G, st49, SATB, ORCH, by c1764;
Vidi aquam, y, st99, SATB, org, c1764-72, ed. CH Sherman (Stuttgart, 1995);
Pange lingua, C, st395 / KLV: 12c,? C1783-5

Other german sacred works:
for S, A, T, B, SATB and orchestra unless otherwise stated

O glorreiche Himmelssonne, st168, S, ORCH,? C1770-72;
Grosse Fraude, wir rufen Dich, st169, S, ORCH,? C1770-72;
Erhebet euch ihr Augenlider, st167, S, S, ORCH,? C1770-72;
Dank dem Geber, Dank !, st178, S, S, S, B, SATB,? C1770-72;
Kommt her, ihr Menschen, st180, S, ORCH, 13 Jan 1772;
Leget alle Trauer nieder, st203, S, S, ORCH,? C1773-5;
Sehet den Reichtum, st194, SATB, ORCH, c1774;
Mutter der Gnaden, st195, S, A, ORCH, c1774, related to st84;
Ein trago Berg, st196, S, A, ORCH, c1774;
Deutsche Lauda Sion, SATB, ORCH, c1775, related to st215
gibt acht ihr Hirt, SATB, ORCH, c1775, ed. A. Kircher (Vienna, 1995);
Lauft ihr Hirt allzugleich, st217, S, SATB, ORCH, c1775, ed. R. Ewerhart (LAAB, 1985);
Stimmet ihr Männer, SATB, ORCH, Sonido wie der Hirsch läuft, both? C1775, related to Cantate Domino st142 / klIII: 44;
Auf! Ihr Christen, st267 / klVI: 20, SATB, ORCH, c1775-8;
Gerechter Herr, st219, B, ORCH,? C1776;
Aria funebris, st303, c 14 Nov 1781;
Dicho grüssen wir, st301 / 300, S, SATB, ORCH, c1781, related to st300;
Bei Jubela und wünchenden Tonneins, st295, A, T, B, SATB, ORCH,? C1781;
Erhebet euch, Christen, st368 / klVI: 9, SATB, ORCH, 29 May 1784
Weint auch ihr, st371, S, S, ORCH, 17 June 1784;
Heiligste Nacht, st427 / 429 / klVI: 28a, SA, ORCH, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Heiligste Nacht, st428 / 430 / klVI: 28b, SA, ORCH, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Deutsches Dixit et Magnificat, st517 / klVI: 23D, b, S, S, SS, ORCH, 24 Aug 1790;
Ewiger Wesen, st542, S, A, ORCH,? 28 Feb 1793, related to st107;
Am Kirchenweifest, st543, SATB, ORCH, 25 June 1793;
Wir Betten año, SSB, c1793, related to st73 and 539;
Mutter diciembre Lebens, st555 / klVI: 21, S / T, ORCH, 25 July 1794
Deutsches Miserere, F, st592 / 811 / klVI: 18, S, S, SS, org, 25 March 1795, rev. 12 April 1802;
Deutsches Tenebrae, E, st610, SATB, org,? 11 Nov 1795, lost, listed in catalogue of St Peter s abbey (1822), related to st162;
Wenn ich, o Schopf, st567, S, S, ORCH,? C1795;
Aves Davids Psalm und biblischen Gesänge, st575, SATB, org,? C1795;
Zu Dir ruft, st576, SS, ORCH,? C1795;
Deutsches Magnificat, F, st673 / klVI: 23, S, S, SS, ORCH,? C1795-8, related to orate st323;
Segenlied, B, st680, SSB, org, c1795-8, related to Ger. Mass st602
Auf die Auferstehung, st684, SSA, ORCH,? C1795-8;
Deutsche Fastenvesper, G, st674, SS, org,? C1795-8;
Deutscher Segenlied, C, st678, SSB, ORCH,? C1795-8;
Deutscher Segenlied, C, st679, SSB, ORCH,? C1795-8;
Deutsches Alma Redemptoris mater, G, st676, SSB, ORCH,? C1795-8;
Deutsches Ave maris stella, G, st677, S, S, ORCH,? C1795-8;
Deutsches Salve regina, B, st675, SSB, ORCH,? C1795-8;
Deutsches Te Deum, C, st672, SAB, ORCH,? C1795-8;
Gekrönte Himmelskönigin, st687, SSB, ORCH,? C1795-8;
Komm, Heiliger Geist, st685, SSB, ORCH,? C1795-8
Lobegesang de venerabilis sacramento, C, st681 / klVI: 8ª, S, S, SS, ORCH,? 1795-8;
Stern auf días Lebensmeere, st686, SSB, ORCH,? C1795-8;
Wer nur den lieben Gott, st682 / klVI: 26, S, S, ORCH,? C1795-8;
Wie lieblich ist doch, Herr, st683, SS, org,? C1795-8;
Dankesempfindung, st630, SATB, org, 23 March 1796;
Grabet mit fleissigen Hand, st636 / klVI: 22, TTBB, ORCH, 30 Oct 1796;
Segenlied, D, st643 / klVI: 24d, SSSB, ORCH, 1797;
Deutsches Regina caeli, F, st694 / klVI: 25, S, S, SS, ORCH, 30 March 1798;
Deutsches Te Deum, C, st836 / klVI: 19, SATB, ORCH, 5 June 1805

Doubtful:
st131, 166, 170, 514, 680

Oratorios:
Oratorium de Passione Dominio nostri Jesu Christi, st202,? C1773-5
Figura: Canticum in tono peregrino (orado), st323, 24 Aug 1782

Vocal secular:

Dramatic:
Rebekka los Braut (Spl, after PF Reichssiegel: Eliezer), st76, 10 April 1766, entrada ed. in DM, no.144 (1968)
Der Traum (Pantomime, 2, secuelas to Reichssiegel: Pietas in Host), st84, 7 Feb 1767
Die Schuldigkeit des ersten Gebots, pt ii (sacred drama, IA Weiser), st85, before 12 March 1767, lost, pt y by WA Mozart, pt iii by AC Adlgasser
der Kampf der Busse und Bekehrung, pt ii (orado), st106, 21 Feb 1768
Die Hochzeit auf der Alm (dramatisches Schäfergedicht, 2, secuelas to Reichssiegel: Pietas conyugal in Sigismundo te Maria), st107 / 218, 6 May 1768, rev. c1776
Kaiser Constantin I. Feldzug und Sieg, pt iii (orado), st117, 20 Feb 1769, pt y by Adlgasser, pt ii by JG Scheicher
Die Wahrheit der Natur (Spl, secuelas to Reichssiegel: Pietas in impium), st118, 7 July 1769
Der reumütige Petrus (orado, Reichssiegel), st138, 11 March 1770, part of Drey Beispiele wahrhafter Busse, incl. Adlgasser: Die gereinigte Magdalena, and J. Krinner: Der veränderte Joseph von Arimathia
? Bailo, st141, 15/16 July 1770
Der büssende Sünder (orado), st147, 15 Feb 1771, Introduzione ed. in DM, no.145 (1968);
pt ii of Die menschliche Wanderschaft (Schachtner), incl. Adlgasser: Der Laue Christ (pt i), and Krinner: Der sterbende Fromme (pt iii)
Hermann, ein Beyspiel der Liebe zum Vaterlande (tragedy, trans. Of Reichssiegel: Pietas in patriam), st148, 1773
Der Schulmeister (Spl, F . Angerer), st204,? c1773-5
Titus, der standhafte Christ (tragedy, trans. of Reichssiegel: Pietas christiana), before 31 Aug 1774, music lost
der Bassgeiger zu Wörgl (Spl), st205, c1775-7
Zaire (incidencia music, Voltaire), st255 / p13, 29 Sept 1777, ed. in DM, no.577 (1981)
Abels Tod (Spl, FG Klopstock, after JS Patzke), st271, c1778
Der englische Patriot (Spl), st285, c1779
Andromeda y Perseo (hueso, GB Varesco), st438, 14 March 1787 , sinfonía (p25) ed. in DM, no.185 (1968)
Die Ährenleserin (Spl, CF Weisse), st493, 2 July 1788

Other vocal works with instrumentos:
for 4 solo voices, SATB and orchestra unless otherwise stated

Attalea te Erimene (canto.), st11, A, T, B, SATB, ORCH, c1754-7, frag .;
Ah ingrato m’inganni nel armas speranza (aria), ST70, 16 Dec 1764, lost, listed in Lang (c1804);
Ninfe in belli (canto.), St73, S, T, SATB, ORCH, 15 Jan 1765;
Quid video superiale (applausus), st144, T, B, SATB, ORCH, 14 Nov 1770, sinfonía ed. in DM, no.138 (1968);
Der gute Hirt (canto.), St181, 3 S, SATB, ORCH, 4 April 1772;
Endimione (serenata), st186, 4 S, SATB, ORCH, c1773;
Ein trago Berg (lied), st196, S, A, ORCH, 1774;
An sueño? Anne Vigilio? (applicatio), st279, 7 junio 1778;
Amor subditorum (applausus), st289, 19 July 1780;
Lied der reclutar, st296, T, B, TB, ORCH, c1781;
Liedchen für den Feldwebel, st297, T, ORCH,? C1781
Morgenlied der Bauern, st298, A, B, ORCH,? C1781;
Auch die sprödeste der Schönen (lied), st462, S, S, kbd, before 1784, also attrib. J. Haydn (h XXVII: 18) (Vienna, 1784, attrib. J. Haydn);
Die Jubelfeyer, st449, 30 Sept 1787;
Schäffer-Kantate, st455, 28 Dec 1787;
Der deutsche Kaiser Joseph lebe Gesund, st512, SATB, ORCH, 19 Oct 1798;
Der Fröhliche Wiederschein (applausus), st527, SATB, ORCH, 1791;
Hochzeitslied, st607, S, S, STB, ORCH, 7 Sept 1795, also in applicatio st279;
Patritius, Gelegenheits-Cantate, st668, S, B, SATB, ORCH, 26 Sept 1797;
Frohlocke Helfenburg hoch! An Ferdinand Churfürst zu Salzburgo, st821, 1 March 1803, lost, listed in Rettensteiner (1814);
Der Christ auf Gólgota, st831 / klVI: 15, 15 March 1804

Partsongs for male voices:
mosto for 4 solo male voices; many also in versiones for solo voice and keyboard

Feuer zu werden, st450,? c30 Sept 1787, related to Die Jubelfeyer st449;
Mit Fromm Eifer, st539 / 538,? C1793, related to canto. st73;
Was ists dass ich mich Quale? st540 / 541,? c1793;
Commercelied, st558 / 822, 1 Sept 1794, rev. 21 April 1803;
Hymne an Gott, st588, 7 Jan 1795;
Trinklied im Winter, st590, 31 Jan 1795;
Verwandlung, st591, 5 Feb 1795;
Ständchen, st593 / 594,? c18 April 1795;
Einweihung, st597 / 606, 23 July 1795;
Auf den Tod diciembre Herrn Schachtners, st598, 24 July 1795;
An Ignatia, st599 / 566, 28 July 1795;
An unsern Garten, st604 / 605, 2 Sept 1795;
Lied der Freiheit, st608 / 609, 6 Nov 1795;
Das Liedchen von der Ruh, st579 / 587, Glückwunsch, st578, Tischlied, ST585i / 626, ajo 1795;
Die Unschuld, st580, Der frühe Bund, st, both? 1795;
Die alten und heutigen Sitten, st564 / 563, c1795
Abendempfindung, st728, An die Sonne, st730, Der Arme, st731 / 732, Die biene, st733, Der Bund, st734, Dankt dem Herrn, st735, Eintracht, st737, Freundschaft! Wie Heilig, st74, Grabe, Spada !, st743, Herbstlied, st744, Jugendglück, st748, Das Kammerfenster, st749 (formerly attrib. WA Mozart, k441c / C9.04, as Liebes Mädchen), Lebensweisheit, st752, Ein Lied von der Behutsamkeit, st753, Ein Lied von der Geduld, st755, Ein Lied zur Prüfung, st754, Meine Grille, st756, der Morgen im Lenz, st758, Pein der Liebe, st761, Die Rose, st762, Scherzend unter Necktar-Kusa, st764, der Tanzbär, st767, der Wechsel, st770, ajo? c1795-9
Das Gebet, st627, 12 Feb 1796;
Sagt, wo sind die Veichen hin, st632 / 631, 23 July 1796;
An Decin, st613, Ehrenlied, st624, Freundschaftslied, st615 / 616, Frühlingslied, st620 / 621, Meiner Freunde Gesinnungen, st614, Trinklied, st622 / 623, Schon grünen die Hecker, st633, ajo 1796; Sehnsucht nach Liebe, st648, Türkisches Kriegslied, st649 / 664, both 3 Jan 1797;
Monsieur Hans, st657 / 658, 7 junio 1797;
Lied im Grünen, st659 / 660, 24 June 1797;
Trinklied, st661 / 662, 11 July 1797;
Friedenslied, st644 / 647, Rundgesang für eine Gesellschaft Studierender, st645, both 1797;
Rundgesang, st646,? 1797
Der Obersulzer Wein, st697, 16 June 1798;
Die Schweitzer, st692, 1798;
Der Invalid an seinen Fleischtopf, st774, An alle Deutsche, st775, both 10 June 1799;
Zu ihr! zu ihr! st776, 11 June 1799;
Ständchen, st777-9, 23 June 1799;
Bierlied, st780, 7 July 1799;
Von ihr !, st781, 26 Oct 1799;
Das Landleben, st782, 24 Nov 1799;
Abendlied, st784, 20 Jan 1800;
Der Sänger, st785 / 786, 11 April 1800;
Rundgesang beim Abschied herramientas Biedermann, st787, 5 June 1800;
Josephe, st788 / 789, 25 June 1800;
Trinklied im Freien, st790, 8 Sept 1800;
Die Seligkeit der Liebe, st783, 1800
Nach dem Abzuge der Franzosen, st795 / 647, 1 March 1801;
Freut euch diciembre Lebens, st816, 28 Oct 1802;
Auf den Tod herramientas Hündchens, st812 / 813, 18 April 1802;
Der couragierte Schneidergesell, st807, sauf, Du alter Gassenschlängel, st808, both? 1.802;
Der Invalid an sein Holzbein, st817, 4 Jan 1803;
Der verlassene Mutter am Strome, st818 / 819, 8 Jan 1803;
An den Hain zu Aigen, st832, 16 April 1804, ed. H. Graf (Zürich, 1959), V. Korda (Vienna, 1961);
Sehnsucht nach dem Landleben, st833, 25 Nov 1804;
An den Herrn von Moll, st834 / 835, 4 Feb 1805;
arroz. of Folksongs and works by others

Doubtful:
st537, 565, 727, 736, 738, 739, 741, 742, 745, 746, 747, 750, 751, 757, 759, 760, 763, 765, 766, 768, 769, Appx, 6

Cañones:
for 4 unaccompanied voices unless otherwise stated

Mailied, st589, 31 Jan 1795;
Se Packe Dich, st577, 5vv, c1795, formerly attrib. WA Mozart (kAnh.10.14);
Einladung in unsern Garten / Vom Glück sei alles, st581 / 619, c1795, rev. c1796;
Glück Fehler Dir / Frater Caspar Decin! St582 / 583,? C1795;
Wohlsein, Freunde / Frater fulgens, st584, 5vv,? C1795;
Adam hat sieben Sohn ‘, st699,? C1795-9;
Allegremente tutti, st232, 3vv,? C1795-9;
Der arme Sünder, ST700,? C1795-9, formerly attrib. Mozart (kAnh.C10.13);
Cánones voi volite, 3vv, st234,? C1795-9;
Che vivero vuoi contento, st235, Cominicio solo, st236, both 3vv,? C1795-9;
Ehr ‘sei dem Vater, 5vv, st704,? C1795-9;
Ich und Du, st708, Die Mässigkeit, st709, both? C1795-9;
Mein dama, mein finge, mein Ellebog’n, st710,? C1795-9
Perche Vezzosi rayo, st242, Por ti, mio bien, st243, Questi son Canon, st244, se tú mi vuoi, st246, ajo 3vv,? C1795- 9;
Sintemal und all ‘die Weil, st641,? C1795-9;
Tausch año, mein Lieber Schiffmann, st718, 5vv,? C1795-9;
A partir dolci y cari nominal, st247, 3vv,? C1795-9;
Vinum latificat corazón hominis, st721,? C1795-9;
Vorgetan und nachgedacht, st722, Wer nicht liebt Wien, st725, both 5vv,? C1795-9;
Wer reinas Herzens ist, st726,? C1795-9;
Se lebe Taddeo, st617, Die Gans bebrüht das Gansch, st612, Herzige Nani! St618, ajo 1796;
Ecce quam bonum, st698a / 814, 8vv, 16 Oct 1798, orig. lost, rev. 1 July 1802;
Elle avoit une beauté, st803 / 804,? C1801-2, 2 versiones;
Le vino blanco, st805,? C1802-2

Doubtful:
st206, 233, 237, 238, 239, 240, 241, 245, 701, 702, 703, 705, 706, 707, 711, 712, 713, 714, 715, 716, 717, 719, 720, 723, 724, 804

Instrumental:

Symphonies
for 2 oboes, 2 horns, 2 Bassoon and strings unless otherwise stated

C, st23 / p35, 2 ob, 2 hn, 2 TPT, timp, str, c1757 -64, ed. CH Sherman (Vienna, 1975);
G, st25, 2 ob, 2 hn, str, c1757-64, ed. CH Sherman (Vienna, 1975);
G, st26, 2 ob, 2 hn, str, c1757-64, ed. in DM, no.564 (1981);
D, ST50 / P36, 2 ob, 2 hn, str, c1757-64;
F, st51 / p45, c1757-64;
G, st108 / p7, 2 fl, 2 ob, 2 hn, str, c1757-64, related to Spl Die Hochzeit auf der Alm st107 / 218;
D, st132 / p37, fl, 2 ob, 2 hn, 2 TPT, timp, 2 solo vn, str, c1757-64;
B, st133 / P52, 2 ob, 2 hn, str, c1757-64, 2nd MOVT = Andantino st175 / P136, 4th MOVT uncatalogued;
E, ‘Partitta 5ta’, st35 / p1, 2 ob, 2 hn, str, 20 Nov 1760
C, st37 / p2, 2 ob, 2 hn, 2 TPT, str, 16 Feb 1761;
B, La confidenza ‘, st62 / p51, 7 Dic 1763, ed. in DM, no.353 (1976) and S;
A, st63 / p3, 2 ob, 2 hn, str, 29 Dec 1763, ed. in DM, no.345 (1989);
C, st64 / p4, 2 ob, 2 hn, str, 14 Jan 1764, ed. in DM, no.346 (1977);
E, st65 / p5, fl, 2 ob, 2 hn, str, 25 Jan 1764, ed. in DM, no.347 (1989);
D, ST69 / p38, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, c1764-72;
B, st82 / p9, 2 ob, 2 hn, str, 27 Sept 1766, with 2 different finales, one later rev. J. Haydn in h I: 59, the other Paired by M. Haydn with MOVT st184, 15 June 1772
D, 2 ob, 2 hn, str, c 10 Aug 1767, related to Serenata, ORCH, st86;
F, P46, 2 ob, 2 hn, str, c 7 July 1769, related to Spl Die Wahrheit der Natur, st118;
G, st173a,? Winds, str,? C1770-72,? arr. of otherwise unknown sym .;
D, st150 / p41 + 84, 2 fl, 2 ob, 2 hn, str, c 1 Aug 1771, ed. in DM, no.365 (1986), partially based on music for tragedy Hermann st148;
E, st151 / P44, 2 fl, 2 ob, 2 hn, 2 hn, str, c 1 Aug 1771, ed. in S, partially based on music for tragedy Hermann st148;
A, st152 / p6, 2 ob, 2 hn, str, c 1 Aug 1771, based on music for tragedy Hermann st148 and? Bailo st141, ed. in DM, no.974 (1990)
C, st188 / p10, 2 ob, 2 eng hn, 2 piffari, 3 hn, tam, str, 23 Aug 1773, ed. in DM, no.314 (1969);
D, st198 / p11, fl, 2 ob, 2 hn, str, 17 April 1774, ed. in DM, no.317 (1973);
C, st252 / p12, 2 ob, 2 hn, str, 2 March 1777, ed. in S;
D, st272 / p42, 2 ob, 2 hn, str, before 1772, ed. in DM, No.20 (1962);
F, st284 / p14, 22 Aug 1779, ed. in DM, no.348 (1996);
D, st287 / P43, before 1781, ed. in S, formerly attrib. WA Mozart (k291 / Anh.A52);
A, st302 / p15, 2 fl, 2 ob, post hn, 2 hn, str, 19 July 1781;
G, st334 / p16, fl, 2 ob, 2 bn, 2 hn, str, 23 May 1783, ed. in DM, no.341 (1971), formerly attrib. Mozart (k444 / Anh.A53)
E, st340 / p17, 14 Aug 1783, ed. in DM, no.342 (1972) and P;
B, st358 / p18, 12 March 1784 (Vienna, 1785), ed. in DM, no.350 (1987);
C, st384 / p19, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 28 Sept 1784 (Vienna, 1785), ed. in DM, no.351 (1988);
d, st393 / p20, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 30 Dec 1784 (Vienna, 1785), ed. J. Vecsey (Budapest, 1960);
D, st399 / p21, 10 March 1785, ed. in P;
F, st405 / p22, 2 ob, eng hn, 2 bn, 2 hn, vn solo, str, 30 May 1785, ed. in DM, no.343 (1981);
D, st420 / p23, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 30 May 1786, ed. in DM, no.318 (1972);
B, st425 / p24, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 28 Sept 1786, ed. H. Graf (Zürich, 1965)
E, st473 / p26, 2 Jan 1788, ed. in DM, no.319 (1970);
G, st474 / p27, 2 ob, 2 bn, 2 hn, str, 13 Jan 1788, ed. in DM, no.320 (1969);
B, st475 / p28, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 22 Jan 1788, ed. in DM, no.321 (1969);
D, st476 / p29, fl, 2 ob, 2 bn, 2 hn, str, 30 Jan 1788, ed. in DM, no.322 (1969);
F, st477 / p30, 10 Feb 1788, ed. in DM, no.352 (1988);
C, st478 / p31, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 19 Feb 1788, ed. in DM, no.143 (1966) and P;
F, st507 / p32, 15 July 1789, ed. in DM, no.356 (1991) and S;
A, st508 / p33, 26 July 1789, ed. in DM, no.184 (1968)

Inc .:
st133;
st251;
p8, ed. in DM, no.183 (1968);
p25;
P47

Doubtful:
st24, stAppx, 7, and h I: C19, d3, F16, G4 and B16, attrib. M. Haydn oro only ‘Haydn’;
over 25 others, each attrib. both to M. Haydn oro only ‘Haydn’ and to another comp., attrib. incl. p39 (? by JB Vanhal), p40 and 48 (? by FX Pokorny), p50 (? by GC Wagenseil)

Other orchestral:
Serenades (Finalmusik):
ST60 / 61 / P34, solo trbn, solo TPT, ORCH,? Aug 1763, frag., Probably orig. 2 trbn conc. MOVT, TPT conc. MOVT and an existing sym., MOVT ed. in DM, nos.344, 373 (1974);
D, st68 / p38 / 58, solo TPT, solo trbn, 2 fl, 2 ob, 2 hn, 2 bn, 2 TPT, str, 4 Ago 1764, ed. L. Kalmár (Budapest, 1965);
B, st133 / 104 / P52, solo TPT, 2 fl, 2 ob, 2 hn, str, c1764-72;
Serenata, D, st86 / p87, solo fl, hn, trbn, vn and vc, 2 ob, 2 bn, 2 hn, 2 TPT, str, 10 Aug 1767, ed. W. Rainer (Bad Reichenhall, 1987), incl. MOVT from Sym., D, Aug 1767;
Casatio, D, st171 / p89, 2 ob, 2 hn, 2 TPT, [timp,] str, c1771-85;
Serenata, D, st407 / p85, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, str, 9 Sept 1785, ed. G. Darvas (Budapest, 1966);
p86 and 87, spurious, by FX Pokorny

Marches:
D, st211, 2 ob, 2 TPT, str, c1771-85;
D, ST220 / P68, 2 ob, 2 hn, 4 TPT, timp, str,? 1776;
D, st339 / p63, 2 ob, 2 hn, 2 TPT, str, 3 Aug 1783;
D, st439 / p60, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 28 May 1787;
C, st440 / P61, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 17 June 1787;
D, st441 / P62, 2 fl, 2 ob, 2 bn, 2 hn, 2 TPT, str, 7 July 1787, ed. in DM, no.557 (1971);
D, st432, 2 ob, bn, 2 hn, str,? C1787;
D, st515 / P64, 2 ob, 2 hn, str, 12 June 1790, ed. in DM, no.557 (1971);
Marcia tuchesca, C, st601 / p65, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 TPT, tambourine, 6 Aug 1795, ed. in P;
National-Marsch, C, st569 / P67,? C1795, lost kbd arr. in Sammlung historische Märsche (Vienna, 1897);
C, st823 / P66, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 TPT, timp, str, 22 April 1,803;
st67 / P56, st320, st421 / p59, all inc.

Minuetos:
[7] Menuetto, st210, vn, b, c1764-72;
[6] Menuetto, fl, 2 ob, 2 hn, 2 vn, b, c1764-72, formerly attrib. WA Mozart (k104 / 61º);
[12] Menuetto, st135 / p79, fl, 2 ob, piffaro, bn, 2 hn, 2 TPT, timp, 2 vn, b, before c1771, nos.1 and 3 = nos.1 and 2 of the preceding;
[6] Menuetto, piffaro, post hn, 2 ob, 2 hn, 2 TPT, timp, tambourine, 2 vn, b, before c1771;
[6] Menuetto, 2 ob, 2 hn, 2 vn, b, before c1771, formerly attrib. Mozart (kAnh.C13.03);
[6] Menuetto, fl, 2 hn, 2 vn, b, before c1771;
[12] Menuetto, st136, fl, 2 ob, bn, 2 hn, 2 vn, b, before c1771;
[12] Menuetto, st197, 2 fl, 2 ob, 2 cl, bn, 2 hn, 2 vn, b, 1774
[12] Menuetto, st193 / P81, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1775;
[6] Menuetto, st137, fl, 2 ob, bn, 2 hn, 2 vn, b, 1776;
[12] Menuetto, st250, fl, 2 ob, bn, 2 hn, 2 vn, b, 1777;
[12] Menuetto, st274 / P80, 2 ob, bn, 2 hn, 2 vn, b, 1778;
[6] Menuetto, st333 / P69, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1783;
[6] Menuetto, st354 / p70, fl, 2 ob, bn, 2 hn, 2 vn, b, 1784, ed. in DM, no.806 (1987);
[6] Menuetto, st413, 2 ob, bn, 2 hn, 2 vn, b, 1785; [6] Menuetto, st414 / P71, fl, 2 ob, cl, 2 bn, 2 hn, post hn, 2 vn, b, 19 Jan 1786;
[6] Menuettini Tedeschi, st416 / P72, 2 ob, 2 bn, 2 hn, tambourine, 2 vn, b, 12 Feb 1786, ed. in DM, no.1137 (1989), nos.3-6 incorrectly ordered
[6] Menuetto, st423 / p73, fl, 2 ob, 2 bn, 2 hn, 2 TPT, timp, 2 vn, va, b, 20 Aug 1786;
[6] Menuettini Tedeschi, st424 / P74, fl, 2 ob, 2 bn, 2 hn, 2 TPT, 2 vn, b, 22 Aug 1786;
[6] Menuettini Tedeschi, fl, 2 ob, bn, 2 hn, 2 vn, b,? C Feb 1.786;
[6] Menuetto, st499 / p75, 2 ob, 2 bn, 2 hn, timp, 2 vn, b, 15 Jan 1789;
[6] Menuetto Tedeschi, st417 / P76, 17 Jan 1789;
[12] Menuetto, ST550 / P77, 16 Jan 1794;
[12] Menuetto, st693 / P78, fl, 2 ob, cl, 2 bn, 2 hn, 2 TPT, timp, 2 vn, b, 28 Jan 1798

Other works:
Pastorello, st83 / P91, 4 TPT, timp, str , org, 23 Dec 1766, ed. G. Schünemann (Leipzig, 1940);
Inglese, st529 / P83, 2 ob, 2 hn, 2 bn, 2 TPT, timp, str, 7 March 1791;
Notturno, st153, incl. MOVT from music to stage works st141, 148, Doubtful

conciso. (only solo instante listed):
Vn, B, st36 / p53, 20 Dec 1760, ed. in DM, no.3 (1960);
Vn, G, ST52, c1757-64, 2nd MOVT rev. with TPT solo in Serenade ST60 / 61 / P34;
Org / HPD, va, C, st41 / p55, 19 Dec? 1761, ed. in DM, no.182 (1970);
Fl, D, st81 / p54, 19 Sept 1766, ed. J. Vecsey (Budapest, 1957);
Fl, D, st105 / P56, c1771-85, ed. HCR Landon (Salzburgo, 1959);
HPD, F, st268 / P57, c1775-8, frag .; Vn, A, st207,? C1776, ed. in DM, no.194 (1968)

—

Chamber:
many works entitled ‘divertimento’

Str qnts (all for 2 vn, 2 va, b):
Notturno, C, st187 / p108, 17 Feb 1773, ed. H. Albrecht (Lippstadt, 1950);
Notturno, G, st189 / P109, 1 Dic 1773, ed. H. Albrecht (Leipzig, 1950);
B, st412 / P105, c1782-8, ed. in P;
F, st367 / P110, 27 May 1784, ed. in Denkmal der Musik in Salzburg, vii (Bad Reichenhall, 1991);
F, st411 / 421 / P112 / 59, 30 June 1786, ed. H. Albrecht (Lippstadt, 1950);
p114, Doubtful, also attrib. J. Haydn (h II: G1);
p113, spurious, by J. Haydn (h II: 9)

Str qts (2 vn, va, b):
B, st316 / P125,? c1780-82, ed. in DM, no.667 (1980);
D, st319 / p93, 27 May 1781, ed. W. Upmeyer (Hanover, 1927);
A, st299 / p121,? C1781, ed. in DM, no.666 (1980);
st174, 175, both inc .;
st172 / p104 Doubtful;
st308 / p124, st309 / P118, st310 / p122, st311 / P120, st312 / p119, ajo ed. in DM, nos.331-5 (1971-2), Doubtful;
st313 / P116, ed. in DM, no.595 (1972), Doubtful;
st314, Doubtful; st209 / P123 (attrib. J. Haydn and G. Pugnani), st315 (attrib. J. Hafeneder), both probably spurious

Str tríos (for 2 vn, b, unless otherwise stated):
D, ST5 / P101, G, ST6 / P103, E, ST7, A, ST8, Variazione, E, st9, B, ST10, ajo? c1754-7, ed. CH Sherman (Stuttgart, 1987);
C, st27,? C1764-70, vn, vc, b, ed. CH Sherman (Stuttgart, 1978);
P102, Doubtful

4 dúos, vn, va, C, D, E, F, st335-8 / p127-30, 1783 (Vienna, 1788), ed. CH Sherman (Bellingham, WA, 1985) set completed by WA Mozart, k423, 424

Other chbr:
Partita, F, st59 / p107, 2 cl, 2 hn, bn, 22 Dec 1762, lost, listed in Lang (c1804);
Divertimento, C, st179 / P98, fl, va, b, before 1772;
Notturno, F, st185 / p106, 2 hn, 2 vn, va, b, 21 Dec 1772, ed. in DM, No.26 (1963);
Divertimento, B, st199 / P92, ob, bn, vn, va, b, 18 Sept 1774, ed in DM, no.24 (1962);
Divertimento, G, st406 / P94, fl, bn, hn, bn, va, 17 June 1785, ed. in DM, no.25 (1962);
Divertimento, D, st418 / p95, 2 ob, 2 bn, 2 hn, 9 March 1786, ed. in DM, no.312 (1969);
Divertimento, E, st516 / p111, cl, bn, hn, vn, va, 4 July 1790;
Divertimento, G, st518 / P96, ob, bn, 2 hn, va, b, 4 Sept 1790, ed. in DM, no.275 (1969);
Divertimento, C, ST600 / P115, eng hn, vn, va, b,? 3 Aug 1795/8 June 1790;
Divertimento, C, stAppx, 8 / p97, 4 hn, bn, Sonata, stAppx, 9 / p126, 2 vn, org, both lost, listed in Lang (1804);
Romanze, F, st806, hn, str,? C1802 (Vienna, nd), arr., Attrib. Haydn, of Larghetto from WA Mozart s Hn Conc. k447; st54, 55, st208 / p90, st173, 463, 464, ajo Doubtful;
p117, spurious, probably by JB Davaux

Literatura:

Partiturundament  A-Sca, MS, SSP, ed. M. Bischofreiter (Salzburgo, 1833)
50 kleine Orgelstücke zu nützlichen Übung für angehende Orgelspieler, bestehend aves Praeludien, Versetten und Cadenza  (MS, D-Mbs); edns (Linz, c1830), (Paris, c1960)

Charles Gounod – Romeo et Juliette Romeo & Juliet

Anna Netrebko «Je veux vivre» in Romeo and Juliet by Gounod (HD Paris 2007)

BIOGRAFIA

OBRA:

Vocal secular:

Operas:
Sappho (1851)
La nonne sanglante (1854)
Le médecin malgré lui (1858)
Fausto (1859)
Philémon et Baucis (1860)
La colombe (1860)
La reine de Saba (1862)
Mireille (1864)
Roméo et Juliette (1867)
Cinq-Mars (1877)
Polyeucte (1878)
Le tributo de Zamora (1881)

Secular partsongs:
Choeur de cazadores, ‘Où sommes-nuevos?’ (1855);
Hymne à la France (A. Peleo) (? 1856, 2/1879); El enclume (E. Barateau) (1856);
Vive el empereur (Lefranc), chant national (1856), also for 6vv [middle section, Prière, repubd as Tantum ergo (1883)];
La cigale et la Fourmi (La Fontaine) (1856);
Le Corbeau et le renard (La Fontaine) (1857);
Le retour diciembre Guerrieri, in La musique populaire, y (1863);
La chasse, ‘Au fond des Bois’ (1867): all TTBB, UNACC., Mosto repubd for 3 equal vv, pf ad lib
Le vino diciembre Gaulois te la danse del épée, légende Bretonne, TTBB, UNACC. (1854), arr. SATB, ORCH (1879/80) [as 4 grandes Choeur no.4], arr. pf solo (1878); with new texto Chant des compañeros (4 grandes Choeur no.3), TTBB, ORCH / pf (by 1858), arr. SATB, ORCH (1859/60)
La nuit (Crèvecoeur), T, SATTBB, UNACC. (1867, 2/1868 with pf acc.)
El affût (A. de Ségur), TTBB, unacc./pf, in 12 Choeur et une cantate (1869)
Matinée dans la montagne (E. Tourneux), solo vv, SATB, pf, in 12 choeur et une cantate (1869)
En la Frontière (J. Frey), chant Patriotique, solo vv, chorus, ORCH, Paris, Opéra, 8 Aug 1870, unpubd, F-Po
6 New Parte Songs ( London, 1872 oro 1873): [1 Omnipotente Lord (J. Mason), sacred ps, SATB, pf]; 2 Little Celandine (Wordsworth), SATB, pf [pubd as solo dúo (1872)]; 3 Gitanella (FE Ashley), SATB, pf; 4 Bright Star of Eve, 2 Choruses SATB, pf; 5 My true love Hath my heart (P. Sydney), SATB, pf [also pubd as solo song]; 6 Take me, Mother Earth (Mrs Jameson), SATB, pf
6 New Parte Songs, 2nd ser. (London, 1872 oro 1873): 1 The Farewell (T. Hood), TTBB, pf; 2 Go, lovely rose (E. Waller), SATB, pf; 3 The Bell (I. Bröchner), 2 Choruses SATB, pf; 4 Far from my native mountains (Miss Horace Smith, after Gounod), SATB, pf [arr. from solo song Loin du pays]; [5 Adam could find no sólido peace, SATB, pf]; 6 Le loup et al agneau (La Fontaine, with Ing. Trans.), TTBB, pf
En adelante! (P. Déroulède), chanson militaire, solo vv, vv, pf 2/4 hands (1875), many arroz.
Cantate pour la fête du TC Frère Libanos (Fr. A. Marie), SATB, pf (by 1876)
La liberté eclairs le monde! (E. Guiard), TTBB, ORCH (1876)
Le Ruisseau (Quételard), solo v, 3 equal vv, UNACC. (1883)
Las pequeños glaneurs (Quételard), 3 equal vv, UNACC. (1883)

Duets:
Deux vieux amigos (P. Véron), scène íntima, T, Bar, pf (1856)
Las châteaux en Espagne (Véron), T, Bar, pf (1858)
Par une belle nuit (A. de Ségur ), nocturno, S, A, pf (1870)
La siesta (Sp., anon.), S, S, pf (London, 1871)
The Message of the Breeze (FT Palgrave), S, S, pf (London, 1872) [Sequel to La siesta; in Fr. (C. Ligny) as La chanson de la brise (1872)]
Little Celandine (Wordsworth), S, A, pf (London, 1872) (in Fr. (Ligny) as Fleur des Bois (1872)]
Barcarola (It. , G. Zaffiro), S, Bar, pf (London, 1873)
Blessed is the man (Ps i), S, A, pf (London, 1873) (in Fr. (J. Barbier) as Bienheureux le coeur since ( 1875)]
Sous le feuillage (J. Barbier), duettino, S, A, pf (by 1876)
De un coeur quien t’aime (from Racine: Athalie), S, A. pf (1882) [different from the Choral setting]
Memorare (Lat., St Bernard), S, A, pf / org (1883)

Secular songs:
solo voice, piano unless otherwise stated
Joseph en Egypte, 1835, unpubd (F-Pn);
Où Voulez-vous aller ? (T. Gautier), Barcarolle, v, pf, vn / vc / fl / hmn (1839);
Venezia Doucin Compagno, by 1842, unpubd (F-Pn);
La fleur au papillon (Hugo), by 1842, unpubd ;
Premier Preludio de JS Bach (Lamartine: Hacia sur un álbum) (1852), arr. vv, solo vn, ORCH (1856), originally for Instant (1853), with texto Ave Maria (1859);
6 melodías (1855) : 1 Le premier jour de mayo (Gorrión), 2 O ma belle rebelle (Baïf), 3 Aubade (Hugo), 4 Chant d’automne, 5 Le lever (Musset), 6 Venise (Musset), Composed 1842;
Mon habit (Béranger) (1857);
Sérénade (Hugo), v, pf, hmn / vc ad lib (1857), numerous arroz .;
Chanson de printemps (E. Tourneux) (1860), arr. pf as 5e romance sanos paroles (1866);
El âme de la morte (Banville), melodía (1860)
Le vallon (Lamartine), Composed c1840-42 (1861);
Le juif errante (Béranger) (1861);
A une jeune grecque (P. Yraven, after Sappho and P. Collin), épitaphe (1862);
20 melodías, 1er Recueil (1863), incl. Las champs (Béranger), Seúl (Lamartine: La pensée des morts), El âme de un ange (Banville), melodía, Le soir (Lamartine) [Composed c1840-42, arr. pf as 3e romance sanos paroles (1861)];
Medjé (J. Barbier), chanson arabe (1865);
Solitude (Lamartine), melodía (1865)
Stances: si la muerte este le but (L. Bertin) (1866);
Crépuscule, melodía ( ‘P. et M.’) (1866);
Tombez mes Ailes! (E. Legouvé), romance (1866);
Au rossignol (Lamartine), armónico poética (1867);
Primavera (T. Gautier), melodía (1867);
Au printemps (Barbier), melodía (1868);
Donne-moi cette fleur (L. Gozlan) (1868);
Ce que je suis sans toi (L. de Peyre) (1868);
Hymne à la nuit (Barbier) (1868);
Chant d’amour (Lamartine), ORCH, 1868, unpubd;
A une jeune fille (E. Augier) (1869);
Envío de fleurs (Augier) (1869);
A une bourse (Augier), confidence (1869)
Départ (Augier), scène (1869);
Boire à l’ombre (Augier) (1869);
Hommage à Madame la comtesse Herminie de Léautard (Mme Bael) (1869);
Je ne puis espérer (A. Delpit), melodía dramatique (1870);
Absence (Ségur), melodía (1870);
Mignon (L. Gallet, after Goethe), melodía (1871);
Le souvenir (J. Collin), melodía (1871);
La pâquerette (Dumas hilos), chanson (1871);
Beware (Longfellow) (London, 1871);
Bolero (J. Barbier; Ing. Trans. B. Kelt) (London, 1871);
Sweet baby sleep (G. Wither), lullaby (London, 1871);
The sea Hath its pearls, v, pf, hmn / vn ad lib (London, 1871)
Oh! that we two were maying (C. Kingsley), v, pf, hmn and va ad lib (London, 1871);
Queen of Love (FT Palgrave) (London and New York, 1871);
The fountain mingles with the river (Shelley) (London, 1871);
It is not always May (Longfellow) (London, 1871);
Woe s me (Campbell) (London, 1871);
Good Night (Shelley) (London, 1871);
There is dew (T. Hood) (London, 1871);
20 melodías, 3e Recueil (1872), incl. A toi, mon coeur (Barbier), Aimon-nuevos (Barbier), tomar garde (Barbier), Sur la montagne (Barbier), Chanter te souffrir (A. Delpit), Rêverie (Barbier)
Chanson de avril: sérénade du pasando (F. Coppée) (1872);
The Worker (F. Weatherly) (London, 1872), also orchd;
Ma belle lleva este morte (Gautier), lamento (1872) [same texto as Chanson du pêcheur];
Oh! DILLE tú! (G. Zaffiro), Madrigale (London, 1872);
Perche pianga? (C. Pavesi) (London and New York, 1872);
Passed away (E. Saunders) (London, 1872);
Oh! Happy Home (E. Maitland) (London, 1872), also orchd; Maid of Athens (Byron) (London, 1872)
Biondini (Zaffiro), poemetto lírica [song cycle] (London, 1872); prol, Da qualche tempo, 1 Biondini bella, 2 Sotto un Cappello rosa, 3 Le labbra ella compose, 4 E stati alquanto, 5 Lo Messer nuove corde, 6 Se come io son poeta, 7 Siam iti el altro giorno, 8 E le campaneo hanno suonato, 9 Ell’è Malata, 10 Jer fu mandata, 11 El lo compagnata, [12 lo siempre nel Orecchio and Epilogue not Composed];
Cuanti más (Metastasio) (London, 1872);
Le pays bienheureux: cuestión de niño (Gounod, after Mrs Heman: The Better Land) (1872);
Heureux sera le jour (Ronsard) (1872);
Si vous n’ouvrez votre fenêtre (Dumas hilos) (1872);
La Fauvette (Millevoye), chanson, (1872);
If thou art sleeping (Longfellow) (London, 1873)
Loin du pays (Gounod), melodía (London, 1873), also arr. vv;
Peacefully Slumber, lullaby (London, 1873), arr. vn, pf as Berceuse (1875);
Roy ‘s Wife of Aldivalloch (Folksongs arr.) (London, 1873);
Chidiock Tichborne (old ballad) (London, 1873);
Welcome to Skye (old Jacobite song) (London, 1873);
Ilala: Stances à la mémoire de Livingston (Lord Houghton) (London, 1873), also orchd;
Parlez pour moi (Barbier), romance (1875);
Le memorare du soldado, Prière, Bar solo, ORCH, vv ad lib (1875)
A une soeur (O. Pradère), romance (1875);
En la brise (Aura gentil che mormori) (Fr. trans. Barbier) (1875);
Mon amour a mi coeur (Barbier), melodía (1875);
Viens, las Gazon sont verdes (Barbier), chanson (1875);
Las lilas blancos (P. Bourguignat), valse chantée (1876);
When in the early morning (E. Maitland), (London, 1876);
Le banco de pierre (P. de Choudens) (1876);
Ma fille, souviens-toi (Louise Marie B.), melodía (1876);
Prière (Sully-Prudhomme) (1876);
Cumplimiento (Dumas hilos) (1876);
El ausente (Gounod), melodía (1877)
My daddy is a cankered carl (old Scots song) (London, 1877);
20 melodías, 4e Recueil (1877): Le départ du mousse (P. Barbier), Barcarolle, and several of the above; Vive la France (P. Déroulède), chant Patriotique (1878), also with vv ad lib;
Mélancolie (Coppée), rêverie in Gil-Blas (1880), also separately (1881);
Ring out, wild bellos (Tennyson, In memoriam) (London, 1880);
A Cécile (G. Dubuffe), melodía (1881);
Réponse de Medjé (M. Barbier), melodía (1882);
Chant des sauveteurs bretones (A. Segalàs) (1882); Pauvre Braga (G. Nadaud) (1882); Elle salto! (G. Boyer) (1882); Les deux Pigeons (La Fontaine) (1883)
La chanson de la glu (J. Richepin) (1883);
Dernier voluntad (L. Veuillot) (1883);
Vaguons sur las flotas, Barcarolle (1884);
Blessures (H. Taupin) (1885);
Voix de Alsacia-Lorena (R. Rousseil) (1885);
The Arrow and the Song (Longfellow) (London, 1885);
Le temps des rosas (C. Roy) (1886);
Vincenette (P. Barbier), chanson provençale (1887);
Passiflora (J. de Chambrun) (1888);
A la nuit (Gounod) (1891);
Tout el universo obedecido al amour (La Fontaine) (1893);
El AVEU (J. Rameau) (1894) [Gounod s last melodía];
Chanson Printaniere (J. Barbier) (1895);
La chanson du pêcheur (Gautier), Composed 1841 (1895) [2nd setting of texto as Ma bella lleva este morte (1872)];
Soir d’automne (Gounod) (1896)

Children ‘s songs and partsongs:
for equal voices, unaccompanied unless otherwise stated
* later published for solo voice, piano
La Prière te la étude, huevo El emploi de la journée (C. Turpin) , 3-4vv (? 1853-5): El arithméthique, La musique, La Recreation, La géographie, El écriture, La lecture, La grammaire, Le dibujo, El histoire de France, La histoire sainte, La Prière du matin, La Prière du soir, Reine diciembre cieux, La action de Grace, Le Catéchisme, Le Benedicite, el Angelus
Paraissez, roi des Rois, chant de prix, 3vv (1854);
Las pauvres du buen Dios, 3vv (1854);
* Le tiempo quien fuit et qui s’envole, 3vv (1855);
* Las vacaciones (L. Bigorie), 3vv (? 1855);
* La distribution diciembre prix, 3vv (1855);
Le jour diciembre prix (E. Scribe), 3vv (? 1855);
Un rêve (M. Spenner), 4vv (1855);
* Le nid (A. Quételard), 3vv, pf (? 1855);
Las Couronnes (E. Plouvier), Choeur compone pour distributions de prix, 2vv, pf / UNACC. (1856, 2/1886): 1 Le travail Beni, 2 La hechas desde Couronnes, 3 Dios partout; Cantate pour jeunes hijas (pour la distribution diciembre prix) (Turpin), 3vv, pf (1856)
hechas desde écoles (A. Lefevre), 3-4vv (1856);
Livron nos coeurs à l’espérance, 3vv (1856);
Aux amigos del enfance (nd);
* Le rosier blanco (Spenner), 3vv (1857);
* Bonjour, buen soir (Spenner), 3vv (1857);
* El ange gardien (A Quételard), 4vv (1858);
* Patte de terciopelo (Spenner), 3vv (1858);
* La jeune fille et la Fauvette (E. de la Chauvinière), 1v, pf (1860), also for 3vv; Infantes ave doux visage (La Chauvinière), 1v, pf (1868);
Le mois de Marie, Cantique, 1v / unísono vv, pf / org (1868) [also pubd as Prière à la Vierge];
La Charité (La Chauvinière), 3vv (? 1883)

Vocal religiosa:

Masas:
Messe à grand orchestre, 1839, unpubd
Messe à grand orchestre, a-E, A, T, TTB, 1841, unpubd (F-Pn)
Requiem à gran orchestre, 1842, unpubd
Messe, UNACC., 1843, unpubd
Messe, c, TTB, org, 1845, unpubd (F-Po)
Messe breve te salud, c-E, TTBB, UNACC., op.1 (1846)
Messe, c-c, TTB, 2 S ad lib, UNACC. (1853, 2/1853 as Messe aux Orphéonistes, 4/1863 as Messe no.1 aux Orphéonistes, with org ad lib)
Messe solennelle de Sainte Cécile, G, S, T, B, SATB, ORCH, org (1855), vs with new 2nd Offertory (London, 1874)
Messe, G-C, TTBB, org ad lib (1862 as 2ème messe pour les sociétés Choral; 1882 for 3 equal vv, org ad lib as Messe no.3 aux communautés réligieuses 1893 for S, A, T, B, SATB, org as Messe no.6 aux Cathedral)
Messe breve, C, T, T, B, TBB, org (1871, 2/1892 as Messe breve no.5 aux seminarios)
Messe breve , pour las muertes (Requiem), F, solo vv, double chorus SATB, ORCH, vs (London, 1873)
Misa angeli custodes, C, S, A, T, B, SATB, org (London, 1873)
Messe du Sacré -Coeur de Jésus, C, S, A, T, B, SATB, ORCH, vs (1876)
Messe, C, 2 equal vv, org / hmn (1877; c1890 as Messe breve no.7 aux Chapelles, solo vv, SATB, org / pf)
Messe funèbre, F, SATB, org ad lib (1883) [arr. from Gounod s music by J. Dormois]
Messe solennelle no.3 de Pascua, E, SATB, ORCH, vs (London, 1883)
Messe à la mémoire de Jeanne de Arco précédée de un Preludio avec fanfare sur l’entrée dans la cathédrale de Rheims, F, S, A, T, B, SATB, org (1887) [Preludio, SATB, 8 TPT, 3 trbn, org]
Messe solennelle no.4 sur l’intonation de la liturgie catholique, g-g , SATB, org, for beatification of JB de La Salle (1888) [preceded by TED]
Messe de St Jean, de después le chant gregoriano, C, SATB, org (1895)
Messe dite de Clovis, de después le chant gregoriano, C, SATB, org (1895)
Requiem, C (S, A, T, B, vv, pf) / (S, A, T, B, pf / org) / (2 equal vv, pf / org ) (1895) [Gounod s last work, arr. and ed. H. Busser]

Latin liturgical:
unaccompanied unless otherwise stated
TED, 2 Choruses SSTTB, 1841, unpubd;
Offices de la Semaine Sainte sur la Psalmodie rhythmée del Epistolier parisien, op.2 (1847);
Domine salvum fac, C, 3 equal vv (1853);
Ave verum, C, 3 equal vv (1854);
Santa María, A, 4vv (1854);
Ecce panis, F, SATB (by 1856);
O salutaris, 4vv (1855);
Regina coeli, A, 5vv (1855);
Ave verum, 4vv (by 1856);
Virgo singularis, a, 4 equal vv (by 1856);
Ave verum, 5vv (by 1856);
Santa María, 2vv (by 1856);
O salutaris, 4vv (by 1856);
Ave regina, C, 4 equal vv (by 1856);
Da pacem, G, 2 equal vv (by 1856);
Da pacem, F, STB (by 1856);
Pater noster, G, SATB (by 1856);
O salutaris, 4vv (1856)
Inviolata, C, 4 equal vv (1856);
Regina coeli, B, 2 equal vv, pf / org (1856);
Laudate Dominum, C, 2 equal vv, pf / org, db (1856);
Ave verum, B, S / T solo, pf / org (1856);
Ave verum, y, B / A solo, org (1856, 2/1863);
O salutaris (4 motetes solennels no.1), A, Mez / T, SATB (ORCH, org) / org (1856, 2/1864);
Inviolata, 2 equal vv, in La maîtrise, iii (1859-60) [possibly arr. from the Earlier setting];
Ave verum, C, 2 S, in La maîtrise, iv (1860-61);
Ave verum, C, 4 equal vv (1863)
Ave verum (4 motetes solennels no.2), E, SATB, ORCH / org (1863);
Ave verum (4 motetes solennels no.3), C, S / T, SATB, ORCH / org (1864);
Veni Creator Spiritus, G, TTBB, UNACC. (1864);
O salutaris (4 motetes solennels no.4), E, T / S, Bar / Mez ad lib, org, hp, hns, vc, db (1866);
Ave regina coelorum, A, S, T, org (1866), with texto Ave Maria (1883);
Adoro te Supplex, F, SSTTBB (by 1867);
3 Jolis motetes faciles, 2 equal vv, org ad lib (1868):
Ave verum, F, Tota pulchra es, B, Sub tuum, B;
Christus factus est, B, S / T, ORCH, pf / org, hmn ad lib (? 1868);
Ave verum, E, SSATB (1868, 2/1868 with pf / org)
Sicut cervus, A (SATB) / (TTBB) (1868, 2/1869 with org ad lib);
De profundis, c-C, S, A, T, B, SATB, ORCH (London, 1871);
O salutaris, A, SATB, kbd (London, 1871);
O salutaris, A, Mez, T, org (1871);
Vexilla regis, g, SATB, org (London, 1873);
Pater noster, SATB, org (London, 1873);
Ave verum, C, SATB, org (London, 1873);
60 [Lat.] Chants sacra (Paris, 1876-8, 2 /? 1887) [collection of mass MOVT, motetes, hymns, etc, incl. many of the preceding and Adoramus té, F, 4vv;
Por sanctissimam virginidades, A, 4 equal vv;
Alma Redemptoris, A, 4 equal vv;
Deus meminerit, c, 4 equal vv;
Domine salvum fac, G, 4vv, donde ‘God save the Queen’;
O salutaris, D, SSTTB; O salutaris, D, S / T, org;
O salutaris, D (another setting), S / T, org;
O salutaris, E, 2 equal vv]
Laudate Dominum, pubd with EDN of Messe de Sainte Cécile (1879);
Miserere, 4 solo vv, 4vv, org ad lib, (1880);
O salutaris, C, SST, pf / org (1887);
Quam dilecta Tabernáculo tuya, Bar,? Org (1888);
TED, G, 4 solo vv / small chorus, vv, HPS, org (? 1888);
In principio erat verbum, SATB, org (1888) (also as ‘Le jour de Navidad (Epilogue)’ 1895);
Vivat (also Fr., Hymne pour la recepción de un Eveque), equal vv, org (1892);
Pater noster, 5 solo vv, 5vv, org (1893);
O salutaris, A, solo v, pf / org, in La ilustración (1898), suppl. to no.2880

Sacred oro piou parte-music in french oro english:
El éternité (MO Malory), Stropharia, SATB, UNACC. (1854, 2 /? 1883 with pf / org in 14 grandes Choeur)
Tout el universo este plein de sa magnificence (Racine), 2 Choruses SATB / SATTBB, UNACC. (before 1856, 2/1862 with pf / org)
Oraison à la très sainte vierge, SATB (1856)
Cieux, fondez-vous en pleura, Cantique du XVII siècle, 4vv (1856)
Las sept paroles de NS Jésus-Christ sur la croix, SATB, UNACC. (1858, 2/1866)
Fixer ici ton suerte, Cantique du XVII siècle, 4vv (1859)
Dans cette Étable, pastorale sur un Noël du XVIII siècle (4 grandes Choeur no.2), SATB, ORCH (1859); many arroz. as Bethleem
Cerca du río étranger (4 grandes Choeur no.1) (A. Quételard, Ps CXXXVII), SATB, ORCH / pf / org (1861)
Prière à Marie (E. Bouscatel), SATB, pf / org (1861)
Le Vendredi-Saint (A. Badou), SATTBB, UNACC. (1865/6, 2/1868 with pf)
Prière du soir (E. Manuel), SATTBB, UNACC. (1866, 2/1869 with pf, org ad lib in 12 Choeur et une cantate) [also pubd as solo song (1872)]
Noël (J. Barbier, after Uhland), Chant des religieuses, S, A, SSA, pf , org ad lib (1866); as Chantez Navidad, S, A, pf (1867), 1v, pf (c1869)
Le crucifijo (Hugo), SATTBB (1866, 2/1869 with pf / org in 12 Choeur et une cantate) [also pubd as solo song]
Stabat mater (Fr., Abbé Castaing), SATB, ORCH (1867)
De un coeur quien t’aime (from Racine: Athalie), 2 Choruses SATB, UNACC., Composed 1851 (nd, 2/1869 with pf / org in 12 choeur et une cantate)
Las Martyrs (A. Quételard), scène Chorale, TTBB, unacc./pf (1871)
A New Morning Service, SATB, org (London, 1872): Ted (Ing.), C; Bs (Ing.), G
An Evening Service, SATB, org (London, 1872): Mag (Ing.), D Nunc (Ing.), B
Omnipotente Lord (J. Mason), sacred ps, SATB, pf (London , 1872/3) [6 New Parte Songs no.1]
Adam could find no sólido peace, SATB, pf (London, 1872 oro 1873) [6 New Parte Songs, 2nd ser., no.5]
Grandeur de Dios, SATB , UNACC. (Nancy, 1876)
Je te rinde Grace, ô Dios d’amour (P. Collin), Cantique, SATB, pf / org (1892); other arroz., 1-2vv, org
Toujours à toi, Seigneur (Collin), 4vv, pf / org (1892); other arroz., 1-2vv, org

Oratorios, cantatas etc .:
Marie Stuart te Rizzio, scène lírico, solo vv, ORCH [second prix de Rome, 1837] unpubd, F-Pn
Fernand, scène lírico, solo vv, ORCH [ premier grand prix de Rome, 1839] unpubd, F-Pn
Pierre el ermite, scène dramatique, solo vv, chorus, ORCH, 1849, unpubd (arr. pf 4 hands, Stockholm, Stiftlesen musikkulturens främjande)
Tobie (H. Lefèvre) , pequeño orado, vs (1865)
Le templo del armónico (canto., Barbier and Carré), S, Mez, A, SSTTBB, pf / ORCH, vs in 12 choeur et une cantate (1869)
Gallia: lamentation (Gounod ), motete, S, SATB, ORCH, org, for opening of London International Exposition, 1871 (London, 1871)
Jésus sur le lac de Tibériade, scène biblique, solo v, chorus, ORCH, (1875), vs (1878)
la Redemption (Gounod), sacred trilogy, solo vv, chorus, ORCH, vs (London, 1882), fs (London,? 1883)
Mors et vita (Gounod), sacred trilogy, solo vv, chorus, ORCH, vs (London , 1885), fs (London, 1885)
Saint-François de Assise, diptyque musical, T, B , Vv, ORCH, 1891, unpubd, F-Pn

Sacred and piou songs:
for solo voice, piano / órgano unless otherwise stated
A la reine diciembre apóstoles (Gounod), chant pour le départ diciembre missionaires du Seminario diciembre misiones étranger (1852, 2/1856 as Chant pour le départ diciembre missionaires du Seminario diciembre misiones étranger, 3/1869 as Le départ diciembre missionaires (C. Dallet), 1v / 2vv / 4vv, pf / org)
Jésus de Nazareth (A. Porte), chant évangelique, Bar, pf, org ad lib (1856); arr. Bar, STB, ORCH (1864); innumerable arroz., in Eng. as Nazareth
Ave María, melodía religieuse adaptée ave 1er Preludio de JS Bach (1v, pf) / (1v, vn, org, pf) / (1v, vn, org, pf, ORCH) (1859); many arroz .; for Earlier versiones see Instrumental Chamber and Secular Songs
Jésus à la crèche (Navidad) (RP) (1864), also as Jesus à la AUTEL, souvenir de 1ère communion (RP) in La musique populaire, iv / 13 (? 1866)
Le ciel a visite la terre (A. de Ségur), Cantique después de la communion, 1v / unísono vv, pf, org / hmn (1869); several arroz.
Cantique pour l’anniversaire des Martyrs: Seminario diciembre misiones étranger (C. Dallet) (1869)
Prière pour l’Empereur te la famille Impériale (Mme Bael) (? 1869)
6 cantiques (1870), incl. Le nombre de Marie (Ségur), Chantez, voix Beni (L. Gallet) [Hymn in honour of Pius IX], Notre Dame des pequeños infantes (Ségur)
There is a green hill far away (Mrs CF Alexander), sacred song ( London, 1871)
Thy will be done (C. Elliot, Ps y) (London, 1872); Fr. as Que ta volonté soit faite (1873)
Prière du soir (C. Ligny) (1872)
entre me not to leave thee (Ruth s Song) (London, 1873); other arroz.
To God, ye Choirs above (P. Skelton), sacred song (London, 1873)
Abraham s Request (Anita) (London, 1873)
My beloved spake (Song of Solomon), 1v, pf, vc obbl (London, 1873); Fr. (J. Barbier) as Viens mundo coeur (1873)
Cantique pour la première Communion (RP Dulong de Rosnay) (1874)
La Salutation Angélique (Gounod), 1v, pf, vn / vc, org ad lib (1877) (alternative Lat . texto: Ave Maria]
The King of Love my shepherd is (HW Baker) (London, 1884); Fr. (P. Collin) as Le roi d’amour (1892)
Cuando el infante prie (G. Boyer) ( 1884)
Glory to thee, my God, this night (Bishop Ken), evening song, Composed 1872 (London, 1884)
Hymne à St Augustin (Abbé Ribolet), unísono vv, org (1885)
Forever with the Lord (J. Montgomery ), Composed 1872 (London, 1886)
Ce qu’il faut á mi âme (F. Sédillot), Cantique (1887)
The Holy Vision (F. Weatherly), sacred song (London, 1888)
Hymne de la patrie: Notre Dame de France (G. Boyer), ORCH, vs in Le figaro (15 Aug 1888); also pubd separately (1888)
Ave Maria no.2, meditation donde a second prelude by JS Bach (London, 1889); several arroz.
L Ave María del infante, Composed? 1872 oro 1,873 (1891)
Ave Maria, B (1894) [pubd as Gounod s last composition]
Repente, scène sueldos forme de Prière, Mez, ORCH, vs in Revue de Paris (15 Dec 1894), 673; also pubd separately (1895)
El Eucharistie (Frère euch), Cantique (1895)
El Hymne à l’Eucharistie (E. Julliotte) (1900)
La paix de Dios (AL Hettich, after M. Henry) (1913)

Instrumental :

Orchestral and band:
Scherzo, 1837, unpubd
Symphony no.1, D (1855)
Symphony no.2, E, perf. 1856 (late 1850s)
Marche Pontificale (Marche romaine), for anniversary of Coronation of Pío IX (1869)
Saltarello (London,? 1865)
Funeral March of a Marionette, d, pf (London, 1872), orchd (1879)
Marche- fanfare, E, brass band, for 12th Hussars, arr. pf 4 hands (London, 1876)
Marche religieuse (Marche festivale), C, arr. pf 4 hands / org / hmn (1876), fs (1878)
Marche solennelle, E, arr. pf 2/4 hands / org (London, 1878)
Wedding March no.2, A, for wedding of Duke of Albany, 1882, arr. pf 2/4 hands / org (London, 1882)
Fantaisie sur l’Hymne national Russe, pedal pf, ORCH (1886)
Suite concertante, pedal pf, ORCH, arr. 2 pf by Saint-Saëns (1888)
Dance roumaine, pedal pf, ORCH, arr. Band (1890), 2 pf (1896)

Chbr .:
6 melodías, g, E, B, C-C, F, B, hn, pf (c1840-48)
Méditation sur le 1er Preludio de piano de JS Bach, pf , vn / vc, org / vc ad lib (1853) [arr. solo song)
Méditation sur Faust, pf, hmn, vn / vc (1861)
Hymne à Sainte Cécile (vn solo, HPS, timp, wind, db) (vn, org, pf) (1865); other inst arroz .; arr. as Ave verum (c1878)
Méditation, B, pf, org, vn / vc (1873); arr. from an aria in La nonne sanglante; Earlier arr. as Le calme, 4e chanson sanos paroles, pf solo (1865)
Cinq mares, Fantaisie concertante, pf, vn (1878)
Wedding March no.1, C, 3 TRB, org, for wedding of Duke of Albany, 1882 (London, 1882)
Petite étude-scherzo, D, 2 db (1885)
Meditation on The Arrow and the Song, D, pf, vn / cornete, vc, org (London, 1886)
String Quartet, g, unpubd
Pequeño cuarteto (str qt) , C, unpubd, F-Pn
String Quartet no.2, A (ded. Morsick, Rémy, Van Waefelghen, Delsart), unpubd, F-Pn
String Quartet no.3 (ded. Mme. Dergenétais), unpubd, F- pn
String Quartet no.3 [sic], en (1895)
Petite symphonie, fl, 2 ob, 2cl, 2 hn, 2 bn, Composed 1885 (1904)

Piano:
Valse (1854);
El Angelus, pequeño Morceau très facile, C, 4 hands (1858) Menuet, g, 4 hands (1858);
Valse característica, D, 2/4 hands (1861);
2 romances sanos paroles (1861): 1 La pervenche, B, 2 Le Ruisseau, G;
Marche nuptiale, F, 2/4 hands (1861);
Las pifferari, impromptu très facile, F (1861);
Le bal de infantes, valse facile, C (1861);
Musette, impromptu, a (1863);
Royal-Menuet, C (1863);
Georgina, valse, D (1864), as Grand Valse in D (London, 1877)
Le calme, 4e romance sanos paroles, D (1865) [arr. from an aria in La nonne sanglante];
Valse diciembre fianzas, D, 2/4 hands (1865);
Souvenance, nocturno, E (1865);
Le rendez-vous, suite de valses, D, Composed 1847, pf 2/4 hands (1866), ORCH (London, 1887);
Ivy (Le lierre), romance sanos paroles, B (London, 1871);
Funeral March of a Marionette, d (London, 1872), orchd (1878);
Dodelinette, lullaby, G, 4 hands (London, 1872), arr. 2 hands (London, 1873), other arroz .;
Choral te musette, F (1874)
Trois pequeños Morceaux pour enfants, 4 hands (before 1875): La nacelle, C, Rosie, G, Le page, C; La valse diciembre Sylph, A (1874);
La veneziana, Barcarolle, g (1874);
Preludio, c (1877);
Matinée además, in La ilustración (1896), suppl. to no.2761

Other:
Org:
Communion, in La maîtrise, ii / 1 (15 April 1858);
Offertorium (London, 1876);
Marches, entrées te salías à la usage du Service divino (1896) [arroz. of Earlier works]

Pedagogical:
Méthode de corazón à pistones (early 1840s);
[6] Préludes te fugas pour l’étude préparatoire ave Clavecin bien Tempe de Jean Sébastien Bach, G, y, C, D, F, a (1895)

Literatura:

‘ Las contrefaçons musicales à l’étranger ‘, Le Ménestrel, xxxix (1873), 5
‘ La novena symphonie de Beethoven [Lettre à Oscar Cometti] ‘, Le Ménestrel, xl (1874), 189-90
‘ Las compositores chefs de orchestre ‘, Le Ménestrel (June, July 1873); repr. in Autobiographie (1875); Ing. trans., OQ, xii / 4 (1995-6), 5-17
ed. G. Weldon: Autobiographie te artículos sur la rutina en matière de arte (London, 1875) [1. ‘Sur la rutina en matière del arte’, 2. ‘Le public’, 3. La critique ‘, 4. La propriété artistique’ (inc.), 5. ‘Urgence de un congreso artistique international’ ( inc.), 6. ‘Las auteurs’ (inc.), 7. La critique musicale anglaise ‘, 8.’ Préface ave Georges Dandin de Molière ‘, 9.’ Las interprètes ‘(inc.), 10.’ L ‘enseignement’ (inc.), 11. ‘Las compositores chefs de orchestre’, 12. ‘las peras de la iglesia de la musique’]
‘ Preface to Hector Berlioz: lettres íntimos ‘, Nouvelle revue, iv (1880 ), 801; pubd separately (Paris, 1882; Ing. trans., 1882, as Life and Letters of Berlioz, ii); Preface repr. with Mémoires de un artista (1896)
‘ El allaitement musical ‘, Le nouveau-né (Jan 1882); repr. Le Ménestrel, XLVIII (1882), 57-9
‘ Le Don Juan de Mozart ‘, Le Ménestrel XLVIII (1882), 388-9, 395-7
Review of C. Saint-Saëns: Henry VIII, Nouvelle revue, xxi (1883 ), 487; repr. with Mémoires de un artista (1896)
Preface to A. Mortier: Las soirées Parisiennes de 1883: par un monsieur del orchestre (Paris, 1884)
Preface to Mors et vita: a Sacred Trilogy … Book of Words (London, 1885 )
Preface to R. Mulholland: Une idée Fantasque (Paris, 1885)
‘ Considerations sur le théâtre contemporain ‘, Annales du théâtre et de la musique, xi (1886)
Review of C. Saint-Saëns: ‘Proserpine’, Le figaro ( 18 March 1887)
Review of C. Saint-Saëns: ‘Ascanio’, La France (23 March 1890)
Le Don Juan de Mozart (Paris, 1890, 5/1909 / R; Ing. trans. of 3rd EDN, 1895 / R )
Preface to S. Frère: Maman Jean (Paris, 1891)
‘ del artista dans la société moderne ‘, Revue de Paris, ii / 6 (1895), 25; repr. with Mémoires de un artista (1896)
‘ Mémoires de un artista ‘, Revue de Paris, ii / 3-4 (1895); pubd separately (Paris, 1896; Ing. trans., 1896 / R, as Charles Gounod: Autobiographical Reminiscence, with Family Letters and Notes on Music), enlarged, incl. unpubd letters and the lecturas ‘La Académie de France à Rome’ (Jan 1882) and ‘La nature et al arte’ (25 Oct 1886)
Después vingt años et autres poesía: avec quelques palabras de explication par Georgina Weldon (Paris , 1902) [poems communicated to Mrs. Weldon by the spirit of Gounod]

André Campra Requiem Christophe Rousset Les Talens Lyrique

André Campra 
Requiem 
Christophe Rousset & Les Talens Lyriques
Introit 0:00
Kyrie 7:05
Graduel 10:43
Offertoire 16:00
Sanctus 25:02 
Agnus Dei 28:05
Post Communio 33:55

Biografia

OBRA:

Vocal secular:

Stage:
L’Europe galante, ópera-ballet, 1697
Venus, feste galante, 1698
Le Carnaval de Venise, 1699
Hesione, tragédie lírica, 1700
Le destin du nouveau siècle. Opéra .1700
Aréthuse, ópera-ballet, 1701
Tancrède, tragédie lírica, 1702
Las Musas, 1703
Télémaque, tragédie lírico pastiche, 1704
Ifigenia en Táuride, tragédie lírica, 1704
Alcine, tragédie lírica, 1705
Hippodamie, tragédie lírica, 1708
Las Fêtes vénitiennes , ópera-ballet, 1710
Idoménée, tragédie lírica, 1712
Télèphe, tragédie lírica, 1713
Énée te Didon, fête musicale, 1714
Camille, reine diciembre Volsques, tragédie lírica, 1717
Las Musas rassemblées par l’Amour, idylle en musique, 1723
Las Sauvages, 1729
Achille te Déidamie, tragédie lírica, 1735

Cantatas and airs:
Cantatas Françoises, 1v, instante … livre premier (1708 / R1990 in ECFC, ii):
Hébé, El heureux Jaloux, Didon, Daphné, Arion, Les femmes
Cantatas Françoises, 1v, instinto, avec un dúo … livre second (1714 / R1990 in ECFC, ii):
Las heureux époux, Silene, Achille oisif, la dispute del Amour et del Hymen, la danse de Flora, Eneas te Didon, dúo
Cantatas Françoises, 1v, avec Simphonie te sanos Simphonie … livre troisième (1728 / R1990 in ECFC, iii):
El heureux momento, Las capricho del Amour, La colère de Achille, Las plaisirs de la campagne, Le papillon, Le Jaloux, Le lys et la rose
La guerre, canto., 1v, Instant (nd)
Silene te Bacchus, canto., perf. Paris Opéra, Oct 1722, lost

Airs and sacred contrafacta in the following collections:
Airs Italiens … danzas ave Prologue te dans el acto du Bal des Fêtes vénitiennes (nd);
Airs nouveaux … de Messieurs Campra te Batista … chantez … pendant las Representation de Theta te Pelée (1708);
Airs Spirituel diciembre meilleurs auteurs, ii (1701);
Conciertos paródicas (1721-32);
Duo Choisis de Brunettes (1728-30);
La lire maçonne (The Hague, 1763);
Las parodias du nouveau théâtre italien (1731-8);
Las parodias nouvelles te las vaudevilles inconnus (1730-37);
El Imitation de Jésus-Christ (1727);
Mercure de France (Jan 1722, March 1730, April 1733);
Meslanges de musique latine, françoise te italienne (1725-7);
Nouveau plaisir des Dames (nd);
Nouveau Recueil de chansons choisi (The Hague, 1726-43);
Nouveau Recueil de dance de bal (1712);
Nouvelles Poésies morales (1737);
Nouvelles Poésies spirituelles te morales (1730-37);
Recueil de airs ajoutez à differentes opéra (1710-34);
Recueil de airs serio te à boire (1698, 1700-20; Amsterdam, 1707-9);
Recueil de danzas (1704);
Recueil diciembre meilleurs airs Italiens (1703-8);
Second Recueil diciembre nouvelles Poésies spirituelles te morales (1731)

Vocal religiosa:

Misa, 4vv, cui titulus Ad majorem Dei gloriam (1699); ed. La Montagne (Paris, 1952), ed. E. Lemaître (Paris, 1991)

[14] Motetes, 1-3vv, bc, livre premier (1695):
Paratum corazón meum;
O sacrum convivium, C LXIII;
Quemadmodum Desideri cervus, C LVI;
Salve regina;
Laudate Dominum;
Insertaba Domine;
Exurge Domine;
Laudabit usque ad mortem;
Diligam te Domine;
In Domino gaudebo;
Tota pulchra es;
In te Domine;
Disipa Domine;
Quam dilecta

[12] Motetes, 1-3vv, instinto, c … livre second (1699):
Jubilate Deo, C xxxii;
Ubi se Deus, C LXIII;
Ave regina coelorum;
Ecce quam bonum;
Florete prata;
Laudate Dominum;
Cantate Domino, ed. in HAM ii;
Cum invocaremos;
Omnes gentes;
O Jesu amantissime;
Immensus se Domine;
Deus in adjutorium meum

[11] Motetes, 1-2vv, c … livre troisième (1703):
Confitemini Domino;
Benedicam Dominum;
O dulcis amor, C xvii;
Sub tuum praesidium;
Deus misereator nostri;
Pange lingua gloriosa;
Cari Zéphirin volate, 1v, 2 vn, bc;
Cantemus exaltemus;
Dominus regnavit;
In convertendo Dominus, chorus, instante;
Quis ego Domine

9] Motetes, 1-3vv, sanos symphonies te avec symphonies, livre quatrième (1706; rev. 2/1734 with 2 new motetes: Benedicat anima mea; Domine salvum fac):
Beatus vir;
Domine
Dominus noster, K iii;
Regina coeli;
Quam dulce este, C vino;
Beati omnes;
Exaltabo té, C ix;
Cantate Domino;
Dialogue del amour divino te del âme;
Salvum me fac Deus

[10] Motetes, 1-3vv, instante … cinquième livre (1720, rev. 2/1735 with 2 new motetes: Alma Redemptoris mater; Sub tuum praesidium):
Domine quis habitabilidad;
Eructavit corazón meum;
Nisi quia Dominus;
Ecce ego Domine;
Nunc dimittis;
Coeli enarrant;
Venite exultemus Domino;
Dominio este suelo;
Domine in virtute tua;
Ecce panis angelorum

Recueil diciembre motetes (1703) [= BKS 1-3];
Recueil de motetes (1712) [= BKS 1-4];
Recueil 12 60 motetes (1735) [= BKS 1-5]
[2] Pseaumes mis en musique à grande choeur … livre premier (1737): Notus in Judea Deus, Benedictus Dominus
[2] Pseaumes mis en musique à grande choeur … livre second (1738): Deus in nomine tuo, Cantate Domino Canticum novum

Others:
Messe de requiem, c1722, F-Pn; ed. HA Durand (Paris, c1957), ed. E. van Straaten (Paris, 1983)
Plainsong mass in Mies de diverso auteurs, Pn

25 grande motetes, Pc:
In convertendo, 1703, rev. 1726;
Confitebor tibi, 1706, rev. 1722;
Nisi Dominus, 1712, rev. 1722;
Beatus vir, 1713, rev. 1722;
Laudate pueri, 1716;
O panis Deus, 1722;
De profundis, 1723, ed. HA Durand (Paris, c1960);
Deus in adjutorium, 1723;
Ecce panis angelorum, 1723, ed. L. Boulay (Paris, c1962);
Pange lingua, 1723;
Sacris solemnis, 1723;
Regina coeli, 1724;
Miserere mei, 1725, rev. 1726;
O filii, c1725;
Omnes gentes, 1725, ed. HA Durand (Paris, c1960);
Deus noster refugium, 1727, ed. B. Lespinard (Paris, 1993);
Lauda Jerusalem, 1727;
Te Deum, 1729, ed. L. Boulay (Paris, c1960);
Eructavit corazón meum, 1733;
Cum invocaremos, 1734;
Jubilate Deo, 1736;
Coeli enarrant, 1737;
Magnus Dominus, 1737;
Benedicam Dominum, 1739;
Deus judicium tuum, 1741

7 motetes, S, B, Pn:
Usquequo Avertis, 1700/1713;
Confitebor tibi, 1706, rev. 1722;
Laetatus sum, 1713;
Nisi Dominus, 1712, rev. 1722;
Beatus vir, 1713, rev. 1722;
Laudate pueri, 1713;
Magnificat, 1.716;

5 anon. others in same MS possibly by Campra:
Audite insulae, 1713;
Cantate Domino, 1713, rev. 1722;
In exitu Israel, 1713, rev. 1722;
In nomine Jesu;
Veni Creator Spiritus, 1713

7 motetes in Motetes diverso de Campra, Pellegrin, Gilles, AIXm:
Dixit Dominus (gran motete), 1.716;
Dixit Dominus (pequeño motete), 1716;
Ecce panis angelorum, 1723;
Beatus vir;
Confitebor tibi Domine;
Magnificat;
Nisi Dominus

4 motetes in Receuil de motetes de differents autheurs, AIXm:
Usquequo Domine, 1716;
Confitemini Domino, 1716-22;
Cum invocaremos, 1716-22;
Deus in adjutorium, before 1717

6 extractos in Récits te dúo de M. Delalande, Pn:
Usquequo Avertis;
Noel;
Deus noster refugium;
Suscepit Israel (from the Magnificat);
Vanum este nobis (from Nisi Dominus);
Fluminus ímpetus (from Deus noster refugium)
Isti sunt agni novel (motete), 1716, Pn
Iste este vas electionis (motete), 1716, Pn

Copias of printed motetes, F-AIXm, Pc, Pn; US-BEM;
Some other motetes listed above may be duplicados.

François Couperin – Troisième Leçon De Ténèbres À 2 Voix

Francois Couperin Office des Tenebres,Lesne

OBRA:

Vocal religiosa:

MS sources: Elevado [iones] de Couperin (score), FV 59
Motetes a voix seule, 2 te 3 parties te Symphonies de Mr Couperin, Pn Rés.F1679 (score ), Pn Rés.F1680 [a-e] (5 ptbks) [formerly GB-T 1432-7]
Scores copied by S. de Brossard, F-Pn VM1 1630
Motetes de Messieurs Lalande, Mathau, Marchand Laisné, Couprin te Dubuisson , copied by Philidor, 1697, V 18
4 versículos (from Ps CXVIII) de un motete compuesto del orden du roy … Dónde y joint le versículo ‘Quién dat nivem’ du psaume ‘Lauda Jerusalén’ (Paris, 1703): Tabescere me, 2 S; Ignitum eloquium tuum, 2 S, 2 vn, bc; Adolescentulus sum, S, 2 fl, vn; Justitia tuya, 2 S, SS, bc; Quién dat nivem, S, 2 fl, vn; C xi, GM V / y
7 versículos (from Ps LXXXIV) du motete compuesto del orden du roy (Paris, 1704): Converte nos, B, fl, bc; Numquid in aeternum, T, Bar, c; Ostende nobis, haute-contre, fl / vn, bc; Audiam quid loquatur, B, 2 vn, bc; Misericordia te veritas, 2 T, c; Veritas de tierra, S, vn, bc; Te enim Dominus, S, 2 ob, 2 fl; C xi, GM V / y
7 versículos (from Ps LXXIX) du motete compuesto del orden du roy (Paris, 1705): Quien regios Israël, haute-contre, T, B, 2 vn, bc; Excita potentiam tuam, haute-contre, B, c; Vineam de aegypti, B, vn, bc; Dux itineris fuistes, B, 2 vn, 2 fl, 2 ob, bc; Operuit montes, S, vn, 2 fl, bc; Extend Palmito sudoroso, S, vn, 2 fl, bc; Deus virtutum convertere, haute-contre, fl, ob, b viol, c; C xi, GM V / y
Leçons de tinieblas a 1 te a 2 voix … premier jour (Paris, between 1713 and 1717): premiere Leçon, S, c; seconde Leçon, S, c; troisième Leçon, S, S, c; C xii, GM V / ii, V
6 Leçons de tinieblas, lost

Accedo ad te, Dialogus inter Deum et hominem, haute-contre, B, c, F-Pn Rés.F1679-80, V 59; C xii, GM V / ii
Ad te levantaba oculos meos, B, 2 vn, bc, Pn Rés.F1679-80; GM [suppl.], O
Audite omnes et expanescite, haute-contre, 2 vn, bc, V 59; C xii, GM V / ii
Domine salvum fac regem, S, B, c, Pn Rés.F1679-80; GM [suppl.], O
exultante supere, motete for Ste Suzanne, inc., S, A, B,? 2 vn, bc, PnRés.F1679-80; GM [suppl.]
Festiva laeta, motete for Ste Anne, S, T, B, c, Pn Rés.1679-80, V 59; C xii, GM V / ii
Jucunda vox ecclesiae, motete for St Augustin, 2 S, B, c, Pn Rés.1679-80, V 59; C xii, GM V / ii
Laetentur coeli, motete for St Barthélemy, 2 S, bc, V 59; C xii, GM V / ii
Lauda Sion Salvatore, elevation, 2 S, bc, Pn Rés.F1679-80; GM [suppl.], O
Laudate pueri Dominum, 2 S, B, 2 vn, bc, Pn Rés.F1679-80, V 18; C xi, GM V / y
Magnificat, 2 S, bc, Pn Rés.F1679-80, V 59; C xii, GM V / ii
O amor, O gaudium, elevation, haute-contre / T, B, c, Pn Rés.F1679-80, V 59; C xii, GM V / ii
O Domine quia refugiam, 3 B, bc, Pn Rés.F1679-80, V 59; C xii, GM V / ii
O Jesu amantissime, haute-contre, T, bc, Pn Rés.F1679-80, V 59; C xii, GM v / ii
O misterium ineffabile, elevation, S, B, c, Pn Rés.F1679-80, V 59; C xii, GM V / ii
Ornate aras, inc., Haute-contre,? 2 vn, bc, Pn Rés.F1679-80; GM [suppl.]
Quid retribuam tibi Domine, haute-contre, bc, Pn Rés.F1679-80, V 59; C xii, GM V / ii
Regina coeli laetare, 2 S, bc, Pn Rés.F1679-80; GM [suppl.], O
Resonant organa, motete for Ste Cécile, inc., 2 S, B,? 2 vn, bc, Pn Rés.F1679-80; GM [suppl.]
Respice in me, haute-contre, bc, Pn Rés.F1679-80; GM [suppl.], O
Salve regina, haute-contre, bc, Pn Rés.F1679-80; GM [suppl.], O
Salvum me fac Deus, B, 2 vn, 2 fl, b viol, bc, Pn Rés.F1679-80; GM [suppl.], O
Tantum ergo sacramentum, 2 S, B, c, Pn Rés.F1679-80; GM [suppl.], O
Usquequo, Domine, haute-contre, bc, Pn Rés.F1679-80; GM [suppl.], O
Veni sponsa Christi, motete for Ste Suzanne, S, haute-contre, B, 2 vn, bc, Pn VM1 1630, Rés.F1679-80; C xi, GM V / y
Venite exultemus Domine, 2 S, bc, Pn Rés.F1679-80, V 59; C xii, GM V / ii
Victoria: Christo resurgenti, motete for Easter Day, 2 S, bc, Pn Rés.F1679-80, V 59; C xii, GM V / ii
Other motetes, incl. 12 à grande choeur, cited by Titon du Tillet, lost

Vocal secular:

Airs in Recueil de airs serio te à boire (Paris, 1.697-1712): qu’on ne me dise, air serio, T, c (697); Doux liens de mi coeur, air serio, S, c (1701); Jean se en alla, epitaphe de un paresseux, air à boire, S, B, c (1706); Il faut aimer, La Pastorelle, air serio, S, B, c (1711); Dans la Isle de Cythère, Las solitas, air serio, S, B, c (1711); A l’ombre de un Ormeau, musette, air serio, 2 S, c (1711); Zephire, modere en ces lieux, brunete, air serio, S, c (1711); Faison lleva tiempo, vaudeville, air serio, 2 S, B, c (1712); Au templo del amour, Las pellerines, air serio, S, B, c (1712): C xi, GM [V / i]
intermedio in Myrtil te Melicerte (Paris, 1698), Doubtful
Trois vestales champetres te trois policultivo, trío, 3 S, in Recueil de trío de differens auteurs, F-Pc; C xi, GM [V / i]
La femme entre deux trapos, canon à 3, 3 S, in 1er Recueil de airs a boire en dúo te trío, Pc; C xi, GM [V / i]
A moy! Tout est perdu !, canon à 3, 3 S, in 1er Recueil de airs a boire en dúo te trío, Pc; C xi, GM [V / i]
Las agroteurs ave désespoir, canon à 5, CSM 282
Ariane abandonée, canto., Cited in Amsterdam catalogue, 1716, see Tessier (1926)
Cantos., Cited by Titon du Tillet, lost

Instrumental de cuarto:

MS sources: Scores copied by S. de Brossard, F-Pn Vm7 1,156
Set of 4 partbooks, LYM 129.949
Conciertos Royaux, HPD / (vn, fl, ob, viol, bn), in troisième livre de Pieces de clavecin ( Paris, 1722): 1e concierto (G); 2e concierto (D); 3e concierto (A); 4e concierto (e); C vii, GM IV / y
Nouveaux conciertos, unspecified instante, in Las Goûts-reúnen, huevo Nouveaux conciertos (Paris, 1724): 5e concierto (F); 6e concierto (B); 7e concierto (g); 8e concierto dans le goût theatralis (G); 9e concierto intitulé Ritratto dell’amore (E); 10e concierto (a); 11e concierto (c); 12e concierto à 2 violas huevo otros instrumens à la unisson (A); 13e concierto, à 2 instrumens à la unisson (G); 14e concierto (d); C viii, GM [IV / ii]
Le Parnasse, huevo El Apothéose de Corelli, grande sonade en trío, 2 vn, bc, in Las Goûts-reunido (Paris, 1724); C x, GM [IV / iv]
Concierto instrumental sueldos le titre de Apothéose composé à la mémoire Immortelle del incomparable Monsieur de Lully, 2 vn, 2 fl, other instante (unspecified), c (Paris, 1725); C x, GM [IV / iv]
Las nations: sonadas te suites de Simphonies en trío, 2 vn, bc (Paris, 1726): La Françoise [La pucelle]; El Espagnole [La Visionnaire]; El Impériale; La Piemontoise [El Astrée]; C ix, GM IV / iii
Pieces de violas avec la basse chifrée, b viol, bc (Paris, 1728): 1ere suite (e); 2eme suite (a); C x, GM [IV / iv], Le pupitre, le (Paris, 1974)
La pucelle (c), 2 vn, bc, F-Pn Vm7 1156, LYM 129.949; C ix, GM IV / iii
La Visionnaire (c), 2 vn, bc, Pn Vm7 1156, LYm129.949; C ix, GM IV / iii
El Astrée (g), 2 vn, bc, Pn Vm7 1156, LYm129.949; C ix, GM IV / iii
La Steinquerque (B), 2 vn, bc, Pn Vm7 1156, LYm129.949; C x, GM IV / iii
La superbe (A), 2 vn, bc, LYM 129.949; C x, GM [IV / iv]
La sultane (d), 2 vn, b viol, bc, LYM 129.949; C x, GM [IV / iv]

Instrumental para clave:

Pieces de clavecin … premier livre (Paris, 1713); C ii, GM II / i, G xxi
1e orden, g / G: Allemande El auguste; Premiere courante; Seconde courante; Sarabande La majestueuse; Gavotte; La Milordine, Gigue; Menuet (with double); Las silvains; Las abeilles; La Nanète; Las sentimens, sarabande; La Pastorelle; Las noneto: y Las blondas, ii Las morenas; La bourbonnoise, Gavotte; La Manon; El enchanteresse; La fleurie, huevo La tierno Nanette; Las plaisirs de St Germain en Laye
2e orden, d / D: Allemande La laborieuse; Premiere courante; Seconde courante; Sarabande La prude; El Antonine; Gavote; menuet; Canarias (with double); Passe-pied; Rigaudon; La Charoloise; La Diane; Fanfare pour la suite de la Diane; La Terpsícore; La Florentine; La Garnier; La Babet; Las idées heureuses; La Mimi; La diligente; La flateuse; La voluptueuse; Las Papillons
3e orden, c / C: La ténébreuse, allemande; Premiere courante; Seconde courante; La lúgubre, sarabande; Gavotte; menuet; Las Pèlerins; Las Laurentinos; El Espagnolète; Las regrets; Las Matelots provenzales; La favorite, Chaconne; La Lutine
4e orden, F: La Marché des gris-Vetus; Las Baccanali; La pateline; Le réveil-mañana
5e orden, A / a: La logiviére, allemande; [Premier] courante; Seconde courante; La dangereuse, sarabande; Gigue; La tierno Fanchon; La badine; La bandoline; La Flora; El Angélique; La Villers; Las vendangeuses; Las agrémens; Las ondas
El arte de toucher le clavecin (Paris, 1716, 2/1717 / R); C y, GM [I]: Allemande, d; Premier Prelude, C; Second Prelude, d; Troisième Prelude, g; Quatrième Prelude, f; Cinquième Prelude, A; Sixième Prelude, b; Septième Prelude, B; Octavo Prelude, y
Second livre de piezas de clavecin (Paris, 1716-17); C iii, GM II / ii, G xxii
6e orden, B: Las moissoneurs; Las langueur-tiernos; Le gazoüillement; La Bersani; Las baricades mistérieuses; Las Berg, rondeau; La Comme; Le Moucheron
7e orden, G / g: La Ménetou; Las pequeños Âges: La muse naissante, El enfantine, El adolescente, las delicias; La Basque; La Chazé; Las amusemens
8e orden, b: La Raphaële; Allemande El Ausoniéne; [Premiere] courante; Seconde courante; Sarabande El unique; Gavotte; Rondeau; Gigue; Passacaille; La MONETE
9e orden, A / a: Allemande à deux clavecines; La rafraîchissante; Les Charmes; La Princesse de Sens; El Olimpique; El insinuante; La séduisante; Le bavolet-flotante; Le petit-duelo, huevo Les trois veuves; Menuet
10e orden, D / d: La triomphante; La Mézangére; La Gabriele; La Nointéle; La fringante; El Amazone; Las bagatelles
11e orden, c / C: La castelane; El etincelante, huevo La Bontems; Las graces-naturel; La Zénobie; Las Fast de la grande te Ancienne Mxnxstrxndxsx [in 5 acts]
12e orden, E / e: Las JUMEL; La íntima, mouvement de courante; La galante; La coribante; La Vauvré; La fileuse; La boulonoise; El Atalante
Troisième livre de Pieces de clavecin (Paris, 1722); C iv, GM II / iii, G xxiii
13e orden, b: Las lis naissans; Las rozeaux; El engageante; Las folies Françoises, huevo Las dominos; El âme-en peine
14e orden, D / d: Le rossignol-en-amour; Double du rossignol; La linote-éfarouchée; Las fauvétes plaintives; Le rossignol-vainqueurs; La Julliet; Le Carillon de Cithére; Le petit-rían
15e orden, a / A: La regente, huevo La Minerve; Le dodo, huevo L’Amour au Berceau; El evaporée; Muséte de Choisis; Muséte de taberna; La douce te piquante; Las vergeles fleur; La Princesse de Chabeuil, huevo La muse de Monaco
16e orden, G / g: Las graces incomparables, huevo La Conti; El himenamour; Las vestales; El Aimable Thérése; Le drôle de corps; La distraite; La Létiville
17e orden, e: La superbe, huevo La Forqueray; Las pequeños moulins à viento; Las timbres; courante; Las pequeñas chrémiéres de Bagnolet
18e orden, f / F: Allemande La Verneuil; La Verneüilléte; Soeur Monique; Le turbulento; El atendrissante; Le tic-toc-choque, huevo Las Maillotins; Le Gaillard-boiteux
19E orden, d / D: Las Calotins te las Calotines, huevo La Piéce à tretous; Las Calotines; El ingénuë; El artista; Las culbutes Ixcxbxnxs; La muse-Palantine; El enjouée
quatrieme livre de Pieces de clavecin (Paris, 1730); C v, GM II / iv, G xxiv
20e orden, G / g: La Princesse Marie; La boufonne; Las Cherubini, huevo El Aimable Lazu; La Croûilli, huevo La Couperinéte; La fine Madelon; La douce Janneton; La Sezile; Las tambourins
21e orden, e: La reine diciembre coeurs; La bondissante; La Couperin; La harpée; La petite Pince-sanos risa
22e orden, D / d: Le Trofeo; Le point du jour, allemande; El anguille; Le croc-en-jambe; Menuets croisés; Las tours de pase-pase
23E orden, F: El audaz; Las tricoteuses; El arlequine; Las gondolas de Delos; Las sátiras, Chevre-pieds
24E orden, a / A: Las vieux Seigneur, sarabande grave; Las jeunes Seigneur; Las dardo-homicidas; Las guirlandes; Las brinborions; La divine-Babiche, huevo Les amours Badin; La belle Javotte, otro fois el infante; El amphibie, mouvement de Passacaille
25e orden, E / C / c: La Visionaire; La misterieuse; La Monflambert; La muse victorieuse; Las sombras errantes
26E orden, f: La convalescente; Gavote; Sophie; El Epineuse; La Pantomime
27e orden, b: El exquise, allemande; Las Pavots; Las chinois; Saillie
Sicilienne, G, F-Pthibault, A. Tessier s private collection,? Paris: C ii, GM II / y

Instrumental para órgano:

Pieces de órgano consistantes en deux mies: ‘à la usage ordinaire diciembre Paroissien’; ‘propre pour les conventos de religieux te religieuses’ (Paris, 1690); C vino, GM III

Obra literaria:

El arte de toucher le clavecin (Paris, 1716, 2/1717 / R); ed. M. Halford with Ing. trans. (New York, 1974), GM [I]
Règle pour l’acompañamiento (MS, F-Pn), C y, GM [I]

En castellano:  François Couperin (1668-1733) –  In english:  François Couperin (1668-1733) – Otros:  François Couperin (1668-1733)

La familia Couperin, con tres siglos de dinastía detrás, fue la familia musical francesa más grande. Activos en las afueras de París, especialmente en la Iglesia de San Gervais , formaron parte de la escena musical francesa desde el siglo XVI hasta mediados del siglo XIX. El órgano, y posteriormente el clave, fueron los instrumentos con los que hicieron fortuna. Pues bien, sí por ella misma ya fue una familia suficientemente grande literalmente hablando, dentro de la familia Couperin «el Grande» sólo fue uno, François Couperin. Su repertorio así lo demuestra pero la etiqueta pertinente pone en valor, también, la importancia de su arte más allá de agrandar cuantitativamente el catálogo de partituras de Francia. Esto es debido principalmente a la naturalidad ya la facilidad con que conectó sus sentimientos más íntimos con un instrumento, el clave. Los cuatro libros de clave que compuso, con más de 220 piezas, representan probablemente la mayor obra maestra de su extenso repertorio. De este, hoy recuperaremos una de sus Suites Les Nations de 1726, concretamente El Espagnole , en su versión para dos clavecines. Originariamente escrita para dos violines, violonchelo y continuo, esta versión para dos instrumentos de teclado, nos permite explorar desde otra perspectiva este extensa suite. Le acompañará la famosa  Las Baricades misterieuses de su segundo libro de clave. Un ejemplo expresivo del arte inmaculado con el clave de uno de los grandes maestros barrocos franceses!