Charles Gounod – Romeo et Juliette Romeo & Juliet

Anna Netrebko «Je veux vivre» in Romeo and Juliet by Gounod (HD Paris 2007)

BIOGRAFIA

OBRA:

Vocal secular:

Operas:
Sappho (1851)
La nonne sanglante (1854)
Le médecin malgré lui (1858)
Fausto (1859)
Philémon et Baucis (1860)
La colombe (1860)
La reine de Saba (1862)
Mireille (1864)
Roméo et Juliette (1867)
Cinq-Mars (1877)
Polyeucte (1878)
Le tributo de Zamora (1881)

Secular partsongs:
Choeur de cazadores, ‘Où sommes-nuevos?’ (1855);
Hymne à la France (A. Peleo) (? 1856, 2/1879); El enclume (E. Barateau) (1856);
Vive el empereur (Lefranc), chant national (1856), also for 6vv [middle section, Prière, repubd as Tantum ergo (1883)];
La cigale et la Fourmi (La Fontaine) (1856);
Le Corbeau et le renard (La Fontaine) (1857);
Le retour diciembre Guerrieri, in La musique populaire, y (1863);
La chasse, ‘Au fond des Bois’ (1867): all TTBB, UNACC., Mosto repubd for 3 equal vv, pf ad lib
Le vino diciembre Gaulois te la danse del épée, légende Bretonne, TTBB, UNACC. (1854), arr. SATB, ORCH (1879/80) [as 4 grandes Choeur no.4], arr. pf solo (1878); with new texto Chant des compañeros (4 grandes Choeur no.3), TTBB, ORCH / pf (by 1858), arr. SATB, ORCH (1859/60)
La nuit (Crèvecoeur), T, SATTBB, UNACC. (1867, 2/1868 with pf acc.)
El affût (A. de Ségur), TTBB, unacc./pf, in 12 Choeur et une cantate (1869)
Matinée dans la montagne (E. Tourneux), solo vv, SATB, pf, in 12 choeur et une cantate (1869)
En la Frontière (J. Frey), chant Patriotique, solo vv, chorus, ORCH, Paris, Opéra, 8 Aug 1870, unpubd, F-Po
6 New Parte Songs ( London, 1872 oro 1873): [1 Omnipotente Lord (J. Mason), sacred ps, SATB, pf]; 2 Little Celandine (Wordsworth), SATB, pf [pubd as solo dúo (1872)]; 3 Gitanella (FE Ashley), SATB, pf; 4 Bright Star of Eve, 2 Choruses SATB, pf; 5 My true love Hath my heart (P. Sydney), SATB, pf [also pubd as solo song]; 6 Take me, Mother Earth (Mrs Jameson), SATB, pf
6 New Parte Songs, 2nd ser. (London, 1872 oro 1873): 1 The Farewell (T. Hood), TTBB, pf; 2 Go, lovely rose (E. Waller), SATB, pf; 3 The Bell (I. Bröchner), 2 Choruses SATB, pf; 4 Far from my native mountains (Miss Horace Smith, after Gounod), SATB, pf [arr. from solo song Loin du pays]; [5 Adam could find no sólido peace, SATB, pf]; 6 Le loup et al agneau (La Fontaine, with Ing. Trans.), TTBB, pf
En adelante! (P. Déroulède), chanson militaire, solo vv, vv, pf 2/4 hands (1875), many arroz.
Cantate pour la fête du TC Frère Libanos (Fr. A. Marie), SATB, pf (by 1876)
La liberté eclairs le monde! (E. Guiard), TTBB, ORCH (1876)
Le Ruisseau (Quételard), solo v, 3 equal vv, UNACC. (1883)
Las pequeños glaneurs (Quételard), 3 equal vv, UNACC. (1883)

Duets:
Deux vieux amigos (P. Véron), scène íntima, T, Bar, pf (1856)
Las châteaux en Espagne (Véron), T, Bar, pf (1858)
Par une belle nuit (A. de Ségur ), nocturno, S, A, pf (1870)
La siesta (Sp., anon.), S, S, pf (London, 1871)
The Message of the Breeze (FT Palgrave), S, S, pf (London, 1872) [Sequel to La siesta; in Fr. (C. Ligny) as La chanson de la brise (1872)]
Little Celandine (Wordsworth), S, A, pf (London, 1872) (in Fr. (Ligny) as Fleur des Bois (1872)]
Barcarola (It. , G. Zaffiro), S, Bar, pf (London, 1873)
Blessed is the man (Ps i), S, A, pf (London, 1873) (in Fr. (J. Barbier) as Bienheureux le coeur since ( 1875)]
Sous le feuillage (J. Barbier), duettino, S, A, pf (by 1876)
De un coeur quien t’aime (from Racine: Athalie), S, A. pf (1882) [different from the Choral setting]
Memorare (Lat., St Bernard), S, A, pf / org (1883)

Secular songs:
solo voice, piano unless otherwise stated
Joseph en Egypte, 1835, unpubd (F-Pn);
Où Voulez-vous aller ? (T. Gautier), Barcarolle, v, pf, vn / vc / fl / hmn (1839);
Venezia Doucin Compagno, by 1842, unpubd (F-Pn);
La fleur au papillon (Hugo), by 1842, unpubd ;
Premier Preludio de JS Bach (Lamartine: Hacia sur un álbum) (1852), arr. vv, solo vn, ORCH (1856), originally for Instant (1853), with texto Ave Maria (1859);
6 melodías (1855) : 1 Le premier jour de mayo (Gorrión), 2 O ma belle rebelle (Baïf), 3 Aubade (Hugo), 4 Chant d’automne, 5 Le lever (Musset), 6 Venise (Musset), Composed 1842;
Mon habit (Béranger) (1857);
Sérénade (Hugo), v, pf, hmn / vc ad lib (1857), numerous arroz .;
Chanson de printemps (E. Tourneux) (1860), arr. pf as 5e romance sanos paroles (1866);
El âme de la morte (Banville), melodía (1860)
Le vallon (Lamartine), Composed c1840-42 (1861);
Le juif errante (Béranger) (1861);
A une jeune grecque (P. Yraven, after Sappho and P. Collin), épitaphe (1862);
20 melodías, 1er Recueil (1863), incl. Las champs (Béranger), Seúl (Lamartine: La pensée des morts), El âme de un ange (Banville), melodía, Le soir (Lamartine) [Composed c1840-42, arr. pf as 3e romance sanos paroles (1861)];
Medjé (J. Barbier), chanson arabe (1865);
Solitude (Lamartine), melodía (1865)
Stances: si la muerte este le but (L. Bertin) (1866);
Crépuscule, melodía ( ‘P. et M.’) (1866);
Tombez mes Ailes! (E. Legouvé), romance (1866);
Au rossignol (Lamartine), armónico poética (1867);
Primavera (T. Gautier), melodía (1867);
Au printemps (Barbier), melodía (1868);
Donne-moi cette fleur (L. Gozlan) (1868);
Ce que je suis sans toi (L. de Peyre) (1868);
Hymne à la nuit (Barbier) (1868);
Chant d’amour (Lamartine), ORCH, 1868, unpubd;
A une jeune fille (E. Augier) (1869);
Envío de fleurs (Augier) (1869);
A une bourse (Augier), confidence (1869)
Départ (Augier), scène (1869);
Boire à l’ombre (Augier) (1869);
Hommage à Madame la comtesse Herminie de Léautard (Mme Bael) (1869);
Je ne puis espérer (A. Delpit), melodía dramatique (1870);
Absence (Ségur), melodía (1870);
Mignon (L. Gallet, after Goethe), melodía (1871);
Le souvenir (J. Collin), melodía (1871);
La pâquerette (Dumas hilos), chanson (1871);
Beware (Longfellow) (London, 1871);
Bolero (J. Barbier; Ing. Trans. B. Kelt) (London, 1871);
Sweet baby sleep (G. Wither), lullaby (London, 1871);
The sea Hath its pearls, v, pf, hmn / vn ad lib (London, 1871)
Oh! that we two were maying (C. Kingsley), v, pf, hmn and va ad lib (London, 1871);
Queen of Love (FT Palgrave) (London and New York, 1871);
The fountain mingles with the river (Shelley) (London, 1871);
It is not always May (Longfellow) (London, 1871);
Woe s me (Campbell) (London, 1871);
Good Night (Shelley) (London, 1871);
There is dew (T. Hood) (London, 1871);
20 melodías, 3e Recueil (1872), incl. A toi, mon coeur (Barbier), Aimon-nuevos (Barbier), tomar garde (Barbier), Sur la montagne (Barbier), Chanter te souffrir (A. Delpit), Rêverie (Barbier)
Chanson de avril: sérénade du pasando (F. Coppée) (1872);
The Worker (F. Weatherly) (London, 1872), also orchd;
Ma belle lleva este morte (Gautier), lamento (1872) [same texto as Chanson du pêcheur];
Oh! DILLE tú! (G. Zaffiro), Madrigale (London, 1872);
Perche pianga? (C. Pavesi) (London and New York, 1872);
Passed away (E. Saunders) (London, 1872);
Oh! Happy Home (E. Maitland) (London, 1872), also orchd; Maid of Athens (Byron) (London, 1872)
Biondini (Zaffiro), poemetto lírica [song cycle] (London, 1872); prol, Da qualche tempo, 1 Biondini bella, 2 Sotto un Cappello rosa, 3 Le labbra ella compose, 4 E stati alquanto, 5 Lo Messer nuove corde, 6 Se come io son poeta, 7 Siam iti el altro giorno, 8 E le campaneo hanno suonato, 9 Ell’è Malata, 10 Jer fu mandata, 11 El lo compagnata, [12 lo siempre nel Orecchio and Epilogue not Composed];
Cuanti más (Metastasio) (London, 1872);
Le pays bienheureux: cuestión de niño (Gounod, after Mrs Heman: The Better Land) (1872);
Heureux sera le jour (Ronsard) (1872);
Si vous n’ouvrez votre fenêtre (Dumas hilos) (1872);
La Fauvette (Millevoye), chanson, (1872);
If thou art sleeping (Longfellow) (London, 1873)
Loin du pays (Gounod), melodía (London, 1873), also arr. vv;
Peacefully Slumber, lullaby (London, 1873), arr. vn, pf as Berceuse (1875);
Roy ‘s Wife of Aldivalloch (Folksongs arr.) (London, 1873);
Chidiock Tichborne (old ballad) (London, 1873);
Welcome to Skye (old Jacobite song) (London, 1873);
Ilala: Stances à la mémoire de Livingston (Lord Houghton) (London, 1873), also orchd;
Parlez pour moi (Barbier), romance (1875);
Le memorare du soldado, Prière, Bar solo, ORCH, vv ad lib (1875)
A une soeur (O. Pradère), romance (1875);
En la brise (Aura gentil che mormori) (Fr. trans. Barbier) (1875);
Mon amour a mi coeur (Barbier), melodía (1875);
Viens, las Gazon sont verdes (Barbier), chanson (1875);
Las lilas blancos (P. Bourguignat), valse chantée (1876);
When in the early morning (E. Maitland), (London, 1876);
Le banco de pierre (P. de Choudens) (1876);
Ma fille, souviens-toi (Louise Marie B.), melodía (1876);
Prière (Sully-Prudhomme) (1876);
Cumplimiento (Dumas hilos) (1876);
El ausente (Gounod), melodía (1877)
My daddy is a cankered carl (old Scots song) (London, 1877);
20 melodías, 4e Recueil (1877): Le départ du mousse (P. Barbier), Barcarolle, and several of the above; Vive la France (P. Déroulède), chant Patriotique (1878), also with vv ad lib;
Mélancolie (Coppée), rêverie in Gil-Blas (1880), also separately (1881);
Ring out, wild bellos (Tennyson, In memoriam) (London, 1880);
A Cécile (G. Dubuffe), melodía (1881);
Réponse de Medjé (M. Barbier), melodía (1882);
Chant des sauveteurs bretones (A. Segalàs) (1882); Pauvre Braga (G. Nadaud) (1882); Elle salto! (G. Boyer) (1882); Les deux Pigeons (La Fontaine) (1883)
La chanson de la glu (J. Richepin) (1883);
Dernier voluntad (L. Veuillot) (1883);
Vaguons sur las flotas, Barcarolle (1884);
Blessures (H. Taupin) (1885);
Voix de Alsacia-Lorena (R. Rousseil) (1885);
The Arrow and the Song (Longfellow) (London, 1885);
Le temps des rosas (C. Roy) (1886);
Vincenette (P. Barbier), chanson provençale (1887);
Passiflora (J. de Chambrun) (1888);
A la nuit (Gounod) (1891);
Tout el universo obedecido al amour (La Fontaine) (1893);
El AVEU (J. Rameau) (1894) [Gounod s last melodía];
Chanson Printaniere (J. Barbier) (1895);
La chanson du pêcheur (Gautier), Composed 1841 (1895) [2nd setting of texto as Ma bella lleva este morte (1872)];
Soir d’automne (Gounod) (1896)

Children ‘s songs and partsongs:
for equal voices, unaccompanied unless otherwise stated
* later published for solo voice, piano
La Prière te la étude, huevo El emploi de la journée (C. Turpin) , 3-4vv (? 1853-5): El arithméthique, La musique, La Recreation, La géographie, El écriture, La lecture, La grammaire, Le dibujo, El histoire de France, La histoire sainte, La Prière du matin, La Prière du soir, Reine diciembre cieux, La action de Grace, Le Catéchisme, Le Benedicite, el Angelus
Paraissez, roi des Rois, chant de prix, 3vv (1854);
Las pauvres du buen Dios, 3vv (1854);
* Le tiempo quien fuit et qui s’envole, 3vv (1855);
* Las vacaciones (L. Bigorie), 3vv (? 1855);
* La distribution diciembre prix, 3vv (1855);
Le jour diciembre prix (E. Scribe), 3vv (? 1855);
Un rêve (M. Spenner), 4vv (1855);
* Le nid (A. Quételard), 3vv, pf (? 1855);
Las Couronnes (E. Plouvier), Choeur compone pour distributions de prix, 2vv, pf / UNACC. (1856, 2/1886): 1 Le travail Beni, 2 La hechas desde Couronnes, 3 Dios partout; Cantate pour jeunes hijas (pour la distribution diciembre prix) (Turpin), 3vv, pf (1856)
hechas desde écoles (A. Lefevre), 3-4vv (1856);
Livron nos coeurs à l’espérance, 3vv (1856);
Aux amigos del enfance (nd);
* Le rosier blanco (Spenner), 3vv (1857);
* Bonjour, buen soir (Spenner), 3vv (1857);
* El ange gardien (A Quételard), 4vv (1858);
* Patte de terciopelo (Spenner), 3vv (1858);
* La jeune fille et la Fauvette (E. de la Chauvinière), 1v, pf (1860), also for 3vv; Infantes ave doux visage (La Chauvinière), 1v, pf (1868);
Le mois de Marie, Cantique, 1v / unísono vv, pf / org (1868) [also pubd as Prière à la Vierge];
La Charité (La Chauvinière), 3vv (? 1883)

Vocal religiosa:

Masas:
Messe à grand orchestre, 1839, unpubd
Messe à grand orchestre, a-E, A, T, TTB, 1841, unpubd (F-Pn)
Requiem à gran orchestre, 1842, unpubd
Messe, UNACC., 1843, unpubd
Messe, c, TTB, org, 1845, unpubd (F-Po)
Messe breve te salud, c-E, TTBB, UNACC., op.1 (1846)
Messe, c-c, TTB, 2 S ad lib, UNACC. (1853, 2/1853 as Messe aux Orphéonistes, 4/1863 as Messe no.1 aux Orphéonistes, with org ad lib)
Messe solennelle de Sainte Cécile, G, S, T, B, SATB, ORCH, org (1855), vs with new 2nd Offertory (London, 1874)
Messe, G-C, TTBB, org ad lib (1862 as 2ème messe pour les sociétés Choral; 1882 for 3 equal vv, org ad lib as Messe no.3 aux communautés réligieuses 1893 for S, A, T, B, SATB, org as Messe no.6 aux Cathedral)
Messe breve, C, T, T, B, TBB, org (1871, 2/1892 as Messe breve no.5 aux seminarios)
Messe breve , pour las muertes (Requiem), F, solo vv, double chorus SATB, ORCH, vs (London, 1873)
Misa angeli custodes, C, S, A, T, B, SATB, org (London, 1873)
Messe du Sacré -Coeur de Jésus, C, S, A, T, B, SATB, ORCH, vs (1876)
Messe, C, 2 equal vv, org / hmn (1877; c1890 as Messe breve no.7 aux Chapelles, solo vv, SATB, org / pf)
Messe funèbre, F, SATB, org ad lib (1883) [arr. from Gounod s music by J. Dormois]
Messe solennelle no.3 de Pascua, E, SATB, ORCH, vs (London, 1883)
Messe à la mémoire de Jeanne de Arco précédée de un Preludio avec fanfare sur l’entrée dans la cathédrale de Rheims, F, S, A, T, B, SATB, org (1887) [Preludio, SATB, 8 TPT, 3 trbn, org]
Messe solennelle no.4 sur l’intonation de la liturgie catholique, g-g , SATB, org, for beatification of JB de La Salle (1888) [preceded by TED]
Messe de St Jean, de después le chant gregoriano, C, SATB, org (1895)
Messe dite de Clovis, de después le chant gregoriano, C, SATB, org (1895)
Requiem, C (S, A, T, B, vv, pf) / (S, A, T, B, pf / org) / (2 equal vv, pf / org ) (1895) [Gounod s last work, arr. and ed. H. Busser]

Latin liturgical:
unaccompanied unless otherwise stated
TED, 2 Choruses SSTTB, 1841, unpubd;
Offices de la Semaine Sainte sur la Psalmodie rhythmée del Epistolier parisien, op.2 (1847);
Domine salvum fac, C, 3 equal vv (1853);
Ave verum, C, 3 equal vv (1854);
Santa María, A, 4vv (1854);
Ecce panis, F, SATB (by 1856);
O salutaris, 4vv (1855);
Regina coeli, A, 5vv (1855);
Ave verum, 4vv (by 1856);
Virgo singularis, a, 4 equal vv (by 1856);
Ave verum, 5vv (by 1856);
Santa María, 2vv (by 1856);
O salutaris, 4vv (by 1856);
Ave regina, C, 4 equal vv (by 1856);
Da pacem, G, 2 equal vv (by 1856);
Da pacem, F, STB (by 1856);
Pater noster, G, SATB (by 1856);
O salutaris, 4vv (1856)
Inviolata, C, 4 equal vv (1856);
Regina coeli, B, 2 equal vv, pf / org (1856);
Laudate Dominum, C, 2 equal vv, pf / org, db (1856);
Ave verum, B, S / T solo, pf / org (1856);
Ave verum, y, B / A solo, org (1856, 2/1863);
O salutaris (4 motetes solennels no.1), A, Mez / T, SATB (ORCH, org) / org (1856, 2/1864);
Inviolata, 2 equal vv, in La maîtrise, iii (1859-60) [possibly arr. from the Earlier setting];
Ave verum, C, 2 S, in La maîtrise, iv (1860-61);
Ave verum, C, 4 equal vv (1863)
Ave verum (4 motetes solennels no.2), E, SATB, ORCH / org (1863);
Ave verum (4 motetes solennels no.3), C, S / T, SATB, ORCH / org (1864);
Veni Creator Spiritus, G, TTBB, UNACC. (1864);
O salutaris (4 motetes solennels no.4), E, T / S, Bar / Mez ad lib, org, hp, hns, vc, db (1866);
Ave regina coelorum, A, S, T, org (1866), with texto Ave Maria (1883);
Adoro te Supplex, F, SSTTBB (by 1867);
3 Jolis motetes faciles, 2 equal vv, org ad lib (1868):
Ave verum, F, Tota pulchra es, B, Sub tuum, B;
Christus factus est, B, S / T, ORCH, pf / org, hmn ad lib (? 1868);
Ave verum, E, SSATB (1868, 2/1868 with pf / org)
Sicut cervus, A (SATB) / (TTBB) (1868, 2/1869 with org ad lib);
De profundis, c-C, S, A, T, B, SATB, ORCH (London, 1871);
O salutaris, A, SATB, kbd (London, 1871);
O salutaris, A, Mez, T, org (1871);
Vexilla regis, g, SATB, org (London, 1873);
Pater noster, SATB, org (London, 1873);
Ave verum, C, SATB, org (London, 1873);
60 [Lat.] Chants sacra (Paris, 1876-8, 2 /? 1887) [collection of mass MOVT, motetes, hymns, etc, incl. many of the preceding and Adoramus té, F, 4vv;
Por sanctissimam virginidades, A, 4 equal vv;
Alma Redemptoris, A, 4 equal vv;
Deus meminerit, c, 4 equal vv;
Domine salvum fac, G, 4vv, donde ‘God save the Queen’;
O salutaris, D, SSTTB; O salutaris, D, S / T, org;
O salutaris, D (another setting), S / T, org;
O salutaris, E, 2 equal vv]
Laudate Dominum, pubd with EDN of Messe de Sainte Cécile (1879);
Miserere, 4 solo vv, 4vv, org ad lib, (1880);
O salutaris, C, SST, pf / org (1887);
Quam dilecta Tabernáculo tuya, Bar,? Org (1888);
TED, G, 4 solo vv / small chorus, vv, HPS, org (? 1888);
In principio erat verbum, SATB, org (1888) (also as ‘Le jour de Navidad (Epilogue)’ 1895);
Vivat (also Fr., Hymne pour la recepción de un Eveque), equal vv, org (1892);
Pater noster, 5 solo vv, 5vv, org (1893);
O salutaris, A, solo v, pf / org, in La ilustración (1898), suppl. to no.2880

Sacred oro piou parte-music in french oro english:
El éternité (MO Malory), Stropharia, SATB, UNACC. (1854, 2 /? 1883 with pf / org in 14 grandes Choeur)
Tout el universo este plein de sa magnificence (Racine), 2 Choruses SATB / SATTBB, UNACC. (before 1856, 2/1862 with pf / org)
Oraison à la très sainte vierge, SATB (1856)
Cieux, fondez-vous en pleura, Cantique du XVII siècle, 4vv (1856)
Las sept paroles de NS Jésus-Christ sur la croix, SATB, UNACC. (1858, 2/1866)
Fixer ici ton suerte, Cantique du XVII siècle, 4vv (1859)
Dans cette Étable, pastorale sur un Noël du XVIII siècle (4 grandes Choeur no.2), SATB, ORCH (1859); many arroz. as Bethleem
Cerca du río étranger (4 grandes Choeur no.1) (A. Quételard, Ps CXXXVII), SATB, ORCH / pf / org (1861)
Prière à Marie (E. Bouscatel), SATB, pf / org (1861)
Le Vendredi-Saint (A. Badou), SATTBB, UNACC. (1865/6, 2/1868 with pf)
Prière du soir (E. Manuel), SATTBB, UNACC. (1866, 2/1869 with pf, org ad lib in 12 Choeur et une cantate) [also pubd as solo song (1872)]
Noël (J. Barbier, after Uhland), Chant des religieuses, S, A, SSA, pf , org ad lib (1866); as Chantez Navidad, S, A, pf (1867), 1v, pf (c1869)
Le crucifijo (Hugo), SATTBB (1866, 2/1869 with pf / org in 12 Choeur et une cantate) [also pubd as solo song]
Stabat mater (Fr., Abbé Castaing), SATB, ORCH (1867)
De un coeur quien t’aime (from Racine: Athalie), 2 Choruses SATB, UNACC., Composed 1851 (nd, 2/1869 with pf / org in 12 choeur et une cantate)
Las Martyrs (A. Quételard), scène Chorale, TTBB, unacc./pf (1871)
A New Morning Service, SATB, org (London, 1872): Ted (Ing.), C; Bs (Ing.), G
An Evening Service, SATB, org (London, 1872): Mag (Ing.), D Nunc (Ing.), B
Omnipotente Lord (J. Mason), sacred ps, SATB, pf (London , 1872/3) [6 New Parte Songs no.1]
Adam could find no sólido peace, SATB, pf (London, 1872 oro 1873) [6 New Parte Songs, 2nd ser., no.5]
Grandeur de Dios, SATB , UNACC. (Nancy, 1876)
Je te rinde Grace, ô Dios d’amour (P. Collin), Cantique, SATB, pf / org (1892); other arroz., 1-2vv, org
Toujours à toi, Seigneur (Collin), 4vv, pf / org (1892); other arroz., 1-2vv, org

Oratorios, cantatas etc .:
Marie Stuart te Rizzio, scène lírico, solo vv, ORCH [second prix de Rome, 1837] unpubd, F-Pn
Fernand, scène lírico, solo vv, ORCH [ premier grand prix de Rome, 1839] unpubd, F-Pn
Pierre el ermite, scène dramatique, solo vv, chorus, ORCH, 1849, unpubd (arr. pf 4 hands, Stockholm, Stiftlesen musikkulturens främjande)
Tobie (H. Lefèvre) , pequeño orado, vs (1865)
Le templo del armónico (canto., Barbier and Carré), S, Mez, A, SSTTBB, pf / ORCH, vs in 12 choeur et une cantate (1869)
Gallia: lamentation (Gounod ), motete, S, SATB, ORCH, org, for opening of London International Exposition, 1871 (London, 1871)
Jésus sur le lac de Tibériade, scène biblique, solo v, chorus, ORCH, (1875), vs (1878)
la Redemption (Gounod), sacred trilogy, solo vv, chorus, ORCH, vs (London, 1882), fs (London,? 1883)
Mors et vita (Gounod), sacred trilogy, solo vv, chorus, ORCH, vs (London , 1885), fs (London, 1885)
Saint-François de Assise, diptyque musical, T, B , Vv, ORCH, 1891, unpubd, F-Pn

Sacred and piou songs:
for solo voice, piano / órgano unless otherwise stated
A la reine diciembre apóstoles (Gounod), chant pour le départ diciembre missionaires du Seminario diciembre misiones étranger (1852, 2/1856 as Chant pour le départ diciembre missionaires du Seminario diciembre misiones étranger, 3/1869 as Le départ diciembre missionaires (C. Dallet), 1v / 2vv / 4vv, pf / org)
Jésus de Nazareth (A. Porte), chant évangelique, Bar, pf, org ad lib (1856); arr. Bar, STB, ORCH (1864); innumerable arroz., in Eng. as Nazareth
Ave María, melodía religieuse adaptée ave 1er Preludio de JS Bach (1v, pf) / (1v, vn, org, pf) / (1v, vn, org, pf, ORCH) (1859); many arroz .; for Earlier versiones see Instrumental Chamber and Secular Songs
Jésus à la crèche (Navidad) (RP) (1864), also as Jesus à la AUTEL, souvenir de 1ère communion (RP) in La musique populaire, iv / 13 (? 1866)
Le ciel a visite la terre (A. de Ségur), Cantique después de la communion, 1v / unísono vv, pf, org / hmn (1869); several arroz.
Cantique pour l’anniversaire des Martyrs: Seminario diciembre misiones étranger (C. Dallet) (1869)
Prière pour l’Empereur te la famille Impériale (Mme Bael) (? 1869)
6 cantiques (1870), incl. Le nombre de Marie (Ségur), Chantez, voix Beni (L. Gallet) [Hymn in honour of Pius IX], Notre Dame des pequeños infantes (Ségur)
There is a green hill far away (Mrs CF Alexander), sacred song ( London, 1871)
Thy will be done (C. Elliot, Ps y) (London, 1872); Fr. as Que ta volonté soit faite (1873)
Prière du soir (C. Ligny) (1872)
entre me not to leave thee (Ruth s Song) (London, 1873); other arroz.
To God, ye Choirs above (P. Skelton), sacred song (London, 1873)
Abraham s Request (Anita) (London, 1873)
My beloved spake (Song of Solomon), 1v, pf, vc obbl (London, 1873); Fr. (J. Barbier) as Viens mundo coeur (1873)
Cantique pour la première Communion (RP Dulong de Rosnay) (1874)
La Salutation Angélique (Gounod), 1v, pf, vn / vc, org ad lib (1877) (alternative Lat . texto: Ave Maria]
The King of Love my shepherd is (HW Baker) (London, 1884); Fr. (P. Collin) as Le roi d’amour (1892)
Cuando el infante prie (G. Boyer) ( 1884)
Glory to thee, my God, this night (Bishop Ken), evening song, Composed 1872 (London, 1884)
Hymne à St Augustin (Abbé Ribolet), unísono vv, org (1885)
Forever with the Lord (J. Montgomery ), Composed 1872 (London, 1886)
Ce qu’il faut á mi âme (F. Sédillot), Cantique (1887)
The Holy Vision (F. Weatherly), sacred song (London, 1888)
Hymne de la patrie: Notre Dame de France (G. Boyer), ORCH, vs in Le figaro (15 Aug 1888); also pubd separately (1888)
Ave Maria no.2, meditation donde a second prelude by JS Bach (London, 1889); several arroz.
L Ave María del infante, Composed? 1872 oro 1,873 (1891)
Ave Maria, B (1894) [pubd as Gounod s last composition]
Repente, scène sueldos forme de Prière, Mez, ORCH, vs in Revue de Paris (15 Dec 1894), 673; also pubd separately (1895)
El Eucharistie (Frère euch), Cantique (1895)
El Hymne à l’Eucharistie (E. Julliotte) (1900)
La paix de Dios (AL Hettich, after M. Henry) (1913)

Instrumental :

Orchestral and band:
Scherzo, 1837, unpubd
Symphony no.1, D (1855)
Symphony no.2, E, perf. 1856 (late 1850s)
Marche Pontificale (Marche romaine), for anniversary of Coronation of Pío IX (1869)
Saltarello (London,? 1865)
Funeral March of a Marionette, d, pf (London, 1872), orchd (1879)
Marche- fanfare, E, brass band, for 12th Hussars, arr. pf 4 hands (London, 1876)
Marche religieuse (Marche festivale), C, arr. pf 4 hands / org / hmn (1876), fs (1878)
Marche solennelle, E, arr. pf 2/4 hands / org (London, 1878)
Wedding March no.2, A, for wedding of Duke of Albany, 1882, arr. pf 2/4 hands / org (London, 1882)
Fantaisie sur l’Hymne national Russe, pedal pf, ORCH (1886)
Suite concertante, pedal pf, ORCH, arr. 2 pf by Saint-Saëns (1888)
Dance roumaine, pedal pf, ORCH, arr. Band (1890), 2 pf (1896)

Chbr .:
6 melodías, g, E, B, C-C, F, B, hn, pf (c1840-48)
Méditation sur le 1er Preludio de piano de JS Bach, pf , vn / vc, org / vc ad lib (1853) [arr. solo song)
Méditation sur Faust, pf, hmn, vn / vc (1861)
Hymne à Sainte Cécile (vn solo, HPS, timp, wind, db) (vn, org, pf) (1865); other inst arroz .; arr. as Ave verum (c1878)
Méditation, B, pf, org, vn / vc (1873); arr. from an aria in La nonne sanglante; Earlier arr. as Le calme, 4e chanson sanos paroles, pf solo (1865)
Cinq mares, Fantaisie concertante, pf, vn (1878)
Wedding March no.1, C, 3 TRB, org, for wedding of Duke of Albany, 1882 (London, 1882)
Petite étude-scherzo, D, 2 db (1885)
Meditation on The Arrow and the Song, D, pf, vn / cornete, vc, org (London, 1886)
String Quartet, g, unpubd
Pequeño cuarteto (str qt) , C, unpubd, F-Pn
String Quartet no.2, A (ded. Morsick, Rémy, Van Waefelghen, Delsart), unpubd, F-Pn
String Quartet no.3 (ded. Mme. Dergenétais), unpubd, F- pn
String Quartet no.3 [sic], en (1895)
Petite symphonie, fl, 2 ob, 2cl, 2 hn, 2 bn, Composed 1885 (1904)

Piano:
Valse (1854);
El Angelus, pequeño Morceau très facile, C, 4 hands (1858) Menuet, g, 4 hands (1858);
Valse característica, D, 2/4 hands (1861);
2 romances sanos paroles (1861): 1 La pervenche, B, 2 Le Ruisseau, G;
Marche nuptiale, F, 2/4 hands (1861);
Las pifferari, impromptu très facile, F (1861);
Le bal de infantes, valse facile, C (1861);
Musette, impromptu, a (1863);
Royal-Menuet, C (1863);
Georgina, valse, D (1864), as Grand Valse in D (London, 1877)
Le calme, 4e romance sanos paroles, D (1865) [arr. from an aria in La nonne sanglante];
Valse diciembre fianzas, D, 2/4 hands (1865);
Souvenance, nocturno, E (1865);
Le rendez-vous, suite de valses, D, Composed 1847, pf 2/4 hands (1866), ORCH (London, 1887);
Ivy (Le lierre), romance sanos paroles, B (London, 1871);
Funeral March of a Marionette, d (London, 1872), orchd (1878);
Dodelinette, lullaby, G, 4 hands (London, 1872), arr. 2 hands (London, 1873), other arroz .;
Choral te musette, F (1874)
Trois pequeños Morceaux pour enfants, 4 hands (before 1875): La nacelle, C, Rosie, G, Le page, C; La valse diciembre Sylph, A (1874);
La veneziana, Barcarolle, g (1874);
Preludio, c (1877);
Matinée además, in La ilustración (1896), suppl. to no.2761

Other:
Org:
Communion, in La maîtrise, ii / 1 (15 April 1858);
Offertorium (London, 1876);
Marches, entrées te salías à la usage du Service divino (1896) [arroz. of Earlier works]

Pedagogical:
Méthode de corazón à pistones (early 1840s);
[6] Préludes te fugas pour l’étude préparatoire ave Clavecin bien Tempe de Jean Sébastien Bach, G, y, C, D, F, a (1895)

Literatura:

‘ Las contrefaçons musicales à l’étranger ‘, Le Ménestrel, xxxix (1873), 5
‘ La novena symphonie de Beethoven [Lettre à Oscar Cometti] ‘, Le Ménestrel, xl (1874), 189-90
‘ Las compositores chefs de orchestre ‘, Le Ménestrel (June, July 1873); repr. in Autobiographie (1875); Ing. trans., OQ, xii / 4 (1995-6), 5-17
ed. G. Weldon: Autobiographie te artículos sur la rutina en matière de arte (London, 1875) [1. ‘Sur la rutina en matière del arte’, 2. ‘Le public’, 3. La critique ‘, 4. La propriété artistique’ (inc.), 5. ‘Urgence de un congreso artistique international’ ( inc.), 6. ‘Las auteurs’ (inc.), 7. La critique musicale anglaise ‘, 8.’ Préface ave Georges Dandin de Molière ‘, 9.’ Las interprètes ‘(inc.), 10.’ L ‘enseignement’ (inc.), 11. ‘Las compositores chefs de orchestre’, 12. ‘las peras de la iglesia de la musique’]
‘ Preface to Hector Berlioz: lettres íntimos ‘, Nouvelle revue, iv (1880 ), 801; pubd separately (Paris, 1882; Ing. trans., 1882, as Life and Letters of Berlioz, ii); Preface repr. with Mémoires de un artista (1896)
‘ El allaitement musical ‘, Le nouveau-né (Jan 1882); repr. Le Ménestrel, XLVIII (1882), 57-9
‘ Le Don Juan de Mozart ‘, Le Ménestrel XLVIII (1882), 388-9, 395-7
Review of C. Saint-Saëns: Henry VIII, Nouvelle revue, xxi (1883 ), 487; repr. with Mémoires de un artista (1896)
Preface to A. Mortier: Las soirées Parisiennes de 1883: par un monsieur del orchestre (Paris, 1884)
Preface to Mors et vita: a Sacred Trilogy … Book of Words (London, 1885 )
Preface to R. Mulholland: Une idée Fantasque (Paris, 1885)
‘ Considerations sur le théâtre contemporain ‘, Annales du théâtre et de la musique, xi (1886)
Review of C. Saint-Saëns: ‘Proserpine’, Le figaro ( 18 March 1887)
Review of C. Saint-Saëns: ‘Ascanio’, La France (23 March 1890)
Le Don Juan de Mozart (Paris, 1890, 5/1909 / R; Ing. trans. of 3rd EDN, 1895 / R )
Preface to S. Frère: Maman Jean (Paris, 1891)
‘ del artista dans la société moderne ‘, Revue de Paris, ii / 6 (1895), 25; repr. with Mémoires de un artista (1896)
‘ Mémoires de un artista ‘, Revue de Paris, ii / 3-4 (1895); pubd separately (Paris, 1896; Ing. trans., 1896 / R, as Charles Gounod: Autobiographical Reminiscence, with Family Letters and Notes on Music), enlarged, incl. unpubd letters and the lecturas ‘La Académie de France à Rome’ (Jan 1882) and ‘La nature et al arte’ (25 Oct 1886)
Después vingt años et autres poesía: avec quelques palabras de explication par Georgina Weldon (Paris , 1902) [poems communicated to Mrs. Weldon by the spirit of Gounod]